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C is for Corpse (Kinsey Millhone 3)

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The address Bobby'd given me was off West Glen, a narrow road shaded by eucalyptus and sycamore, lined with low walls of hand-hewn stone that curve back toward mansions too remote to be seen by passing motorists. An occasional gatehouse hints at the stately digs beyond, but for the most part West Glen seems to wander through groves of live oak with nothing more on its mind than dappled sunshine, the scent of French lavender, and bumblebees droning among hot-pink geraniums. It was six now and wouldn't get dark for another two hours or so.

I spotted the number I was looking for and turned into a driveway, slowing. To my right were three white stucco cottages, looking like something the three little pigs might have built. I peered through the windshield, but couldn't see a parking place. I rolled forward, hoping there would be a parking pad somewhere around the bend coming up. I glanced back over my shoulder, wondering why there weren't any other cars in sight, and wondering which of the little bungalows belonged to Bobbys folks. I felt a brief moment of uneasiness. He had said this afternoon, hadn't he? I could just picture myself arriving on the wrong day. I shrugged. Oh, well. I'd suffered worse embarrassments in my life, though for the moment, I couldn't think of one. I rounded the curve, looking for a place to pull in. Involuntarily, I slammed on the brakes, skidding to a stop. "Holy shit!" I whispered,

The lane had opened out into a large paved courtyard. Just ahead I saw a house. Somehow, in my gut, I knew Bobby Callahan lived here, not in one of those homey little snuggeries up front. Those were probably servants' quarters. This was the real thing.

The house was the size of the junior high school I'd attended and had probably been designed by the same architect, a man named Dwight Costigan, dead now, who had revitalized Santa Teresa single-handedly during the forty-odd years he worked. The style, if I'm not mistaken, is Spanish Revival. I have tended, I confess, to sneer at white stucco walls and red tile roofs. I've been contemptuous of arches and bougainvillea, distressed beams and balconies, but I had never seen them put together quite like this.

The central portion of the house was two stories high, flanked by two cloistered arcades. Arch after arch after arch, supported by graceful columns. There were clusters of airy palms, sculptured portals, tracery windows. There was even a bell tower, like an old mission church. Hadn't Kim Novak been pushed out of something similar? The place looked like a cross between a monastery and a movie set. Four Mercedes were parked in the courtyard like a glossy ad campaign, and a fountain in the center shot a stream of water fifteen feet high.

I pulled in as far to the right as I could get and parked, then looked down at what I had on. The pants, I saw now, had a stain on one knee that I could only conceal if I held myself in a continual crouch so the tunic would hang down that far. The tunic itself wasn't bad: black gauzy stuff with a low square neck, long sleeves, and a matching tie belt. For a moment, I considered driving home again to change clothes. Then, it occurred to me that I didn't have anything at home that looked any better than this. I torqued myself around to the backseat, sorting through the incredible collection of odds and ends I keep back there. I drive a VW, one of those nondescript beige sedans, great for surveillance work in most neighborhoods. Around here, I could see I'd need to hire a stretch limo. The gardeners probably drove Volvos.

I pushed aside the law books, file boxes, tool kit, the briefcase where I keep my gun locked. Ah, just what I was looking for: an old pair of pantyhose, useful as a filter in an emergency. On the floor, I found a pair of black spike heels I'd bought when I'd intended to pass myself off as a hooker in a tacky part of Los Angeles. When I'd gotten there, of course, I'd discovered that all the whores looked like college girls, so I'd abandoned the disguise.

I tossed the sandals I was wearing into the backseat and hunched my long pants off! I wiggled into the pantyhose, did a spit polish on the pumps, and slipped into those. I took the self-belt off the tunic and tied it around my neck in an exotic knot. In the bottom of my handbag, I found an eyeliner pencil and some blusher and I did a quick make-over, tilting the rearview mirror so I could see myself. I thought I looked weird, but how would they know? Except for Bobby, none of them had ever seen me before. I hoped.

I got out of the car and steadied myself I hadn't worn heels this high since I'd played dress-up in my aunt's cast-offs when I was in first grade. Beltless, the tunic hit me midthigh, the lightweight fabric clinging to my hips. If I walked in front of a light, they'd see my bikini underpants, but so what? If I couldn't afford to dress well, at least I could provide a distraction from the fact. I took a deep breath and clattered my way toward the door.


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