A is for Alibi (Kinsey Millhone 1)
I had found him shrewd, nearly humorless, but exact; an easy man to work for because his instructions were clear and he paid in advance. A lot of people apparently hated him: men for the price he extracted, women for the betrayal of their trust.
He was thirty-nine years old when he died. That Nikki was accused, tried, and convicted was just a piece of bad luck. Except for cases that clearly involve a homicidal maniac, the police like to believe murders are committed by those we know and love, and most of the time they're right—a chilling thought when you sit down to dinner with a family of five. All those potential killers passing their plates.
As nearly as I could remember, Laurence Fife had been having drinks with his law partner, Charlie Scorsoni, the night of his murder. Nikki was at a meeting of the Junior League. She got home before Laurence, who arrived about midnight. He was taking medication for numerous allergies and before he went to bed, he downed his usual capsule. Within two hours, he was awake—nauseated, vomiting, doubled over with violent stomach cramps. By morning, he was dead. An autopsy and lab tests showed that he'd died as a result of ingesting oleander, ground to a fine powder and substituted for the medication in the capsule he took: not a masterly plot, but one employed to good effect. Oleander is a common California shrub. There was one in the Fife's backyard as a matter of fact. Nikki's fingerprints were found on the vial along with his. A diary was discovered among her possessions, certain entries detailing the fact that she'd found out about his adulteries and was bitterly angry and hurt, contemplating divorce. The District Attorney established quite nicely that no one divorced Laurence Fife without penalty. He'd been married and divorced once before and though another attorney had handled his case, his impact was evident. He obtained custody of his children and he managed to come out ahead financially. The state of California is scrupulous in its division of assets, but Laurence Fife had a way of maneuvering monies so that even a fifty-fifty split gave him the lion's share. It looked as if Nikki Fife knew better than to try disentangling herself from him legally and had sought other means.
She had motive. She had access. The grand jury heard the evidence and returned an indictment. Once she got into court, it was simply a question of who could persuade twelve citizens of what. Apparently the D.A. had done his homework. Nikki hired Wilfred Brentnell from Los Angeles: a legal whiz with a reputation as the patron saint of lost causes. In some sense, it was almost like admitting her guilt. The whole trial had a sensational air. Nikki was young. She was pretty. She was born with money. The public was curious and the town was small. It was all too good to miss.
CHAPTER 2
Santa Teresa is a Southern California town of eighty thousand, artfully arranged between the Sierra Madres and the Pacific Ocean—a haven for the abject rich. The public buildings look like old Spanish missions, the private homes look like magazine illustrations, the palm trees are trimmed of unsightly brown fronds, and the marina is as perfect as a picture postcard with the blue-gray hills forming a backdrop and white boats bobbing in the sunlight. Most of the downtown area consists of two and three-story structures of white stucco and red tile, with wide soft curves and trellises wound with gaudy maroon bougainvillea. Even the frame bungalows of the poor could hardly be called squalid.
The police department is located near the heart of town on a side street lined with cottages painted mint green with low stone walls and jacaranda trees dripping lavender blossoms. Winter in Southern California consists of an overcast and is heralded not by autumn but by fire. After the fire season come the mud slides. And then the status quo is restored and everything goes on as before. This was May.
After I dropped the roll of film off to be developed, I went into the Homicide Department to see Lieutenant Dolan. Con is in his late fifties with the aura of the unkempt: bags under his eyes, gray stubble or its illusion, a pouchy face, and hair that's been coated with some kind of men's product and combed across a shiny place on top. He looks like he would smell of Thunderbird and hang out under bridges throwing up on his own shoes. Which is not to say he isn't very sharp. Con Dolan is a lot smarter than the average thief. He and killers run about neck and neck. He catches them most of the time and only occasionally guesses wrong. Few people can outthink him and I'm not sure why this is true, except that his powers of concentration are profound and his memory clear and pitiless.
He knew why I was there and he motioned me back to his office without a word.
What Con Dolan calls an office would do for a secretary anywhere else. He doesn't like being shut away and he doesn't much care for privacy. He likes to conduct his business tipped back in his chair with his attention half-turned to what's going on around him. He picks up a lot of information like that and it saves him needless talk with his men. He knows when his detectives come and go and he knows who's been brought in for questioning and he knows when reports aren't being done on time and why.