D is for Deadbeat (Kinsey Millhone 4)

Her smile dimmed by a watt. "I don't want to talk to you anymore," she whispered.

I raised my hands, as if she'd pulled a gun. "I'm gone," I said, "but I have to warn you, I'm persistent. You'll find it unsettling, I suspect."

I kept my eyes on her as I moved away. I'd seen the muddy hoe she was using and I thought it best not to turn my back.

I cruised by the Westfalls on my way into town. I was going to have to show the skirt to Barbara Daggett at some point, but the Close was on my way. The low fieldstone wall surrounding the place was still a dark gray from the passing rain. I drove through the gates and parked along the road as I had before, pulling over into dense ivy. By day, the eight Victorian nouses were enveloped in shade, sunlight scarcely penetrating the branches of the trees. I locked the car and picked my way up the path to the front steps. In the yard, the trunks of the live oak were frosted with a fungus as green as the oxidized copper on a roof. Tall palms punctuated the corners of the house. The air felt cool and moist in the wake of the storm.

The front door was ajar. The view from the hallway was a straight shot through to the kitchen and I could see that the back door was open too, the screen door unlatched. A portable radio sat on the counter and music blasted out, the 1812 Overture. I rang the bell, but the sound was lost against the booming of cannons as the last movement rose to a thunder pitch.

I left the front porch and walked around to the back, peering in. Like the rest of the house, the kitchen had been redone, the owners opting here to modernize, though the Victorian character had been retained. There was a small floral print paper on the walls, lots of wicker, oak, and fern. The cabinet doors had been replaced with leaded glass, but the appliances were all strictly up-to-date.

There was no one in the room. A door on the left was open, the oblong of shadow suggesting that the basement stairs must be located just beyond. Two brown grocery bags sat on the kitchen table and it looked like someone had been interrupted in the course of unloading them. There was an electric percolator plugged into the outlet on the stove. While I was watching, the ready-light went on. Belatedly, I picked up the smell of hot coffee.

The music ended and the FM announcer made his concluding remarks about the piece, then introduced a Brahms concerto in E minor. I knocked on the frame of the screen door, hoping someone would hear me before the music started up again. Ramona appeared from the depths of the basement. She was wearing a six-gore wool skirt in a muted gray plaid, with a line of dark maroon running through it. Her pullover sweater was dark maroon, with a white blouse under it, the collar pinned sedately at the throat by an antique brooch. For effect, I decided not to mention the heels and wool skirt I'd brought.

"Tony?" she said. "Oh, it's you."

She had an armload of ragged blue bath towels which she dumped on a chair. "I thought I heard someone knock. I couldn't see who it was through the screen." She turned the radio off as she passed and then she opened the screen door to admit me.

"Tony's bringing groceries in from the garage. We just got back from the market. Have a seat. Would you like a cup of coffee? The pot's fresh."

"Yes, please. That's nice." I moved the pile of rags out of the chair and sat down, putting the skirt and shoes on the table in front of me. I saw her eyes stray to them, but she made no comment.

"Isn't this a school day for him?" I asked.

"They're giving the sophomores some sort of academic placement tests. He finished early so they let him go. He's got an appointment with his therapist shortly anyway."

I watched her move about the kitchen, fetching cups and saucers. She had one of those hairstyles that settle into perfect shape with a flick of the head. I butcher my own at six-week intervals with a pair of nail scissors and a two-way mirror, causing salon stylists to pale when they see me. "Who did that to you?" they always ask. I wanted perfect waves like hers, but I didn't think I could achieve the effect.

Ramona poured two cups of coffee. "There's something I probably should have mentioned before," she said. She took a ceramic pitcher from the cupboard and filled it with milk, realizing then that I was waiting for her to continue. Her smile was thin. "John Daggett called here Monday night, asking to talk to Tony. I took his number, but Ferrin and I decided it wasn't a good idea. It might not matter much at this point, but I thought you should be aware."

"What made you think of it?"

She hesitated. "I came across the number on the pad by the phone. I'd forgotten all about it."