The Guardian

She even began to relax and let herself have fun. Though she could see in Mike's face that he hadn't forgotten what she'd said, Mike was Mike, and he could stay serious for only so long, especially with Henry egging him on. At one point, Henry offered Mike the beer he'd filled earlier and Mike took a drink before choking in midswallow and spraying it overboard. Henry roared, Emma giggled, and after Mike wiped his chin, he laughed as well. But he didn't forget. Later, he grabbed a flounder and used it to flavor one of Henry's sandwiches by running the fish over the bread.

Henry turned green as he gagged, then threw the sandwich at Mike. Mike retaliated by launching a spoonful of potato salad at his brother.

While all this was going on, Emma leaned close to Julie. "Imbeciles," she whispered into Julie's ear. "Never forget that men are imbeciles."

It was because of the phone calls, however, that Julie had one beer more than she usually did. It was exactly what she needed today, she thought, and with the hazy logic of someone whose world is slightly spinning, she tried to force her fears away. Maybe the calls were Richard's version of a temper tantrum. Maybe he was mad because of the way she'd talked to him when he'd called about his sunglasses. She remembered that she had been pretty rough on him. Granted, he'd deserved it, but it couldn't have been easy for him to hear. But because he hadn't shown up yet to pick them up from the salon, she guessed she'd been right in thinking that the whole thing had been a ruse to see her again. The phone calls were his way of letting her know he was upset that his plan hadn't worked out.

And, she reminded herself again, the calls had stopped two days

ago. Not a long hiatus, but then they hadn't been going on that long in the first place. It was probably over, she thought, as if trying to reassure herself. Despite what Emma might think, she was taking this seriously. Being homeless as a teenager, however briefly, had left her with a healthy sense of paranoia. Until she was certain the calls had really stopped, she wasn't going to do anything stupid: no late evening walks alone, she'd keep the doors locked, she'd keep Singer in the bedroom with her on those nights that Mike wasn't there. She'd be careful.

Julie crossed her arms and listened to the water as it rushed beneath the bow.

No, it wouldn't get any worse, she told herself. There was no chance of that at all.

By midafternoon, Emma had slipped in a Jimmy Buffet CD and the music was playing loud; they'd lifted anchor and were passing Cape Lookout as they headed back toward Harker's Island. The boat was moving in rhythm with the gentle swells, and Emma was cuddling up with Henry as he steered, nibbling occasionally at his ear.

Mike was cleaning up at the stern, putting the tackle back in the box and making sure the reels were secured. Julie stood near the bow again, feeling the wind move her hair. Like Mike, she'd burned a little, and the skin on her shoulders was tender to the touch. So were the various other parts she'd missed when applying the sunscreen: the top of her left ear, her forehead near the hairline, a swath along her thigh, and another on her shin. Amazing, she thought, how the sun had found those spots and taken its revenge. I look like a pink-spotted cheetah.

Though the weather remained glorious, it was time to head home. Emma and Henry had faced a small mutiny earlier that morning, complete with tears and screams, because their kids couldn't understand why they weren't invited. Feeling somewhat guilty, they'd promised to take them out later for pizza and a movie. Mike had to be at the Clipper by eight to start setting up with the band. Julie didn't plan on heading in to see him play until around ten or so, and she wanted to take a nap before then. She was bushed. The beer and sun had made her woozy.

She went to her gear bag and threw on a shirt. It was as she was pulling on her shorts and glancing toward the beach that her eyes registered something wrong. Even a closer look wasn't enough to make it obvious right away. Shielding her eyes from the sun, she scanned the boats, then the water's edge, then the people on the shore.

It was there. Somewhere, it was there.

And whatever it was, it didn't fit.

Frowning, Julie looked closer still, then finally realized what had snagged her attention. And she was right. It didn't fit, not on a hot day at the beach.

She lowered her hand, puzzled.

Someone wearing jeans and a dark blue shirt was standing near the dunes, holding . . . what? Binoculars? A telescope? She couldn't tell, but whatever it was, it was definitely focused on the boat.

On her.

Julie felt suddenly heavy as the man lowered whatever it was he was holding, and for an instant, she almost convinced herself that she was mistaken. But then, as if knowing exactly what she was thinking, the person waved, his arm moving slowly back and forth like the pendulum of a grandfather clock. I'm here, he seemed to be saying, I'm always here.

Richard.

She felt the blood drain from her face, and she inhaled sharply, stifling part but not all of the sound with the back of her hand.

But when she blinked, Richard was gone. She moved to the bow and leaned forward. Nothing. No sign of him anywhere. It was as if he'd never been there at all.

Mike had heard her and reached her side a moment later.

"What is it?" he asked.

Julie was still staring toward the beach. Mike's eyes followed hers, and after finding no sign of Richard, no sign of anything unusual, Julie curled beneath his arm. "I don't know," she said.

It had to be an illusion, she thought. It couldn't have been real. No one could move that fast.

No one.

Mike brought Julie home and was still in the driveway unloading her things when she went inside. Singer followed her, and when she put her purse on the kitchen counter, he balanced on his two back legs to greet her. She was trying to fend off his lapping tongue when she noticed the answering machine blinking with a single message.

She pushed Singer away and his feet met the floor; he padded toward the living room and out the door, probably to visit with Mike. In the kitchen, the refrigerator was humming. A fly was flailing against the window, buzzing in anger. She heard none of it. Nor could she hear Mike or Singer, or even the sounds of her own breathing. Instead, in the kitchen, the only thing she noticed was the machine. The blinking was ominous, hypnotic.

Play me, it seemed to be saying. Play me. . . .

For an instant, the floor seemed unsteady, and Julie found herself on the boat again, looking toward the beach. He'd waved at her, she thought. He'd been watching her, and now he'd called to tell her about it.

She shook her head. No, that wasn't it. He wasn't there. He was never there. It had been a mirage. Her eyes had been playing tricks, a product of one too many beers and a case of the jitters.

In the kitchen, the machine kept blinking.

C'mon, Julie thought, get a hold of yourself. Anyone could have left a message, so what's the big deal? That's the reason I have the machine in the first place, so just head over there and press the button. As soon as I do, I'll find out Mabel or another friend has called, or it's someone calling for an appointment, or someone wanting me to subscribe to one magazine or another, or to support the local United Way. Just press the button and see how ridiculous this is.

Yet moving to the phone was almost impossible. Her stomach was knotted up; her legs were stiff. She reached the machine and brought her hand up, then hesitated, her finger resting on the button.

Play me. . . .

She closed her eyes, thinking, I can do this.

Breathing hard, she couldn't deny that as brave and logical as she'd tried to be, as much as she'd tried to convince herself that she was blowing this out of proportion, fear was getting the best of her. Please, she thought, let there be no messages filled with nothing. Let me hear a voice. Any voice but his.

With a trembling hand, she pressed the button.

At first there was nothing but silence, and she found herself holding her breath. Then, faintly, came the sound of someone whispering, a whisper impossible to identify, and she leaned closer to the machine to make out the voice. She listened, concentrating hard, and just as she was reaching for the delete button to erase it, she recognized the message itself. Her eyes grew wide as she heard the chorus of a song, a tune she knew by heart.

A tune from her evening in Beaufort with Mike two weeks ago.

"Bye, bye, Miss American Pie . . ."

Twenty-six

Julie's cries brought Mike running inside.

She stood beside the machine, her face white as she hit the delete button over and over.

"What happened?" Mike demanded. "Are you okay?"

Julie barely heard the words. She was trembling as images raced through her mind, one right after the next, leaving her nauseated. Richard had been at the beach today-she was sure of that now. It was Richard who'd been making the calls-there wasn't the slightest doubt about it. And Richard, she suddenly knew, hadn't stopped at just those things. He'd also been watching them in Beaufort. He'd stayed out of sight while she and Mike had dinner, he'd seen them take the walk in the park, and he'd been close by, close enough to know the song that Mike had sung for her. For all she knew, he'd been the one who'd bought their drinks afterward. He'd also called the night Mike stayed over. And she knew with sinking certainty that he'd been watching her in the cemetery.

He'd been everywhere.

This can't be happening, she thought as her throat constricted, but it was. Everything seemed suddenly, terribly wrong. The kitchen was too bright, the curtains were open, the windows looked over the wooded lots where anyone could hide. Where he could hide. Shadows stretched into darkness, and as clouds began to roll overhead,

the world took on a grayness, like an old horror movie filmed in black and white. If he'd been watching her today, if he'd been watching her always, he was probably watching her now.

In the yard, Singer lifted his nose and barked.

Julie jumped, feeling her heart begin to hammer, and she turned into Mike, burying her face in his chest just as the tears started to come.

People like that don't stop, Emma had said.

"Julie? C'mon . . . tell me what happened," Mike pleaded. "What's going on?"

Her voice was cracked and faint when she finally answered. "I'm scared," she said.

Julie was still shaking when she got in the car with Mike a few minutes later. A nap was out of the question now, of course; there wasn't a chance she was going to sleep. And there wasn't the remotest possibility that she was going to stay at her house alone while Mike went to the Clipper. Mike had offered to back out of the show, but she didn't want him to, sure that they would just sit around home rehashing the fear all night long. No need to relive the suffocating terror.

No, what she needed was an escape. A night on the town, some loud music, and a few more beers and she'd be good as new. Back to the same old me, she thought.

As if that's going to be possible, the little voice inside her said skeptically.

Julie frowned. Okay, so it probably wasn't going to work, but obsessing about it certainly wouldn't work. And she was not going to stay home. And she was not going to think about it, she told herself, other than to figure out just what she was going to do from here on.

She'd always believed that people come in two varieties: those who look out the windshield and those who stare in the rearview mirror. She'd always been the windshield type: Gotta focus on the future, not the past, because that's the only part that's still up for grabs. Mom throws me out? Gotta get some food and find a place to sleep. Husband dies? Gotta keep working, or I'll end up going crazy. Got some guy stalking me? Gotta figure out a way to stop it.

In the car with Mike, she steeled herself. Julie Barenson, she thought, a take-charge kind of gal.

The puffing up worked for a moment before her shoulders sagged. Yeah, right, she thought. It wasn't going to be that easy this time, because this little scenario wasn't finished yet, and the future's kind of hard to concentrate on when the past isn't quite done. Right now, she was stuck in the present, and it wasn't a good feeling at all. Despite the brave act she was putting on, she was scared, even more scared than when she'd been living on the streets. There, she'd been able to find a way to stay invisible-survival by hiding, she'd called it, which was pretty much the opposite of what was happening with Richard. The problem now was that she was too visible, and she couldn't do a thing about it.