The Skin Collector (Lincoln Rhyme 11)

Was there a leak?

Chloe came down here often, if reluctantly, and she'd never heard water. She stacked the faux French garments near the stairs and turned to investigate. Most of the inventory was on shelves but some cartons rested on the floor. A leak could be disastrous. And while, yes, Chloe was eventually headed for Broadway she nonetheless needed to keep her job here at Chez Nord for the foreseeable future. Stopping a leak before it ruined ten thousand dollars' worth of

overpriced clothes might go a long way in keeping those paychecks dribbling into Chase.

She walked to the back of the cellar, determined to find the leak, though also on serious spider alert.

The dripping grew louder as she moved toward the rear of the room, even murkier than the front, near the stairs.

Chloe stepped behind a shelf, containing a huge supply of blouses so ugly even her mother wouldn't wear them - a major order by a buyer who, Chloe believed, had made the purchase because he knew he was going to be sacked.

Drip, drip ...

Squinting.

Odd. What was that? In the far wall an access door was open. The sound of water was coming from there. The door, painted gray like the walls, was about three feet by four.

What did it lead to? Was there a sub-basement? She'd never seen the doorway but then she didn't believe she'd ever glanced at the wall behind the last shelf. There was no reason to.

And why was it open? The city was always doing construction work, especially in the older parts, such as here, SoHo. But nobody had talked to the clerks - her, at least - about a repair beneath the building.

Maybe that weird Polish or Rumanian or Russian janitor was doing some repairs. But, no, couldn't be. The manager didn't trust him; he didn't have keys to the basement door.

Okay, the creep factor was rising.

Don't bother figuring it out. Tell Marge about the drip. Tell her about the open doorway. Get Vlad or Mikhail or whoever he is down here and let him earn his salary.

Then another scrape. This time it seemed to be a foot shifting on gritty concrete.

Fuck. That's it. Get. Out.

But before she got out, before she even spun an eighth turn away, he was on her from behind, slamming her head into the wall. He pressed a cloth over her mouth to gag her. She nearly fainted from the shock. A burst of pain blossomed in her neck.

Chloe turned fast to face him.

God, God ...

She nearly puked, seeing the yellowish latex full-head mask, with slots for eyes and mouth and ears, tight and distorting the flesh underneath, as if his face had melted. He was in worker's coveralls, some logo on them she couldn't read.

Crying, shaking her head, she was pleading through the gag, screaming through the gag, which he kept pressed firmly in place with a hand in a glove as tight and sickly yellow as the mask.

'Listen to me, please! Don't do this! You don't understand! Listen, listen ...' But the words were just random sounds through the cloth.

Thinking: Why didn't I chock the door open? I thought about it ... Furious with herself.

His calm eyes looked her over - but not her breasts or lips or hips or legs. Just the skin of her bare arms, her throat, her neck, where he focused intently on a small blue tattoo of a tulip.

'Not bad, not good,' he whispered.

She was whimpering, shivering, moaning. 'What, what, what do you want?'

But why did she even ask? She knew. Of course she knew.

And, with that thought, Chloe controlled the fear. She tightened her heart.

Okay, asshole, wanna play? You'll pay.

She went limp. His eyes, surrounded by yellow latex like sickly skin, seemed confused. The attacker, apparently not expecting her collapse, adjusted his grip to keep her from falling.