Jerusalem

HUSBAND: Will it ever be light?

WIFE: I couldn’t say. I’m waiting for the clock to strike again. If it’s just once we’ll know that we’re in hell or else it’s broken. If it’s twice, it’ll be getting on for morning in an hour or two. We can go down to Freeschool Street and take care of it then.

HUSBAND: Yes. Yes, I will. I’ll be a man about it. I’ll go down there and take the bull by the horns.

WIFE: We’ll see the necessary doctors.

HUSBAND: In the morning, when it’s light, I’ll go down there and do what’s to be done.

WIFE: We’ll go down there. We’ll go down there and set the matter straight.

HUSBAND: We will.

WIFE: We will. We’ll put it all to rights.

HUSBAND: We’ll face the music.

WIFE: [After a long pause.] Do you know, I think the clock’s about to strike.

HUSBAND: I think you’re right.

WIFE: And then we’ll know.

HUSBAND: Yes. Then we’ll know.

CURTAIN

EATING FLOWERS

“What are you thinking about now?” the naked eighteen month-old girl asks, mounted on the similarly naked old man’s shoulders. In each tiny fist she holds a lock of his white hair as reins. His leather hands, articulated bone and sinew birdcages, are closed around the infant’s ankles to prevent her falling off as they progress down the enormous icebound hallway under diagrams of failing stars. These are the Fimbul distances of the time-avenue. Puzzle-ball beads of hyperwater, frozen into glass sea-urchin intricacies, chime and tinkle in the drifts about the wading ancient’s knees. “I’m thinking now of how I died,” says he, “When I wiz

Snowy Vernall always sitting, always snuffing it there in the daughter’s house on Green Street. Orange, sage and umber mottled in a hearthside rug of wool-ends where the black cat is asleep and snoring. In between the clock ticks you can hear dust settle on the sideboard, on the emerald glass bowls, one full of golden apples withering, the other full of hard-boiled sweets becoming damp and soft. There is a mildew perfume on the indecipherable crowns-and-lilies wallpaper, just sliding off like skin above the skirting board where it’s that wet and heavy. From behind, below, the muffled fuss of chickens tutting in the long back yard outside as it drops down the slope onto Saint Peter’s Way, from which there’ll sometimes come the echo-silvered clop of hooves or else a rag and bone man’s speech in tongues, frail little noises shouldered by the smelly summer wind that’s always blowing on that Wednesday afternoon. There in the daughter’s house, there in the living room a table on the left – with fifty years of slipping cutlery and scalding teacups logged meticulously in the varnish – and upon it stands a china vase of tulips; stands the china vase of tulips. Glorious, they are. Bright custard yellow, icing-sugar pink, blackcurrant purple deep as midnight, you should see them. An old man alone, let himself in, come visiting with everybody out and starting to get loose in his intelligence, starting to have a trouble with the old perspective as he nears the mortal turning. Up above the sideboard there’s a mirror with another hanging opposite above the hearth, or rather up above the sideboard there’s a window with another set into the south wall opposite. It isn’t easy telling which it is, the same as how the corner of a room can be concave and convex at the same time if stared at for long enough. Adrift in the warm air with opal motes all blazing there are other details

that may come to me after a while, but that’s the long and short of it.” He picks his bony, barefoot way amongst cold dunes of spiny hypersnow accumulating on the frosted parquet of that stupefying corridor. May squirms uncomfortably, a small warm weight on her grandfather’s nape, and squints through an intense chandelier flurry of suspended, whirling crystals that have more than three dimensions, a hypnotic meta-blizzard. Gazing past this diamond spindrift, the profoundly beautiful nude baby focuses her sad Galapagos eyes on the soaring cliff-face walls that border perpetuity’s gargantuan emporium, away to either side across the intervening miles of tundra floor. She knows that in these latitudes of Always there are fewer living people in the neighbourhood downstairs, and that they have less complicated dream-lives. Consequently, the immense arcade surrounding her and Snowy has accumulated very little in the way of astral furnishings and decorations, trimmings borrowed from the sparse imaginings of a polar encampment that has less to dream about. Set into the north face is something May believes might be somebody’s vision of a massively expanded trading-post, with walls of varnished wooden shields and drapes of wolf-pelt that are bluish-white speckled with faun. Elsewhere, her almost-turquoise eyes alight upon what she supposes to be the inflated dream-form of a twenty-second century hostelry, the excavated ground floor of an ancient office block where she can make out local date-specific ghosts with their fur burkhas and their wind-up radios, their barbed and ornate wolf-killing ‘vulpoons’ inevitably clasped in one raw fist as they trudge stoically through a bereft Valhalla. Other than this, the endless hallway offers only the occasional stone edifice or concrete hulk enduring from a previous era, set amongst an unrelieved expanse of towering rock and chiselled ice. The optically confounding hyperflakes fall silently around them, an obscuring lingerie-lace hung on air. She tilts back her exquisitely made head, haloed in hair golden and nebular, perusing the ruined canopy above this chronologic thoroughfare’s unending winter vastness. The green-tinted glass that had once sheltered the great boulevard is long broken and gone, with its containing framework of Victorian iron reduced to rusting carcass spars through which unfolding blueprint constellations made from overstars are visible. Recalling the conspicuous array of shops and buildings to be found only a hundred years or so back down the hall, May understands that there may not be streets or street-names anymore down in the territory below. A perfectly developed mind within a glorious arrested form she feels a distant disappointed pang at the idea but nothing more, consoling herself with the observation that there are at least still trees. Weathered immensities as realised on this upper plane, the crystal-heavy giant pines extend up out of the remaining floor-holes here and there, where these have not been covered over by the glaze of permafrost or else collapsed entirely. It occurs to her that the material ground below their higher mathematic reaches is most probably no longer called the Boroughs, and she even wonders if these arctic furlongs of the overworld are still referred to as Mansoul. Returning her attention to the mad old man on whom she’s riding, May asks him a question, her voice an unsettling blend of infant gurgle and elderly lady syntax. “Do the builders and the devils ever make it up as far as here?” His sunburned neck gripped fast by the precocious toddler’s knees, her grandfather is chuckling, almost giggling as he replies, “Of course they do. You’ll still find them about when there’s not people any longer. It’s just that they tend to hang about more in the populated bits of time, like in the stretch that we’re from. And before that, if you ever choose to go back that far, you’ll find even more of ’em. Back in the pastures there, they even venture downstairs every now and then, when they’re directing that monk here from Geographical Jerusalem or when they’re ordering that Saxon halfwit back to Peter’s Church so he can help dig up Saint Ragener. One speaks to poor old Ern, my dad and your great-granddad, in the dome of Saint Paul’s during all the usual thunderstorm and lightning that they seem to favour, though it’s really just all the electromagnetism that’s discharged. It’s thundering when I have that one speak to me that time, when I wiz drunk and on top of the Guildhall in St. Giles Street if you can imagine that: your granddad on the roof’s crest swaying in

a bitter breeze out of the east with storm-clouds riding it towards the town from Abington, from Weston Favell and the pale blue slates beneath his feet already dampening to navy in anticipation. Down in George Row and St. Giles Street below all the pale ovals tilting back and gaping in amazement, milling beetle-fashion in their bonnets and their caps around the bike-shop at the top of Guildhall Road with the aroma of French chalk and rubber lifting from its doorway. Seeing how the figure on the skyline sways and wobbles some of the assembled crowd call warnings, with the greater part of their admonishments bowled off toward All Saints or Bridge Street in the rising wind and leaving only scraps behind: “… making a show …”, “… sending for a bobby …”, “… ruddy fool. You’ll break your neck and …”, but that’s not what’s going to happen. In the lofty gusts chopped by the chimneys, in the pepper-shot of birdsong and in rubbish waltzing down the guttering at the approach of rain, that’s not what’s going to happen. Next there’s a precarious little dance, as if spontaneous, as if not foreordained from the commencement of eternity, which has a slip and slither in it and a teetering recovery that makes the audience gasp at the appropriate juncture of their unacknowledged schedule. What a spectacle the world makes of itself. What a performance. Although everything is motionless in the thick glass of time there?

?s the appearance of a drunken stumble and another indrawn breath from the flat multitude compressed by the perspective, people painted on the planner’s diagram of a street beneath. A threadbare arm is hooked about the rooftop statue’s chilly shoulders, draped between the hard stone pinions and a garland of encrusted pigeon shit encircling the neck, in an inebriate over-familiarity that also offers increased purchase and stability. It’s spitting now, the first cold droplets breaking against cheeks, the backs of hands, but still the idling mob squint up into the light precipitation at the drunk and the stone man with wings together up against a darkening sky like they were pals. A long and principally inaudible harangue commences, aimed at the bemused terrestrial observers who seem unsure what to make of it. “I’m with my dead granddaughter walking naked through a frozen afterlife nearly three hundred years from now. Tell all of your descendants to be careful of the wolves. They might want to devise a pointed stick of some variety.” In Giles Street down there, a peacock carpet of uncomprehending eyes. The light jumps suddenly and after comes the bruise-mauve rumble of a cymbal firmament, masking the softer, closer sound of grinding stone-on-stone as the winged icon slowly turns its head to make eye-contact. All about the chiselled throat there is a fissure-necklace of small cracks that ripple briefly into being, splintering and branching before fusing seamlessly into the new configuration. Similarly, there are fine webs of self-healing fracture at the corners of the eyes and mouth as the carved features blink and smile and, ultimately, speak. “Vernalimt, whorey skung?” The shattered syllables are settled slowly like an ash or sediment upon the eardrums of the listener where they arrange themselves into an information or, as in this instance, an enquiry. Something like, “Vernall, what limit are you seeking?”, but attended by a dizzying array of subtexts; of conceptual and linguistic pleats hung in a shimmering veil at the peripheries of apprehension. Underneath, the earthbound onlookers see nothing, peering into drizzle or distracted by the search for shelter from the coming downpour. All they hear is the intoxicated steeplejack’s delirious laughter and unfathomable reply. “Are not the edges of the heavens and the brim of reason and the shunting-yards of time itself all boundaries requiring my inspection and therefore within my jurisdiction? Answer that with a straight face and droppings on your chin!” The granite being shakes its head, slowly and imperceptibly, to an accompaniment of further minute fracturing and subdued grating, then admits “Yohuav metr”, which translates to somewhere in the region of “You have me there”. The weathered cranium shifts by fractions back to its original position and grows silent. By now, overhead, the thunder takes its bull-run through an ironmonger’s with the weather coming down like tinsel curtains on a nude theatre show. Down in the modern painted dots that throng the painted street is suddenly a great preponderance of indigo as the constabulary arrive who, from that elevated vantage, look to be largely unsympathetic. Lightning-scattered pigeons whirl

about me, or at least that is my honest recollection.” They stride on, the old man and his infant burden, for a distance of perhaps another dozen years before they both agree to halt and make a bivouac. The younger of the Vernalls asks to be set down within a hollowed-out concrete concavity there to one side of the great corridor, ceiling subsumed beneath an optical illusion chandelier-growth of mathematically abnormal icicles. The light refracting through these from the shattered ceiling of the infinite arcade outside suffuses the whole chamber with prismatic blush, with iridescent specks accumulating in the wrinkles of his brow or powdering her flawless skin. There are still the frost-dusted dreams of wolf-pelts piled discarded in a corner, and Snowy supposes that their current whereabouts may be one more further reiteration of the makeshift astral tavern they passed some few decades back. Exploring in the misty dazzle of the spectra, toddling on plump little legs, the ageless baby May emits a sudden shrill peal of delight that chimes and echoes, shivering through the ice-stalactites and bringing her intrigued grandfather to her side. There at their naked feet a modest carpeting of what at first glance look like ordinary Puck’s Hats spreads for a few yards in all directions. Only upon close inspection is it evident that this is some new strain of the ethereal fungus, born from the imaginings of different times and different people. The traditional lithe fairy-forms that they are both familiar with have been replaced by slightly shorter, plumper female figures, although every bit as winsome and still sharing limbs and facial features with each other, fused into their customary starfish or snowflake configurations. Strikingly, the exquisite nude women are all now albinos with pink gems for eyes, with alabaster skin and at the central tuft and the furred junctions of their petal legs alike the silky pseudo-hair is made a bright snowblind titanium. The elder Vernall splits a chalky stalk with one black thumbnail, thus eliciting the usual dying whine that neither of them have been previously aware of, the peripheral sound of an electrical appliance suddenly switched off, sliding from a dog-whistle high to slump into the audible. Turning the meta-blossom over in his leather hands he notes that on the underside the ring of tiny wings are now no longer dragonfly-like gossamer but are instead the feathered kind, like those of minuscule white budgerigars. Breaking the pallid fruit in two and giving half to his granddaughter he allows himself a taste, surprised at the increased intensity of the higher-dimensional bloom’s sweetness. In between slobbering mouthfuls he and May conclude that this perhaps reflects a lack of refined sugar in the diet of those still living in the realm Downstairs, whilst the altered appearance of the Bedlam Jennies possibly suggests changed notions of allure and beauty down there in the icebound mortal continuity below. As the anticipated tingling and illuminating warmth spreads through their phantom systems, they both understand without the need to voice the thought that this profusion of uneaten astral fungi must imply that there are fewer peckish ghosts about these reaches of the over-life, if indeed there are any left at all. The Gulf Stream warming Britain, as they’ve previously agreed, must have seen its benign convection current cease sometime around the middle years of the twenty-first century, when the continued melting of the Greenland ice-shelf meant that it was no longer sufficient to power that longstanding hydro-thermal drift. The country, always sharing the same band of latitude with wintery locales like Denmark, would have been reminded forcibly for the first time in countless generations of its actual polar situation. It would also have become one of the last remaining areas in the world along with the Antarctic mega-cities to have weather suitable for growing produce on a planet where the equatorial regions were increasingly surrendering to desert. May has at one point suggested that this seems to have resulted in a period of overpopulation, possibly occasioned by invasion or a frantic wave of refugees and immigrants, before the massive human die-back that they have already witnessed in the later stretches of that century, when the unending boardwalks of Mansoul were crowded with bewildered just-dead apparitions that the naked baby and her wild-eyed steed were forced to push their way between. After that point the pair are both agreed there’s been less company around and fewer signs of spectral habitation, indicating that down in the frozen wastes of the First Borough underneath them there abides a population which is much diminished, at the very least. Snowy and May consume their fragrant supper, the variety of Puck’s Hat that they have decided to refer to as “the snow-queen sort”, in a profound and thoughtful silence. Up above the endless hall outside their gutted billet with its crust of glass geometries, abstracted constellations are unfolded against blackness of unfathomable depth. They brush the frozen hyper-crystals from the luscious wolf-skins and each take one as a blanket, just for the familiarity and comfort of the notion rather than for the unnecessary warmth or cover. Snuggled there beside each other in their wraps for the same reason, both close their remembered eyes to drift in time and memory. The old man thinks of the tremendous distance down the sempiternal corridor that they’ve already come and the much greater distance yet to go, the countless furlongs of one foot before the other or the parallax in separate layers crawlin

g by at different speeds to either side of him, and is reminded of the similarly lengthy hikes that are his habit while in life and in the third dimension,

the long treks out of Northampton and across the lanes and fields to London, from the Boroughs into shining Lambeth, wet after the rain. He knows a trick that will compress the journey, telescoping his fond farewells to Louisa at their Fort Street doorstep into his footsore arrival on the angel pavements there south of the Thames. Detaching himself from his usual perspective on the solid, trudging world of three dimensions he adopts an altitude from which duration has become a thing of feet and inches. His wife’s goodbye wave and her accompanying suspicious frown smear into cobbled lanes, to breweries and brickyards on the edge of town and then to wayside flowers, cowslips, forget-me-nots and such, a floral motif on the county’s crawling wallpaper. The fixed disc of the sun swells up and reddens like a sore eye, staring angry and aggrieved until relieved by the protracted blink of a cloud-cover eyelid, grey and full of tears. The world of form and depth and time is flattened to a single plane as in a map, and the ensuing downpour is reduced to only a metallic texture spattering an area of the diagram. Day tans to night, twice, two thick stripes of purple tar stippled with nail-heads, and then past this point on the unwinding canvas of the days the emerald verge of Watling Street gives way to thick impasto crusts of pigeon-streaked geometry. The finer details of broad avenue and narrow terrace are unfolded from these intricacies to surround him, with flat factories now springing into being at the corners of his glazed sleepwalker gaze and the whole capital become a children’s pop-up novelty. Along Hercules Road’s unspooling length he goes down into the familiar Bedlam reaches of his birthplace, starving hungry and for some forgotten reason suddenly near lame, and it all seems to him to be accomplished in a moment. He gulps down the sixty or so miles in one debilitating, dizzying swallow and slams his drained journey on the Lambeth counter, smacks his lips with relish on the nearest barmaid by way of a celebration. Her mouth is the taut but yielding ribbon of his finish line and yet he stumbles further, stumbling and gasping to her chucking-out time chamber, to the purlieus of her womb, and the unfaithfulness is somehow wrapped around, is an extension of Louisa’s knowing scowl there on the front step. Even while he’s bearing down with the milk-jellies of her thighs against his chest he knows he is remembering this moment from the vantage of a furry eiderdown, an ice-decked cavern in another world long after he and everyone he knows are dead. He has the brief impression of an endlessly reiterated series of his self, an infinite array of wild-eyed men in an apocalyptic state of mutual awareness, waving to each other down a long and narrow hallway that at first he thinks is time itself but realises is another image from another moment as he moans and empties himself into her, into the sweaty linear rush of human circumstance, both of them writhing, pinned like martyrs to the crushing wheel of everything. It is immediately morning. He uncreases from the bed and grows a skin of clothes, grows a new room around him that unwraps into a street, another pub, a few days decorating work in Southwark where the hours are applied in coats, the brush-stroke minutes smoothly melting into one another. There’s a roofing job in Waterloo, dancing with sky and gravity and he looks out across the lead braid of the river to the east where in the distance the bleached skull of the cathedral rises. In its famous gallery he knows that fifty-year-old thunders are still whispering to the faint residual vibrations of his father screaming, going mad, an endless conversation between echoes. Strains to see if he can catch it, overbalances and twirls his arms like windmills then regains his footing in a scripted accident, wobbling there upon the rim of a new century. His heart pounds from the near miss and he shakes a little in the wake of the adrenaline, his mind aware that there was never any danger of a fall and yet his flesh remaining unconvinced, as ever. He breathes down his nose as he descends the ladder into sequence, into filthy history, the rungs transmuting in his clammy fingers to become a buff pay envelope, the slopping glass weight of a pint, a different barmaid’s cunt, her bedroom doorknob and at last the laces of his boots where he kneels fastening them for the walk home to Northampton. Streams flow backwards and almighty storm-fronts crumple and contract to balls of tangerine-wrap tissue before vanishing. A labouring dray horse snorts and shivers, breaks apart into two spinsters riding bicycles who raise their hats in passing. Parasol seeds gathered by the wind are reassembled into puffball clocks before condensing into piss-gold dandelions and then the planet sucks them in through their stem’s milky straw. The planet sucks it all back in eventually, drinks every blade of grass, drinks everyone as he retracts the centipede-length of his form expressed in time from Blackfriars Bridge to Peter’s Church and Marefair, reels his here-and-now along the Roman Road into the Boroughs with leaves ripening and filling out from ragged russet to a sleek viridian as they float up to reattach themselves. He ties the over-shape of his excursion in a tidy bow, greeting Louisa with a kiss on the front step, another woman’s juice still flavouring his lips and all the while he knows

he’s in the frosted ruins of a dream-dive somewhere up above the causes and effects, an eighteen-month-old child wrapped in his scrawny arms, both doing what dead people do instead of sleeping. Overhead, eye-straining ice geometries drip liquid hyperspheres, each carefully-spaced splash and plink in an enhanced acoustic, overlapping with delay and so convening into sparse and accidental music. Night being a fixed location on the endless avenue they rise after what they feel is sufficient rest and spend some time in fashioning a sack of wolfskin, so that they can take most of the Puck’s Hats with them as they travel on towards the gold eruption of a daybreak. Fortified by their respite, the old man runs in loping Muybridge strides, each pace a minute or two long and glaciated hours of floorboard vanishing beneath his dirty feet. The Hat-sack tied about his neck provides a furry saddle where his jockey bounces nude and laughing, making fists around reins of white hair and shrieking down the bore of history. Without constraints of flesh or Downstairs-physics they accelerate to reach a gallop in which the succession of the days becomes a strobe of jet and opal. Sometimes clustered specks flash by and bowl away into the slipstream, other people, other ghosts, but few and far between and never in sufficient numbers to necessitate more than a lazy veer in Snowy and his granddaughter’s blurring trajectory. The phantoms point and stare at the bare patriarch as he streams past them with his shrivelled tackle roiling and a conjoined cherub growing from his shoulders. Thundering, his footfalls measure the blind phases of the moon, pound through the centuries until he can detect a subtle shift of colouration in the passing everscape, cold alabaster gradually suffused with virid notes of thaw. He curbs their terrible momentum, slowing so that every step falls on a Sunday, then upon a splashing molten sunset, then ten minutes past the hour and finally he brings them to a standstill in the strange recovering tropic of the instant. Lifting May’s almost unnoticeable weight over his head he sets her down onto a felt of moss that would seem to have colonised the formerly ice-varnished floorboards thenabouts, and in that newfound temporal vicinity the ancient and the baby stand and look about them. The immense arcade has in these latitudes regained a little of its structure and complexity, suggesting dream-life and therefore an at least partly renewed population in the under-territories. Massively enlarged imaginings of trading posts seem once more to have blossomed at the distant edges of the immense corridor, and towering edifices of yard-in-diameter bamboo, places of worship or – conceivably – academies. Unlike the bleak polar austerity of vision which prevails only some several hundred-year leagues back along the line, however, these appear more intricate and equatorial in their decoration. Feather sprays and stylised monster-masks proliferate. There is a building like a kettledrum as big as a gas-holder, made from tree-bark greatly magnified and covered in a vast swathe of fluorescent snakeskin, with the once-Victorian canopy above partly restored by cable-thick lianas past which white diagrammatic clouds uncrumple on the graded grenadine wash of the sky. Tugging the loose skin of her granddad’s thigh, May points out that the giant trees protruding through the recently defrosted floor-holes are now banyans and the like, a stippling of vermillion flecks upon their high flyover branches that she thinks might be comprised of parrots. Furthermore, she observes that the outsize apertures from which they sprout are now no more rectangular but are arranged in dizzying rows of circles and ellipses, stretching off in the untrammelled distance with long hanging-garden fringes of dank moss and creeper trailing down into, presumably, the mortal huts and shelters of the world beneath. Although in the unchanging climate of Upstairs the pair no more experience an increased warmth than they had felt the cold of the more arctic reaches, they see evidence of a fecund and humid dreamtime everywhere about them. Here and there in saucer-pools between the growths of lichen there are meta-puddles straining for a third dimension, twisting upward in translucent sheets to form a thing of intersecting liquid planes much like the fluid reproduction of a gyroscope before subsiding. Something like a butterfly flaps wearily into the rising higher-mathematic steam on damp and heavy wings, a polythene bag snap and flutter rustling away between schematic fog-drifts of extrapolated vapour. On waxed tureen leaves, plump polyhedral droplets sparkle and display impossible refractive indices, Koh-i-noor perspiration, and eventually from out of the concealing vegetable shadows there emerge the period’s distinctively-adapted spectres: future shades stepped hesitantly from aetheric foliage to engage with these outlandish new arrivals, with these travellers from faraway antiquity, these representatives of an almost forgotten species. With a flinching and uncertain catlike tread, the Second Borough’s new inhabitants approach across the mossy suede, none of them more than three or four feet tall, hairless and gleaming bipeds with engraved or crenulated skins of a profound, light-drinking aubergine. Their voices when they speak are shrill and piping while their language is at first incomprehensible, and yet to Snowy’s mind has an inflection that is not dissimilar

to the burr in the Blue Anchor, stepping fresh into its midst from Chalk Lane and the bright, throat-scorching air: Boxing Day morning. Stamping crusts of snow from off his boots onto coconut matting, bristles beaded with meltwater, the young roughneck feels heroic, mythical, though not for any reason he can put his weather-deadened finger on. The winter brilliance outside is strained through net curtains to diffuse into a whey where cigarette smudge rolls in drifts of mottled sepia and blue. Clustered in threes and fours around their tables, polished islands floated on the fug of beer-breath and tobacco, Easter Island adults stare contentedly into their glasses, into silences that punctuate the measured drip of anecdote. Made breathless by the season children swirl excitedly about their parents’ knees like tidal currents, carried by convection into other rooms or cobbled back yards glazed and slippery with frozen piss. Snowy takes off his coat and chequered scarf to hook them on the black iron quaver of a hat-peg just inside the pub’s front door, his flat cap joining them once he remembers that he’s wearing one. Temperature differentials between the interior and Chalk Lane without have cooked his stinging ears to bacon slices, with his now-concluded walk along the winter track from Lambeth carried there behind him in a regal train of circumstantial ermine. While ostensibly he’s here visiting unemployed shoemaker cousins off in one of the outlying villages, he knows he’ll never get there after a chance interruption to his travels due to occur shortly, with this latter assignation being the true reason he is rubbing circulation back into his hands in the Blue Anchor, the true reason for his journey: this happenstance port of call, in only a few minutes, will become the backdrop against which he first sets eyes upon the woman who will be his wife. Here in this very second, on this spot, Snowy has stood and brushed his palms together as though trying to kindle fire a billion times before, endlessly shaken the same tread-imprinted casts of snow onto the same coarse doormat. Every detail, every fibre of the instant is so perfect and immortal that he fears it might collapse beneath its own ferocious onslaught, its own holy weight in bottle-caps and meaning. He attempts, not for the first time, to characterise the singular elusive flavour of the morning, to attach words to an atmosphere so fragile and impermanent that even language bursts it like a bubble. There’s a subdued chapel softness to the conversation, somehow murmuring on the same waveband as the settling talcum light until the two phenomena cannot be usefully distinguished from each other. His distending nostrils cup the fugitive and unique savour, a bouillon of hops and curls of smoke like shavings of sweet coconut; a dilute memory of roses misting on the womenfolk, a spirited pretence of scent, recently gifted. On the cold and glaring day here is a sleepy satisfaction, a contented languor like a blanket hung upon the optics, on the long-untouched and taciturn piano, draped in falling folds over the seated families and something like the afterglow that follows when you’ve had it off, the strain of Christmas and the stress of the performance done with, no more worry that somebody might be disappointed. Spilled pine needles, brilliant emerald in the kids’ grey socks. The lovely greed and the indulgence in

a viscous mixture with the calm of temporary belief in the nativity, and nobody at work. The most exquisite quality is the apparent transience and seeming brevity of the respite, a sense that soon the shepherds and the sexless swan-winged things with golden trumpets shall be bleached to absences on white card by the January sun, not long until the painted carol singers with their tailcoats are retreated through the falling flakes back to their comradely and crystalline decade where no one ever lived. The pace and fury of the world appears suspended and invites the thought that if the globe’s alleged chain-gang requirements can be paused thus far, then why not further? He can almost feel the moment’s sediment, cloudy sienna churning up about his trouser bottoms, wading for the bar to get his elbows on the wood, to work his shoulders in amongst the turned backs and bray out his order for a pint of best. The owner swivels ponderously from his busy register to study Snowy with amused annoyance and there’s something in the man’s face that is more familiar and has more impact than the other countenances on display in that establishment, which in themselves all harbour the before-seen look of Toby Jugs. Viewed through his lens of telescoping time he realises that the publican’s pale eyes and rubber folds of chin are made more recognisable by all the future meetings that the two of them shall have: the landlord is premembered. Barely have the words father-in-law begun to formulate themselves in his snow-globe awareness than around the corner from the other bar she comes, explodes into his story with a swing of green skirt and some casual remark about a barrel that needs changing. Yes, of course, the emerald dress and fat fake pearls around her throat hung on grey string, it all comes back to him in a beloved rush, this woman that he’s never seen before and when in a few minutes time she says her name’s Louise he’ll say “I know”. He won’t say he’s with her dead granddaughter six hundred years away

amongst a company of purple men whose heaven is an indoor jungle, strutting naked in the mirror-Eden of this lapsing world. On those occasions when the great unfolded garnet of a sun is visible beyond the mile-wide nets of creeper covering the stupefying avenue, the solar orb seems larger than it did. May thinks that this is caused by higher levels of particulates in the slowly transforming atmosphere resulting in an increased scattering of light, rather than by an actual amplification of the star’s dimensions. Riding high on her grandfather’s bony shoulders she is borne aloft through massively expanded bottle-trees, pregnant with hyperwater, and amidst the timid press of violet pygmies like a baby queen. The fatal marmalade from Sundews of big-top diameter is hers to taste, so that she shortly has a motorcade of monster dragonflies trailed iridescent and suspended in her wake, sharp iris or sour jade, darting to lap her sticky chin. Strolling in the arboreal centuries with gaping, fascinated future-humans in their shrill mauve entourage they are the giant ghosts of an earlier paradise, chalk-white and prehistoric, by some means arrived along the Attics of the Breath from an unreachably far latitude that is no longer even legendary. In gradual increments they come to understand a little of the native spectres’ trilling speech that rings and shivers in the dripping, crystalline delay; in the exploded echo. One word at a time they piece together something of the antic history that has informed these bald and embossed after-people, foraging their wild Elysium: a changing climate and depleted ozone-belt have, it seems, relatively swiftly compensated for the temporary arctic chill caused by the failure of the Gulf Stream, in a mere few hundred years. The current era is a tropic intermediary stage, when all the planet’s lingering rain and vegetation is restricted to the warming Polar Regions that are thus a last abode of earthly life. With dwindling resources and a limited habitable environment, even a much-diminished human population cannot be sustained without severe modifications. These have been accomplished by re-engineering in some fashion the essential mortal blueprint, with mankind as a result much smaller and possessing cells imbued with photo-active chlorophyll. The lustrous eggplant colouration and the intricately corrugated skin designed to thereby maximise its surface area are features bred into this new strain of humanity, who supplement declining rations of available organic sustenance by gorging upon the abundant sunlight. Snowy and his infant charge eventually deduce, from such fragments of anecdote as they are able to translate, that these whorled and embellished near-indigo miniatures have a truncated life expectancy of less than thirty years before ascending to the higher pastures, to the ultrasonic flutter that is their term for Mansoul. This strikes the sinewy old man as woefully curtailed and his juvenile passenger as more than generous, a minor argument between them while they wander further down the fern-defeated promenade with its viridian dapple and extended perfumes. They pass on through blood-burst dawns afire with parakeets and bullion sunsets that electroplate the pair in liquid gold, pausing at last to make camp in the rustling midnight furlongs where a faceted extravagance that May identifies as Hyper-Sirius is visible against pitch black beyond the vine-macramé overhead. Their bivouac consists of monstrous bottle-green leaves bent across a mossy hollow and secured by thick black thorns, there in the metaphysic tropics after man. On rising, after the short walk to morning, they discover what appears to be a growth of Puck’s Hats sprouting from an unidentifiable corroded mass which Snowy thinks might be a fallen ceiling-girder. Once again the astral fungi would appear to have adapted to their changed environment, developing new features so as better to entice the altered humanoids of these sun-flooded purlieus. This latest variety is, in the pair’s opinion, the most thoroughly unappetising yet. The overlapping succulent and pale feminine forms that typified the earlier displays have been replaced here by a similar arrangement of abnormally large insects, lamp black and yet iridescent if they’re turned against the light. The eye-pips are now faceted, and an experimental nibble at a snapped-off thorax has both of them spitting and complaining for some several time-miles at the vinegary flavour, near impossible to rinse away. At their next rest-stop, in the umbra of a towering and dilapidated kettle-drum construction, they unfurl their wolfskin sack to feast on the albino ‘snow queen’ blooms that they’ve collected a few centuries back up the track. At May’s suggestion they spit the pink seeds into the undergrowth about them, so that there might be a colony of fungi that are edible established here for the return trip, when the two of them are heading back this way from the far end of time. Invigorated by their breakfast of anaemic beauties they resume the journey once the little girl is set again upon the bronzing saddle of her grandsire’s shoulders. Blurring down the arcade of forever, May remarks that they are passing fewer huge masks and gasometer-sized bongos, fewer purple people. She recalls

the empty green of Beckett’s Park, drowning in light, there on one of her scant five hundred afternoons. She has no sense of where she ends or where the world begins, and having never seen the lovely golden cranium that everybody else makes such a fuss of, May assumes she is without one; that the whole width of the day and its astounding skies are in a monstrously vast glass bubble balanced on her headless infant shoulders. She can feel the silvery drag of fish-skin clouds across the blue inside her, while the birdsong is sharp citrus fluttering on her tongue and makes May dribble. She does not discriminate between the clever, complicated house-shapes on Victoria Promenade’s far side, the polished farthing of the sun or the trees swaying, chimney-high, to lick the wind. Since all these things are to be found inside her absent head the child supposes them to be her thoughts, that this is what thoughts look like, square with blue slate hats, or tiny and on fire, or tall and whispering. The eighteen-month-old does not separate that second’s slurps and shivers from its scents or shapes or sounds, confusing the asthmatic distant skirl of an accordion and the measured progression of the little gas-lamps just across the road, with both phenomena from her perspective being things that seem to roll down avenues. Then it’s a different instant, with no gas-accordion wheezing out its wrought-iron notes at intervals along the street, and where indeed the street itself is vanished and forgotten as the child discovers she is moving in a new direction that entails a different vista. Floating effortlessly a few feet above the surf hiss of the carpet-grass, descending slowly to the miniature domain of further-off with its toy huts and shrubs and paint-fleck daisies, May doesn’t remember that she’s being carried in her mother’s arms until the bobble-coated chocolate drop is put into her mouth. The warm accompanying maternal mumble melting on the baby’s tongue is like the creamy sweetness in her ears. As she explores the varicoloured beads of sugar speckling the confection’s upper surface, the sensation becomes inextricable from the pointillist blur-burst of a nearby flowerbed that May happens to be gazing at and she’s immersed in an undifferentiated glory. She and the big favourite body that’s called May as well and which she’s a detachable component of seem to be standing on a hiccup in the ginger gravel underfoot, a bump with railings where their path squirts in a stony arc over a river like a very long old woman, splashing on its further bank to trickle off in pebble tracks amongst the weeds. One of the syllables her mother coos is “swan”, a sound that starts off with a slicing whoosh then curves away into a stately glide, and something somehow flares into existence in the private centre of May’s continuity, a thrilling white idea that flaps up into ghostly being, making a commotion. Swan. The word is the experience and it doesn’t matter if she sees one now or not. Shifting her weight, May loses herself and forgoes the universe in favour of the freckles on her mother’s throat. A spittle spray of toffee isles adrift upon a dermal ocean, floated on its pinprick ripples, each spot has its own unique identity seen from an inch away. This one is like a smoky lion’s head yawning, this one like a piece of broken horseshoe, each no bigger than a grain of salt. She focuses on their implied geography, on the relationship between these distinct and minuscule atolls. Do they know each other? Are the ones closest together friends? Then there’s the overall arrangement to consider, preordained and perfect, each spot where it should be on a map that’s here forever, purposeful and ancient like the constellations or the musical periodicity of lampposts. The giant beauty cradles May through time, through summer with the dandelion-clocks going off like steam grenades. There are so many leaves and branches to bear witness to, so many breezes to be met and all with different personalities, that it’s a million million years before they’re back in the same moment on the bridge again but this time without chocolate drops and crossing it the other way, from which a new and unfamiliar town is visible. A different angle is a different place, and space is time. Her future moments are the funny land in front of her where little things get bigger, not like in the funny land behind her where the things that seemed so large get littler and littler until they’re gone into a dust-sized past, she doesn’t know exactly where. Infinitesimal, the ant-cows from a minute or two’s time mature to mouse-cows and then suddenly are old enough for her to see their eyelashes and to smell where they’ve done their business, staring without interest at May over the top gate-bar of the cattle market’s wooden barriers. The fruit-and-pepper stink surrounding her, not in itself unpleasant, is attempting to inform her of its noble histories and pungent legend but the buzzing black dots of the story’s punctuation make it hard to understand and so her mother waves it all away. The breast and bounce and rhythm of May’s passage lulls the day into a distance as if it’s a picture in a confiscated rag-book. Nearby hooves and cobbles drop the volume of their conversation as a courtesy, and she’s exhausted just from all the breathing and the staring. Luminous pink curtains briefly drop on the theatre of real things, and May is hurried through a fascinating but incomprehensible scenario in which

a baby girl is galloping an old man down a far-off foreign century after the people and the after-people have all gone, arboreal decades trampled in their gallivant. The distant walls of the immeasurable emporium, where these are visible between the baobabs and modified acacias, are themselves now only stockade rows of monster tree trunks with no trading posts or other signs of structured artifice apparent. Evidently nothing human or post-human lives and dreams in the inferior territory Downstairs, the hothouse bayous that were formerly the Boroughs. Pointing to the wood-web overhead and the unfolded sky beyond, May draws her racing grandfather’s attention to the lack of either birds or birdsong. Without breaking from his loping stride he hazards that this absence might imply a dreadful and illimitable cascade of extinctions. They run on in silence for a while, each inwardly considering this sombre possibility and trying to determine how they feel about their species vanishing along with a great torrent of its fellow life forms, sluiced into the drainage ditch of biologic obsolescence. Snowy in the end concludes he’s not much bothered, bare feet pounding out the years of unrestricted lichen. Everything, he reasons, has its length in time, its linger, whether that should be an individual, a species or a geologic era. Every life and every moment has its own location; still there somewhere back along this endless loft. It’s only here that mankind is no more, and when he and his granddaughter at last come back the other way with their preposterous pilgrimage complete he knows the centuries where Earth is habitable will be waiting for them, back at home amongst the sempiternal moochers and immortal rusted drainpipes of their own times, their own worn-out neighbourhood of heaven. Everything is saved, the sinners, saints and breadcrumbs underneath the couch alike, albeit not in the conventional religious sense of that expression: everything is saved in spacetime’s fourfold glass, without requirement of a saviour. Snowy thunders on in the general direction of the next millennium, whichever that might be, with his exquisite passenger bumping and jigging on her wolf-hide saddle stuffed full of anaemic fungus-fairies. Only when they notice that despite the lack of any avian presence there is yet the plaintive squeal of song reverberating in the unpacked auditory space of the great corridor do they slow to a halt, preventing them from rushing at full tilt into the pod of moss whales. Trailing emerald coiffures of algae, the handsome and posthumous leviathans crawl ponderously across a post-historic clearing through the pink light of another hyperdawn, calling to one another in their eerie radar-sonar voices. Awed and dumbstruck the two travellers note that while the creatures’ massive lower jaws and relatively tiny back-set eyes are undeniably cetacean, all appear to come equipped with an enormous pair of forward-thrusting horns, brow-mounted tusks that push to one side any overhanging branches which obstruct their path. Additionally, both their anterior and posterior flippers seem to have adapted into stubby legs that terminate in barnacle-encrusted hooves, each one the size of a bone omnibus, rhythmically splintering the world’s-end vegetation as like grey-green glaciers they continue their protracted slither, off amo

ngst the Brobdingnagian trees. Resuming their potentially unending expedition at a cautious walking pace, the temporal pedestrians engage in heated speculation as to the most likely origins of the extraordinary future-organisms. Snowy posits a scenario in which the drying of the planet’s oceans has precipitated a migration of the more adaptable marine life onto land in search of sustenance, but he cannot explain the glaring incongruity of horns and hooves. After some cogitation, May suggests that if whales are air-breathing mammals that chose to return to the aquatic state from which all life originates, it may be that during their brief adventure as land-animals they were related biologically to some unlikely genus such as, for example, an ancestor of the goat. The white-haired ancient crooks his neck to squint up at his rider and determine if she’s joking, though she never is. They carry on, and presently Snowy’s hypothesis of boundless seas reduced to salt flats prompting a migration onto dry ground is confirmed by glimpses of the period’s other mega-fauna, or at least that fauna’s astral residue. Milling about one of the now irregularly-contoured apertures set in the arcade’s creeper-covered floor, May notices the spectres of teak-brown crustaceans with shells four feet in diameter, like ambulatory tables. Later, they experience a moment of breathtaking wonder when the tract of forest towards which they happen to be walking suddenly uncoils itself, the detailed scene and its apparent depth detaching from the background to reveal a sky-scraping cephalopod, a towering ultra-squid perfectly camouflaged against its afterlife surround by means of the evolved pigment-receptors in its skin. Shifted to a presumably more comfortable position, next the tentacled immensity adjusts its shimmering disguise, its surface a spectacularly animated Seurat wash of colours that resolves into an almost photographic reproduction of the endless avenue about them. Snowy is reminded of the shifting pictures in the fire when he’s only