B is for Burglar (Kinsey Millhone 2)

I figured this was a routine matter I could settle in a day or two and I was thinking with regret that I'd probably end up refunding half the money I'd just deposited. Not that I was doing much else anyway-things were slow.

The neighborhood Elaine Boldt lived in was composed of modest 1930s bungalows mixed with occasional apartment complexes. So far, the little frame and stucco cottages were predominant but the properties were being converted to commercial use one by one. Chiropractors were moving in, and cut-rate dentists who were willing to give you twilight sleep so you could have your teeth cleaned without cringing. ONE-DAY DENTURES-CREDIT. It was worrisome. What did they do to you if you missed a payment on your upper plate? The area was still largely intact-old-age pensioners stubbornly propping up their hydrangea bushes-but real-estate syndicates would eventually mow them all down. There's a lot of money in Santa Teresa and much of it is devoted to maintaining a certain "look" to the town. There are no flashing neon signs, no slums, no fume-spewing manufacturing complexes to blight the landscape. Everything is stucco, red tile roofs, bougain-villea, distressed beams, adobe brick walls, arched windows, palm trees, balconies, ferns, fountains, paseos, and flowers in bloom. Historical restorations abound. It's all oddly unsettling- so lush and refined that it ruins you for anyplace else.

When I reached Mrs. Boldt's address, I parked my car out front and locked it, taking a few minutes then to survey the premises. The condominium was a curiosity. The building itself was shaped like a horseshoe with broad arms opening onto the street; three stories high, parking level underneath, a strange combination of modern and mock-Spanish. There were arches and balconies along the front, with tall wrought-iron gates sweeping inward to a palm-planted courtyard, but the sides and back of the building were flat and unadorned, as though the architect had applied a Mediterranean veneer to a plain plywood box, adding a lip of red tile at the top to suggest an entire roof when there was none. Even the palms looked like cardboard cutouts, propped up with sticks.

I passed through the courtyard and found myself in a glass-enclosed lobby with a row of mailboxes and door buzzers on the right. On my left, through another set of glass doors, apparently kept locked, I could see a set of elevator doors and an exit leading to a set of fire stairs. Huge potted plants had been artfully arranged throughout the entrance-way. Straight ahead, a door led out into a patio where I caught sight of a pool surrounded by bright yellow canvas deck chairs. I checked the tenants' names, which were punched out on strips of plastic tape and pasted alongside each apartment buzzer. There were twenty-four units. The manager, Tillie Ahlberg, occupied apartment 1. An "E. Boldt" was listed at apartment 9, which I guessed was on the second floor.

"I gave "E. Boldt" a buzz first. For all I knew, she'd answer on the intercom and then my job would be done. Stranger things had happened and I didn't want to make a fool of myself looking high and low for a lady who might well by now be at home. There was no response so I tried Tillie Ahlberg.

After ten seconds, her voice crackled into the intercom as though the sound were being transmitted from outer space.

"Yes?"

I placed my mouth near the box, raising my voice slightly.

"Mrs. Ahlberg, my name is Kinsey Millhone. I'm a private detective here in town. Elaine Boldt's sister asked me to see if I could locate her and I wondered if I might talk to you."

There was a moment of white noise and then a reluctant reply.

"Well. I suppose. I was on my way out, but I guess ten minutes won't hurt. I'm on the ground floor. Come through the door to the right of the elevator and it's down at the end of the hall to the left." The buzzer sounded and I pushed through the glass doors.

Tillie Ahlberg had left her front door ajar while she collected a lightweight jacket, her purse, and a collapsible shopping cart that rested against the hall table. I tapped on the doorframe and she appeared from my left. I caught a glimpse of a refrigerator and a portion of kitchen counter.

Tillie Ahlberg was probably in her sixties, with apricot-tinted hair in a permanent wave that looked as if it had just been done. The curl must have been a little frizzier than she liked because she was pulling on a crocheted cotton cap. An unruly fringe of apricot hair was still peeking out, like Ronald McDonald's, and she was in the process of tucking it away. Her eyes were hazel and there was a powdery patina of pale ginger freckles on her face. She wore a shapeless skirt, hose, and running shoes, and she looked like she was capable of covering ground when she wanted to.

"I hope I didn't seem unsociable," she said comfortably. "But if I don't get to the market first thing in the morning, I lose heart."