F is for Fugitive (Kinsey Millhone 6)

In the courtroom, there was chaos. The clerk and the court reporter were nowhere to be seen and I could only guess that the judge had made his way out of the room at floor level, crawling on his hands and knees. Once the immediate threat was gone, people surged forward in a panic, shoving toward the bench, pushing through to the safety of the judge's chambers beyond. Pearl was hustling his son and daughter-in-law out the fire exit, setting off an alarm bell that clanged at a piercing pitch.

More screams sounded from the corridor, where someone was shouting incomprehensibly. I headed in that direction, bent double until I could get a sense of what was happening. If more gunfire broke out, I didn't want to get caught by flying bullets. I passed a woman bleeding badly from the glass shards that had cut into her face. Someone was already applying pressure to the worst of her wounds, while beside her, two little children huddled together and wept. I reached the rear door and pushed out. Shana Timberlake was leaning against the wall to my left, her face blanched, the shadows under her eyes as emphatic as stage makeup.

Outside, police sirens were already spiraling against the morning air.

Through the big plate-glass walls that formed one side of the corridor, I could see uniformed police officers spilling down the steps into the courtyard outside. Several women screamed in continuous shrill tones, as if the shooting had unleashed years of suppressed anguish. The jam of hysterical people in the hallway surged forward and then parted abruptly.

Tap Granger lay on his back, his arms flung out like he was taking a sunbath. The red ski mask had been pulled back off his face and it rested on the back of his head, as flabby as a rooster's crest. He wore a short-sleeved shirt and I could see where his wife had ironed the creases in. His arms looked skinny. His whole body looked dead. Bailey was nowhere in sight.

I went back into the courtroom, aware for the first time that I was crunching my way through broken glass and grit. Royce Fowler was on his feet, swaying uncertainly among the rows of empty benches. His mouth trembled.

"Tell me you had nothing to do with this," I said to him.

"Where's Bailey? Where's my boy? They'll shoot him down like a dog."

"No, they won't. He's unarmed. They'll find him. I take it you didn't know this was going to happen."

"Who was that in the mask?" "Tap Granger. He's dead." Royce sank onto the bench and lowered his head into his hands. The debris underfoot made a crackling sound. Looking down, I realized the floor was littered with white specks.

I stared in confusion, then bent down and picked up a handful. "What is this?" I said. Comprehension came in the same moment, but it still made no sense. Tap's shotgun shells had been loaded with rock salt.

9

By the time we got back to the motel, Royce was close to collapse and I had to help him into bed. Ann and Ori had heard the news in the doctor's office and they came straight home, pulling in soon after I did. Bailey Fowler was being billed as "a killer on the loose, believed armed and dangerous." The streets of Floral Beach already looked deserted, as if in the wake of some natural disaster. I could practically hear the doors slamming all up and down the block, little children jerked to safety, old ladies peering out from behind their curtains. Why anyone thought Bailey would be foolish enough to come back to his parents' house, I don't know. The sheriff's department must have considered it a good possibility because a deputy, in a tan uniform, stopped by the motel and had a long, officious chat with Ann, one hand on his gun butt, his gaze shifting from point to point, searching (I assumed) for some indication that the escapee was being harbored on the premises.

As soon as the patrol car pulled away, friends began to arrive with solemn expressions, dropping off casseroles. Some of these people I'd seen at the courthouse and I couldn't tell if their appearance was motivated by sympathy or a craven desire to be part of the continuing drama. Two neighbor ladies came, introduced to me as Mrs. Emma and Mrs. Maude, aging sisters who'd known Bailey since he was a boy. Robert Haws, the minister from the Baptist church, appeared along with his wife, June, and yet another woman who introduced herself as Mrs. Burke, the owner of the Laundromat two blocks away. She just popped over for a minute, she said, to see if there was anything she could do. I was hoping she'd offer cut rates on the Fluff V Fold, but apparently this didn't occur to her. Judging from Mrs. Maude's expression, she disapproved of the store-bought frozen cheesecake the Laundromat lady handed over so blithely. Mrs. Maude and Mrs. Emma exchanged a look that suggested this was not the first time Mrs. Burke had flaunted her lack of culinary zealousness. The phone rang incessantly. Mrs. Emma appointed herself the telephone receptionist, fielding calls, keeping a log of names and return numbers in case Ori felt up to it later.