The Drawing of the Three (The Dark Tower 2) - Page 5

He had seen the earth from this huge height (and it had somehow been more dizzying and distorting than the vision of growth which had come upon him shortly before the end of his time with the man in black, because what he had seen through the door had been no vision), and what little remained of his attention had registered the fact that the land he was seeing was neither desert nor sea but some green place of incredible lushness with interstices of water that made him think it was a swamp, but--

What little remained of your attention, the voice of Cort mimicked savagely. You saw more!

Yes.

He had seen white.

White edges.

Bravo, Roland! Cort cried in his mind, and Roland seemed to feel the swat of that hard, callused hand. He winced.

He had been looking through a window.

The gunslinger stood with an effort, reached forward, felt cold and burning lines of thin heat against his palm. He opened the door again.

6

The view he had expected--that view of the earth from some horrendous, unimaginable height--was gone. He was looking at words he didn't understand. He almost understood them; it was as if the Great Letters had been twisted. . . .

Above the words was a picture of a horseless vehicle, a motor-car of the sort which had supposedly filled the world before it moved on. Suddenly he thought of the things Jake had said when, at the way station, the gunslinger had hypnotized him.

This horseless vehicle with a woman wearing a fur stole laughing beside it, could be whatever had run Jake over in that strange other world.

This is that other world, the gunslinger thought.

Suddenly the view . . .

It did not change; it moved. The gunslinger wavered on his feet, feeling vertigo and a touch of nausea. The words and the picture descended and now he saw an aisle with a double row of seats on the far side. A few were empty, but there were men in most of them, men in strange dress. He supposed they were suits, but he had never seen any like them before. The things around their necks could likewise be ties or cravats, but he had seen none like these, either. And, so far as he could tell, not one of them was armed--he saw no dagger nor sword, let alone a gun. What kind of trusting sheep were these? Some read papers covered with tiny words--words broken here and there with pictures--while others wrote on papers with pens of a sort the gunslinger had never seen. But the pens mattered little to him. It was the paper. He lived in a world where paper and gold were valued in rough equivalency. He had never seen so much paper in his life. Even now one of the men tore a sheet from the yellow pad which lay upon his lap and crumpled it into a ball, although he had only written on the top half of one side and not at all on the other. The gunslinger was not too sick to feel a twinge of horror and outrage at such unnatural profligacy.

Beyond the men was a curved white wall and a row of windows. A few of these were covered by some sort of shutters, but he could see blue sky beyond others.

Now a woman approached the doorway, a woman wearing what looked like a uniform, but of no sort Roland had ever seen. It was bright red, and part of it was pants. He could see the place where her legs became her crotch. This was nothing he had ever seen on a woman who was not undressed.

She came so close to the door that Roland thought she would walk through, and he blundered back a step, lucky not to fall. She looked at him with the practiced solicitude of a woman who is at once a servant and no one's mistress but her own. This did not interest the gunslinger. What interested him was that her expression never changed. It was not the way you expected a woman--anybody, for that matter--to look at a dirty, swaying, exhausted man with revolvers crisscrossed on his hips, a blood-soaked rag wrapped around his right hand, and jeans which looked as if they'd been worked on with some kind of buzzsaw.

"Would you like . . ." the woman in red asked. There was more, but the gunslinger didn't understand exactly what it meant. Food or drink, he thought. That red cloth--it was not cotton. Silk? It looked a little like silk, but--

"Gin," a voice answered, and the gunslinger understood that. Suddenly he understood much more:

It wasn't a door.

It was eyes.

Insane as it might seen, he was looking at part of a carriage that flew through the sky. He was looking through someone's eyes.

Whose?

But he knew. He was looking through the eyes of the prisoner.

CHAPTER 2

Eddie Dean

1

As if to confirm this idea, mad as it was, what the gunslinger was looking at through the doorway suddenly rose and slid sidewards. The view turned (that feeling of vertigo again, a feeling of standing still on a plate with wheels under it, a plate which hands he could not see moved this way and that), and then the aisle was flowing past the edges of the doorway. He passed a place where several women, all dressed in the same red uniforms, stood. This was a place of steel things, and he would have liked to make the moving view stop in spite of his pain and exhaustion so he could see what the steel things were--machines of some sort. One looked a bit like an oven. The army woman he had already seen was pouring the gin which the voice had requested. The bottle she poured from was very small. It was glass. The vessel she was pouring it into looked like glass but the gunslinger didn't think it actually was.

What the doorway showed had moved along before he could see more. There was another of those dizzying turns and he was looking at a metal door. There was a lighted sign in a small oblong. This word the gunslinger could read. VACANT, it said.

The view slid down a little. A hand entered it from the right of the door the gunslinger was looking through and grasped the knob of the door the gunslinger was looking at. He saw the cuff of a blue shirt, slightly pulled back to reveal crisp curls of black hair. Long fingers. A ring on one of them, with a jewel set into it that might have been a ruby or a firedim or a piece of trumpery trash. The gunslinger rather thought it this last--it was too big and vulgar to be real.

The metal door swung open and the gunslinger was looking into the strangest privy he had ever seen. It was all metal.

The edges of the metal door flowed past the edges of the door on the beach. The gunslinger heard the sound of it being closed and latched. He was spared another of those giddy spins, so he supposed the man through whose eyes he was watching must have reached behind himself to lock himself in.

Then the view did turn--not all the way around but half--and he was looking into a mirror, seeing a face he had seen once before . . . on a Tarot card. The same dark eyes and spill of dark hair. The face was calm but pale, and in the eyes--eyes through which he saw now reflected back at him--Roland saw some of the dread and horror of that baboon-ridden creature on the Tarot card.

The man was shaking.

He's sick, too.

Then he remembered Nort, the weed-eater in Tull.

He thought of the Oracle.

A demon has infested him.

The gunslinger suddenly thought he might know what HEROIN was after all: something like the devil-grass.

A trifle upsetting, isn't he?

Without thought, with the simple resolve that had made him the last of them all, the last to continue marching on and on long after Cuthbert and the others had died or given up, committed suicide or treachery or simply recanted the whole idea of the Tower; with the single-minded and incurious resolve that had driven him across the desert and all the years before the desert in the wake of the man in black, the gunslinger stepped through the doorway.

Tags: Stephen King The Dark Tower Fantasy
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