L is for Lawless (Kinsey Millhone 12)
Several courtesy shuttles passed us in succession. She made no move to flag them down, nor did the other two waiting with us. Finally, a red van swung around the curve into view. On the side, in flowing gold script, The Desert Castle was written with a symbolic castle depicted in silhouette. Laura Huckaby raised a hand, signaling the van. The driver spotted the gesture and pulled over to the curb. He stepped out of the bus and helped the businessman with his luggage while she and I got on the bus, the businessman following. The young woman with the backpack remained where she was, her gaze still focused anxiously on approaching vehicles. I found a seat near the rear of the darkened bus. Laura Huckaby ended up near the front, her cheek propped wearily against the palm of her hand. Most of her hair was straggling out of her topknot. '
The driver returned to his seat and closed the door, then picked up a clipboard and turned halfway toward us to confirm the names on his list. "Wheeler?"
"Here." The man in the business suit identified himself.
"Hudson?"
To my surprise, Laura Huckaby raised her hand. Hudson? Where did that come from? Interesting development. Not only had she deplaned in a city that was not her intended destination, but she'd apparently made hotel reservations in another name. What was she trying to pull?
"I'm meeting someone," I said, speaking up in response to his inquiring look.
The driver nodded, set the clipboard aside, put the bus in gear, and took off. We followed a complicated course of crisscrossing lanes around the terminal and finally sped through the open countryside. The land was flat and very, very dark. An occasional lighted building shot up out of the blackness like a shimmering mirage. We passed what must have been restaurant row: steak house after steak house as gaudily lighted as one of the main streets in Las Vegas. A big commercial hotel finally loomed into view, one of those tasteless facilities with the room price – $69.95 single occupancy – posted right below the name. The red neon letters of the Desert Castle appeared to empty of color and then fill up again. In subscript the sign read WHERE YOU'RE GUARANTEED A GOOD KNIGHT'S SLEEP. Oh, please. The logo consisted of the outline of two green neon palms, flanking a red neon tower with crenellated battlements.
We passed an oasis of tall palms that surrounded a mock-up of the tower depicted on the building, a structure of faux stone complete with an empty moat and drawbridge. When the shuttle pulled into the hotel's passenger loading area, I hung back until Laura Huckaby (aka Hudson) had been assisted to the curb. There didn't seem to be any bellhumans on duty. The man in the business suit picked up his briefcase and his garment bag. The three of us moved into the lobby through revolving doors, with me bringing up the rear. Aside from the duffel, Laura Huckaby was without luggage.
Inside, the "merrie aulde England" motif had been given full play. Everything was crimson and gold, heavy velvet drapes, crenellated moldings, and tapestries hung from metal pikes sticking out of the "castle" walls. Just beyond the elevators, an arrow pointed the way to the rest rooms, which were marked Lords and Damsels. At the reception desk, I made sure I was third in line, reluctant to attract Laura Huckaby's attention. Given the hotel rates, I could afford maybe two nights' stay, but I'd have to be careful about additional charges. I had no idea how long Laura Huckaby would be here. She completed the check-in procedure and crossed to the elevators with the duffel in tow. By craning my neck slightly, I could see that the bank of elevators had a vertical strip of lights, indicating the floor each elevator was on at any given moment of operation. She entered the first elevator, and once the doors closed, I murmured, "I'll be right back," to no one in particular and sped in that direction. The red light advanced systematically from floor to floor and stopped on twelve.
I returned to the counter just as the man ahead of me finished checking in and crossed to the elevators. I moved up to the desk. Given the decor, I expected the clerk to be wearing a wimple or a corselet at the very least. Instead, she wore a regulation hotel management ensemble: white shirt, navy blazer, and a plain navy skirt. Her name tag read Vikki Biggs, Night Clerk. She was in her twenties, probably new to the staff and therefore relegated to the graveyard shift. She gave me a form to fill out. I jotted down my name and address and then watched while she ran off a credit card voucher.
She glanced at the address as she stapled the voucher to the registration form. "My goodness. Everybody's coming in from California tonight," she said. "That other woman was flying in from Santa Teresa, too."
"I know. We're together. She's my sister-in-law. Is there any way you could put me on the same floor with her?"