Jerusalem

ich point his trailing look-alikes had piled into the back of him and melted. His calm gaze, continually unsurprised and unshakeably confident, had fallen on the huddle of ghost-children standing there outside the entrance to the Jolly Smokers, hanging in the air before them. Bristling brows had knitted to a frown and for a moment the benign but very tough musician had looked stern and frightening, a bit like Zeus or one of them. And then Tom Hall had laughed, like a delinquent cavalier.

“Haharr. What’s this, then? Have they finally found out where all the Bisto Kids were buried?”

Bill had eagerly stepped forward, dragging Michael Warren with him. He’d known that Tom wouldn’t recognise him in his current form, nor by his current name. William or Bill, although it was what he’d been christened, was a name only his family had called him during life. He’d thought he better introduced himself to Tom using the nickname that had been bestowed upon him in his youth by a forgetful P.E. teacher in the course of a particularly energetic game of football: “Come on! Pass the ball to … Bert.”

Michael and Bill had stood there looking up at Tom from what would have been the site of a full eclipse if the enormous poet, songwriter and multi-instrumentalist had still possessed a shadow. Bill had grinned.

“ ’Ello, Tom. ’Ow yer gettin’ on, mate? It’s me, Bert, from Lindsay Avenue.”

The brows had risen in a querying expression, with a slightly mocking undertone to it that Bill remembered from their earthly conversations.

“My dear boy! Not Bert the Stab?”

This winning soubriquet, bestowed after the unfortunate teenage incident that night in the back room of the Black Lion – there’d been extenuating circumstances, Bill was reasonably certain – had been Tom’s at once affectionate and ridiculing nickname for the young and almost beardless Bill. Acknowledging that he was indeed Bert the Stab, Bill had explained to the deceased performer how this part of him, the part that had loved being eight and playing in the streets, was currently involved in quite a serious adventure with his mates, the Dead Dead Gang. The immense apparition had thrown back his head, somehow without dislodging the beret, and had let laughter like an earthquake ripple through his ectoplasmic bulk so that the stitched-on teddies shimmied on his paunch.

“HaHAAAR! Har HA har! The Dead Dead Gang. I like it.”

The compulsive versifier had begun extemporising on the spot.

“The Dead Dead Gang, the Dead Dead Gang, so bad they killed them twice! The Dead Dead Gang were born to hang for paediatric vice! HaHAAAR! How about that? That could be your theme tune, couldn’t it? Whaddaya think? Ha HAARR!”

Phyllis had scowled at the lyric leviathan with genuine menace, toying meaningfully with her ribbon of dead rabbits.

“We’ve already got a theme tune.”

Stepping in, Bill had attempted to stop Phyllis alienating yet another otherwise-accommodating spirit by steering the conversation back from theme tunes onto the more pressing matters that were currently at hand.

“Tom, what it wiz, I’ve got to pay a visit to this place ’ere, to the Jolly Smokers. There’s somebody what I’m searchin’ for who might be up there, but quite frankly I’m not lookin’ forward to it, not at this size, and not with the nutters that you get up there. You couldn’t chaperone us, could you, mate? Me and the nipper ’ere?”

The genial colossus had beamed radiantly.

“Your want to go up to the Smokers? Well, you should have said. That’s where I’m off to now. I’ve got a gig up there with me new band, Holes In Black T-Shirts. It wiz Tom Hall’s Deadtime Showstoppers for a few years, but then I got fed up and changed it. ’Course I’ll take you up there, little Bert the Stab. HaHARRR! I wouldn’t leave you sitting out here on the front step with a bottle of Corona and a bag of crisps while I went in like a neglectful dad and had a drink, now, would I? Har har har. Come on.”

With that, Tom had placed one palm flat against the hanging 2D tissue of the door, and pushed. The portal had swung inwards and away from them, seeming to gain a third dimension as it did so. It had opened onto a drab, narrow hallway with depressingly dark wallpaper, a space apparently carved into empty air which, when Bill had leaned out round the door’s edge to check, had turned out to be utterly invisible if looked at from the side. Tom had already entered and was rumbling away down the grim corridor that wasn’t there. With a last anxious glance at Phyllis, and still dragging Michael Warren by one hand, Bill had stepped through the door, pushing it shut behind him. Him and his bewildered infant charge had followed the beloved entertainer into the notorious wraith-pub, listening to the pandemonium above increase in volume as they neared the rotting staircase at the hall’s far end.

Without breaking his leisurely, unhurried pace, Tom had looked back and down across the shoulder of his stripy humbug jacket, studying the pair of phantom children, who were dutifully scampering after him, their trailing after-images completely swallowed within the much larger ones that he himself was leaving in his wake.

“So who’s the little cherub with you, then? We’ve not been introduced. Wiz it somebody else I should remember? Christ, it’s not John Weston, wiz it? Ha HARR!”

Bill, by now laughing himself at the very thought that Michael Warren might grow up into the mutually-acquainted chemical and human train wreck that the troubadour had named, had shaken his head in denial, briefly growing new ones as he did so.

“No. No, this wiz Michael Warren, and ’e’s the same age as what ’e’ looks. ’E’s technically dead at present, like, but back in 1959 he’s in a coma or what-have-you for ten minutes, and then ’e’ll be goin back Downstairs and back to life. ’E’s Alma Warren’s little brother. You remember Alma.”

Tom had stopped in his ponderous tracks, close to the foot of the dilapidated stairs.

“Well of course I can remember Alma. I’m cremated, I’m not senile. She read that stuff at my funeral about me being … manly … in my stature, and about how I’d bust three of her settees, the disrespectful cow. So this is Alma’s brother. Michael. Michael. Do you know, I think I met you when I turned up to play at that birthday party you were holding for your aunt, who’d died the day before and couldn’t make it. O’ course, you wiz so much older then. You’re younger than that now. HaHAAAAR! I’m pleased to meet you, Alma’s brother.”

Tucking his impressive walking-stick beneath his arm, Tom had bent over and elaborately shaken hands with Michael, the child’s tiny paw engulfed in the musician’s fist up to the forearm.

“You know, this lot that I’m playing with tonight, Holes In BlackT-Shirts – its Jack Lansbury, Tony Marriot, the Duke and all that lot – I got the name out of a dream I had about your sister. She’d got my three kids all lying on a railway track and said that if a train ran over them, then they’d become invisible. Her idea was that when they were invisible, we’d dress them up in her old shirts and put a show on called “Holes In Black T-Shirts”. HaHAAR! Good old Alma. Even in your dreams she was value for money!”

After that ringing endorsement, they’d begun to mount the creaking spectral staircase to the main bar of the Jolly Smokers. Which was where they were now, cringing in the shelter of the mountainous performer, peering nervously between his teddy-decorated legs at the demented horror of the scene beyond.

It wasn’t Texas Chainsaw horror, lacking both the colour and the blood. This was a Dr. Caligari horror shot on hazardous and decomposing film stock, eerie black and white scenarios melting into a rash of supernovas from the heat of the projector. Writhing hieroglyphic filigrees of murderous graffiti were gouged into all the scarred and ancient tables, scrawled on each available bare area of wall in hundred-year-old palimpsests of bile and bitterness. There was a light like rotten silver trickling over every pin-sharp detail of the resurrected alehouse, dripping from pump-handles fashioned out of horse skulls, glinting on the cracked ghost-mirror, hung behind the optics, in which nothing was reflected but an empty, fire-damaged room. In actuality, the front bar of the Jolly Smokers did not appear fire-da

maged, but then neither was it empty.

Every badly-varnished barstool, every corner alcove with its threadbare, stained upholstery was fully occupied by the degenerate spectres of a neighbourhood that had been running down for centuries. The place heaved with belligerent ectoplasm and perspired a morbid jocularity that would have made flesh creep if there’d been any flesh around. Upon a mottled carpet that on close inspection turned out to be different strains of mould on bare wood boards; beneath a nicotine-glazed and oppressively low ceiling that was hung with rusted tankards, verdigris horse brasses and a mummified cat swaying up one corner; in an atmosphere that seemed smoke-saturated on account of all their overlapping after-images, the ugly spirits of the Boroughs jostled and cavorted.