The Witching Hour (Lives of the Mayfair Witches 1)

Then Michael went on to houses. And in no time, he came to understand the Greek Revival style and the Italianate style and the late Victorian style, and what distinguished these various types of buildings. He learned to identify Corinthian columns and Doric columns, to pick out side hall houses and raised cottages. With his new knowledge, he roamed the Garden District, his love for the things he saw deeply and quietly intensified.

Ah, he had hit the jackpot with all this. There was no reason to live in confusion anymore. He could "read up" on anything. On Saturday afternoons, he went through dozens of books on art, architecture, Greek mythology, science. He even read books on modern painting, and opera and ballet, which made him ashamed and afraid that his father might sneak up behind him and make fun of him.

The third thing that happened that year was a concert at the Municipal Auditorium. Michael's father, like many firemen, took extra jobs in his time off; and that year he was working the concession stand at the auditorium, selling bottled soda, and Michael went with him one night to help out. It was a school night and he shouldn't have gone at all, but he wanted to go. He wanted to see the Municipal Auditorium and what went on there, so his mother said OK.

During the first half of the program, before the intermission during which Michael would have to help his father, and after which they would pack up and go home, Michael went inside and up to the very top of the auditorium where the seats were empty, and he sat there waiting to see what the concert would be like. It reminded him of the students in The Red Shoes, actually, the students in the balcony, waiting up there with such expectation. And sure enough the place began to fill with beautifully dressed people--the uptowners of New Orleans--and the orchestra gathered to tune up in the pit. Even the strange thin man from First Street was there. Michael caught a glimpse of him far below, his face turned upward, as though he could actually see Michael all the way in the top row.

What followed swept Michael away. Isaac Stern, the great violinist, played that night, and it was the Beethoven Concerto for Violin and Orchestra, one of the most violently beautiful and simply eloquent pieces of music Michael had ever heard. Never once did it leave him in confusion. Never once did it leave him out.

Long after the concert was over, he was able to whistle the principal melody, and to remember as he did so the great sweet sensuous sound of the full orchestra and the thin heartbreaking notes that came from Isaac Stern's violin.

But Michael's life was poisoned by the longing created in him by this experience. In fact, he suffered, in the days that followed, possibly the worst dissatisfaction with his world that he had ever experienced. But he did not let anyone know this. He kept it sealed inside of him, just as he kept secret his knowledge of the subjects he studied at the library. He feared the snobbishness growing in himself, the loathing he knew that he could feel for those he loved if he let such a feeling have life.

And Michael couldn't bear not to love his family. He couldn't bear to be ashamed of them. He couldn't bear the pettiness and the ingratitude of such a thing.

He could hate the people down the block. That was fine. But he had to love, and be loyal to, and be in harmony with, those under his own roof.

Reasonably, naturally, he was devoted to his hardworking grandmother who always had cabbage and ham boiling on the stove when he came in. She spent her life it seemed either cooking or ironing or hanging out clothes on backyard lines from a wicker basket.

And he loved his grandfather, a little man with tiny black eyes who was always on the front steps waiting for Michael after school. He had wonderful stories to tell of the old days and Michael never tired of them.

And then there was his father, the fire fighter, the hero. How could Michael not appreciate such a man? Often Michael went over to the firehouse on Washington Avenue to see him. He sat around, just one of the guys, dying to go out with them when an alarm came in, but always forbidden to do it. He loved to see the truck tearing out, to hear the sirens and the bells. Never mind that he lived in dread that he might someday have to be a fireman. A fireman and nothing else. Living in a double shotgun cottage.

How his mother managed to love these people was another story, and one Michael could not entirely understand. He tried day in and day out to mitigate her quiet unhappiness. He was her closest and only friend. But nothing could save his mother, and he knew it. She was a lost soul down there in the Irish Channel, a woman speaking better and dressing better than those around her, begging to go back to work as a sales clerk in a department store, and always being told no; a woman who lived for her paperback novels late at night--books by John Dickson Carr and Daphne Du Maurier and Frances Parkinson Keyes--sitting on the living room couch, dressed only in a slip on account of the heat, when everyone else was asleep, drinking wine slowly and carefully from a bottle wrapped in brown paper.

"Miss San Francisco" Michael's father called her. "My mother does everything for you, you know that?" he'd say to her. He stared at her with utter contempt on the very few occasions when she drank too much wine and her voice became slurry. But he never moved to stop her. After all, she rarely got that bad. It was just the idea--a woman sitting there drinking like a man, from a bottle all evening long. Michael knew that was what his father thought, no one had to tell him.

And maybe Michael's father was afraid she'd leave if he tried to boss her or control her. He was proud of her prettiness, her slender body, and even the nice way that she talked. He even got the wine for her now and then, bottles of port and sherry which he himself detested. "Sticky sweet stuff for women," he said to Michael. But it was also the stuff that winos drank and Michael knew it.

Did his mother hate his father? Michael never really knew for sure. At some point in his childhood, he came to know that his mother was some eight years older than his father. But the difference was not apparent, and his father was a good-looking man and his mother seemed to think so. She was kind to her husband most of the time, but then she was kind to everyone. Yet nothing in the world was going to make her get pregnant again, she often said, and there were quarrels, awful muffled quarrels behind the only closed door in the little shotgun flat, the door to the back bedroom.

There was a story about his mother and father, but Michael never knew if it was true. His aunt told him the story after his mother's death. It was that his parents had fallen in love in San Francisco, near the end of the war, while his father was in the navy, and that his father had looked very handsome in his uniform and had the charm in those days to really get the girls.

"He looked like you, Mike," his aunt said years later. "Black hair and blue eyes and those big arms, just like you. And you remember your father's voice, it was a beautiful voice, kind of deep and smooth. Even with that Irish Channel accent."

And so Michael's mother had "fallen hard" for him, and then when he went overseas again he had written Michael's mother lovely poetic letters, wooing her and breaking her heart. But the letters had not been written by Michael's father. They had been written by his best friend in the service, an educated man on the same ship, who had laid on the metaphors and the quotes from books. And Michael's mother never guessed.

Michael's mother had actually fallen in love with those letters. And when she'd found herself pregnant with Michael, she went south trusting in those letters, and was received at once by the common good-hearted family who prepared for the wedding in St. Alphonsus Church immediately and had it all done right as soon as Michael's father could get leave.

What a shock it must have been to her, the little treeless street, the tiny house with each room opening onto the other, and the mother-in-law who waited hand and foot on the men and never took a chair herself during supper.

Michael's aunt said that Michael's father had one time confessed the story of the letters to his mother when Michael was still a baby, and that Michael's mother had gone wild and tried to kill him and she had burned all the letters in the backyard. But then she'd quieted down and tried to make a go of it. Here she

was with a little child. She was past thirty. Her mother and father were dead; she had only her sister and brother out in San Francisco, and she had no choice but to stay with the father of her child, and besides the Currys were not bad people.

Her mother-in-law in particular she had loved for taking her in when she was pregnant. And that part--about the love between the two women--Michael knew had been true, because Michael's mother took care of the old woman during her final illness.

Both his grandparents died the year Michael started high school, his grandmother in the spring and his grandfather two months after. And though many aunts and uncles had died over the years, these were the first funerals that Michael ever attended, and they were to be engraved forever in his memory.

They were absolutely dazzling affairs with all the accoutrements of refinement which Michael loved. In fact, it troubled him deeply that the furnishings of Lonigan and Sons, the funeral parlor, and the limousines with their gray velvet upholstery and even the flowers and the finely dressed pall bearers seemed connected to the atmosphere of the elegant movies Michael so valued. Here were soft-spoken men and women, fine carpets and carved furniture, rich colors and textures, and the perfume of lilies and roses, and people tempering their natural meanness and crude ways.

It was as if when you died you went into the world of Rebecca or The Red Shoes or A Song to Remember. You had beautiful things for a final day or two before they put you in the ground.

It was a connection that intrigued him for hours. When he saw The Bride of Frankenstein for a second time at the Happy Hour on Magazine Street, he watched only the great houses in the picture, and he listened to the music of the voices and studied the clothes more than anything else. He wished he could talk about all this to somebody, but when he tried to tell his girlfriend, Marie Louise, she didn't know what he was talking about. She thought it was dumb to go to the library. She wouldn't go to foreign movies.

He saw that same look in her eyes that he had seen so often in his father's eyes. It wasn't fear of the unknown thing. It was disgust. And he didn't want to be disgusting.

Besides, he was in high school now. Everything was changing. Sometimes he was really afraid that maybe now was the time that his dreams were supposed to die and the real world was supposed to get him. Seems other people felt that way. Marie Louise's father, sitting on his front steps, looked at him coldly one night and demanded: "What makes you think you're going to college? Your daddy got the money for Loyola?" He spat on the pavement, looked Michael up and down. There it was again, the disgust.

Michael had shrugged. There was no state school in those days in New Orleans. "Maybe I'll go to LSU at Baton Rouge," he said. "Maybe I'll get a scholarship."

"Bull Durham!" the guy muttered under his breath. "Why don't you think about being half as good a fireman as your father?"

And maybe they were all in the right, and it was time to think of other things. Michael had grown to almost six feet, a prodigious height for an Irish Channel kid, and a record for his branch of the Curry family. His father bought an old Packard and taught him how to drive in a week's time, and then he got a part-time job delivering flowers for a florist on St. Charles Avenue.

But it was not until his sophomore year that his old ideas began to give way, that he himself began to forget his ambitions. He went out for football, made first string, and suddenly he was out there on the field in the stadium at City Park and the kids were screaming. "Brought down by Michael Curry," they said over the loudspeakers. Marie Louise told him in a swooning voice on the phone that as far as she was concerned he had taken over her will, that with him she would do "anything."

And these were good days for Redemptorist School, the school which had always been the poorest white school in the city of New Orleans. A new principal had come, and she climbed on a bench in the school yard and shouted through a microphone to inflame the kids before the games! She sent huge crowds to City Park to cheer. Soon she had scores of students out collecting quarters to build a gym, and the team was working small miracles. It was winning game after game, by sheer force of will it seemed, just scoring those yards even when the opposition was playing better football.

Michael still hit the books, but the games were the real focus of his emotional life that year. Football was perfect for his aggression, his strength, even his frustration. He was one of the stars at school. He could feel the girls looking at him when he walked up the aisle at eight o'clock Mass every morning.

And then the dream came true. Redemptorist won the City Championship. The underdogs had done it, the kids from the other side of Magazine, the kids who spoke that funny way so that everyone knew they were from the Irish Channel.

Even the Times-Picayune was full of ecstatic praise. And the gymnasium drive was in high gear, and Marie Louise and Michael went "all the way" and then suffered agonies waiting to find out if Marie Louise was pregnant.

Michael might have lost it all then. He wanted nothing more than to score touchdowns, be with Marie Louise, and make money so he could take her out in the Packard. On Mardi Gras day, he and Marie Louise dressed as pirates, went down to the French Quarter, drank beer, snuggled and necked on a bench in Jackson Square. As summer came on, she talked more and more about getting married.

Michael didn't know what to do. He felt he belonged with Marie Louise, yet he could not talk to her. She hated the movies he took her to see--Lust for Life, or Marty, or On the Waterfront. And when he talked about college, she told him he was dreaming.

Then came the winter of Michael's senior year. It was bitter cold, and New Orleans experienced its first snowfall in a century. When the schools let out early, Michael went walking alone through the Garden District, its streets beautifully blanketed in white, watching the soft soundless snow descend all around him. He did not want to share this moment with Marie Louise. He shared it instead with the houses and the trees he loved, marveling at the spectacle of the snow-trimmed porches and cast-iron railings.

Kids played in the streets; cars drove slowly on the ice, skidding dangerously at the corners. For hours the lovely carpet of snow stayed on the ground; then Michael finally went home, his hands so cold he could scarcely turn the key in the lock. He found his mother crying.

His dad had been killed in a warehouse fire at three that afternoon; he'd been trying to save another fire fighter.

It was over for Michael and his mother in the Irish Channel. By late May, the house on Annunciation Street was sold. And one hour after Michael received his high school diploma before the altar of St. Alphonsus Church, he and his mother were on a Greyhound bus, headed for California.

Now Michael would get to have "nice things" and go to college and mix with people who spoke good English. All this turned out to be true.

His Aunt Vivian lived in a pretty apartment on Golden Gate Park, full of dark furniture and real oil paintings. They stayed with her until they could get their own place a few blocks away. And Michael at once applied to the state college for the freshman year, his father's insurance money taking care of everything.

Michael loved San Francisco. It was always cold, true, and miserably windy and barren. Nevertheless he loved the somber colors of the city, which struck him as quite particular, ochers and olive greens and dark Roman reds and deep grays. The great ornate Victorian houses reminded him of those beautiful New Orleans mansions.

Taking summer courses at the downtown extension of the state college, to make up for the math and science which he lacked, he had no time to miss home, to think of Marie Louise, or of girls at all. When he wasn't studying, he was busy trying to figure things put--how San Francisco worked, what made it so different from New Orleans.

It seemed the great underclass to which he had belonged in New Orleans did not exist in this city, where even policemen and fire fighters spoke well and dressed well and owned expensive houses. It was impossible to tell from what part of town a person came. The pavements themselves were amazingly clean, and an air of restraint

seemed to affect the smallest exchanges between people.

When he went to Golden Gate Park, Michael marveled at the nature of the crowds, that they seemed to add to the beauty of the dark green landscape, rather than to be invading it. They rode their glamorous foreign bicycles on the paths, picnicked in small groups on the velvet grass, or sat before the band shell listening to the Sunday concert. The museums of the city were a revelation, too, full of real Old Masters, and they were crowded with average people on Sundays, people with children, who seemed to take all this quite for granted.

Michael stole weekend hours from his studies so that he could roam the De Young, and gaze in awe at the great El Greco painting of Saint Francis of Assisi, with its haunted expression and gaunt gray cheeks.

"Is this all of America?" Michael asked. It was as if he'd come from another country into the world he had only glimpsed in motion pictures or television. Not the foreign films of the great houses and the smoking jackets, of course, but the later American films, and television shows, in which everything was neat and civilized.

And here Michael's mother was happy, really happy as he had never seen her, putting money in the bank from her job at I. Magnin where she sold cosmetics as she had years ago, and visiting with her sister on weekends and sometimes her older brother, "Uncle Michael," a genteel drunk who sold "fine china" at Gumps on Post Street.

One weekend night they went to an old-fashioned theater on Geary Street to see a live stage production of My Fair Lady. Michael loved it. After that they went often to "little theaters" to see remarkable plays--Albert Camus's Caligula and Maxim Gorky's The Lower Depths and a peculiar mishmash of soliloquies based on the work of James Joyce called Ulysses in Nighttown.

Michael was entranced with all this. Uncle Michael promised him that when the opera season came he would take him to see La Boheme. Michael was speechless with gratitude.

It was as if his childhood in New Orleans had never really happened.

He loved the downtown of San Francisco, with its noisy cable cars and overflowing streets, the big dime store on Powell and Market, where he could stand reading at the paperback rack, unnoticed, for hours.