The Neon Rain (Dave Robicheaux 1)

But the hands that lifted me out of the trunk of my own automobile on the third level of a parking garage above the river didn't belong to the men of my platoon. In the darkness and the swirling rain I saw the faces of the little Israeli, the Nicaraguan, Philip Murphy, and Bobby Joe Starkweather staring down at me as though I were a loathsome object whose smell made their nostrils dilate and whiten with shock. They lifted me to my feet, then wedged me behind the steering wheel of my car and slammed the door closed. My head felt as though it had been stunned with Novocain, my mouth hung open uncontrollably, my chin and neck were slick with vomit, the sickening sweet stench of excrement rose from my trousers. Through the windshield I could see the green and red running lights of barges out on the Mississippi and clouds of vapor rising from the rain-dented water like a scene out of purgatory.

They propped Sam Fitzpatrick next to me and splashed whiskey and beer on his clothes. I tried to hold my head up straight, to reach out and touch him, but my chin kept falling on my chest and my words became th

ick bubbles on my lips. His eyes were rolled upward, and when he breathed, fresh blood drained from his nose onto his shirt-front. My face was numb, dead to the touch, stretched tight across the skull the way skin is over a death's head, and I felt my lips splitting apart in a wicked grin, as though I wanted to share an obscene joke with the world about our execution. Then an awful taste rose out of my stomach, my head pitched forward, and I felt something like wet newspaper rip loose inside my chest and then I heard a splattering through the steering wheel onto the floorboards.

Someone had started the car engine now, and a bare arm ridged with muscle like rolls of nickels reached across me and dropped the transmission into gear. The rain was blowing hard on the river.

The car rolled toward the guardrail, gaining speed, as I slapped limply at the door handle and tried to pull the lock free with fingers that felt sewed together with needle and thread. At first I could see the river levee, a lighted street down below with cars on it, the black tops of one-story warehouses; then as my car neared the guardrail and the end of the concrete shelf I could see only the sky and the rain twisting out of it and a distant airplane with its wing lights flashing against the blackness.

I heard the rail fold under my bumper, then snap loose altogether from its fastenings just as the front wheels dropped over the edge of the concrete and my car tilted forward and slid out into space like it was beginning the first downward rush of a rollercoaster ride. The back end started to roll over, and I was pressed flat against the steering wheel, watching the street below roar up at me through the windshield, my mouth open wide with a sound that would be caught forever in my throat.

The car hit the corner of another building or concrete abutment of some kind, because I heard metal shear, as though the underside of the car had been surgically gutted, smelled a drench of gasoline briefly, then we crashed upside down in the middle of a sidewalk in a thunderous roar of glass, crumpling metal, and doors exploding off the hinges.

I was outside on the pavement, my clothes covered with oil and glass shards. We had beat it, I thought. The bad guys had done their worst and hadn't been able to pull it off. We were painted with magic, Fitzpatrick and I, and after we had recuperated it would be our turn to kick butt and take names.

But only drunkards and fools believe in that kind of poetic simplicity. The fuel tank was gashed open and the car was soaking in gasoline. I saw wisps of smoke rise from the crushed hood like pieces of dirty string, then there was a poof and a burst of light from the engine, and a strip of flame raced along the pavement to the gas tank and the whole car went up in an orange and black ball that snapped against the sky.

I hope he didn't suffer. The inside of the car was a firestorm. I couldn't see anything except flames swirling inside the gutted windows. But in my mind's eye I saw a papier-mache figure, with freckles painted on its face, lying quietly between the roaring yellow walls of a furnace, ridging and popping apart in the heat.

The next morning the sun was bright through the windows of my hospital room, and I could see the green tops of the oak trees against the red brick of the nineteenth-century homes across the street. I was only half a block off St. Charles, and when the nurse cranked up my bed I could see the big dull-green streetcar passing along the esplanade.

I had a concussion and the doctor took seventeen stitches in my scalp, and small pieces of oily glass were embedded in my shoulder and all down one arm, so that the skin felt like alligator hide. But my real problem was with the whiskey and Quaaludes that were still in my system, and the series of people who came through my door.

The first one was Sam Fitzpatrick's supervisor from the Treasury Department. He wasn't a bad guy, I guess, but he didn't like me and I believed he felt it was Fitzpatrick's involvement with me, rather than with Philip Murphy and Central American guns, that had led to his death.

"You keep talking about an elephant walk. There's nothing like that in Fitzpatrick's notes and he never talked about it, either," he said. He was forty, wore a business suit and a deep tan, and his gray hair was cut short like an athlete's. His brown, green-flecked eyes were steady and intent.

"He didn't have a chance to," I said.

"You tell a strange story, Lieutenant."

"Psychopaths and government fuckheads out of control do strange things."

"Philip Murphy isn't government."

"I'm not sure about that."

"Take my word," he said.

"Then why don't you take mine?"

"Because you have a peculiar history. Because you keep meddling in things that aren't your business. Because you killed a potential major government witness and because one of our best agents burned to death in your automobile."

My eyes broke and I had to look away from his face. The trees were green in the sunlight outside and I thought I heard the streetcar clatter on the esplanade.

"Have you heard of a guy named Abshire?" I asked.

"What about him?" he replied.

"I think these guys work for somebody named Abshire." His eyes looked into space, then back at me. But I had seen the recognition in them.

"Who is this guy?" I asked.

"How would I know?"

"You circling up the wagons?"

"We can't afford to have you around," he said.