Taltos (Lives of the Mayfair Witches 3)

She climbed out of the bed, finding her slippers in the dark, and reaching for a long white negligee on the chair, another one of these strange garments which filled her suitcase, full of the perfume of another woman.

Killed her, killed her, killed her, this tender and trusting thing, full of knowledge of long-ago lands, of valley and glen and plains and who knew what mysteries? Her comfort in the dark, when she'd been tied to the bed. My Emaleth.

A pale white window was hung in the darkness at the far end of the hallway, a great rectangle of glowing night sky, light spilling on the long path of colored marble.

To that light she moved, the negligee ballooning out, her feet making a soft skittering tap on the floor, her hand out for the button of the elevator.

Take me down, down, down to the dolls. Take me out of here. If I look from that window, I'll jump. I'll open the glass, and I'll look out over the endless lights of the largest city in the world, and I'll climb up and put my arms out, and then I'll drop down into the ice-cold darkness.

Down, down, down with you, my daughter.

All the images of his tale went through her mind, the sonorous timbre of his voice, his gentle eyes as he spoke. And she is now debris beneath the roots of the oak, something erased from the world without a jot of ink upon a piece of paper, without a hymn sung.

The doors closed. The wind sounded in the shaft, that faint whistling, like wind in mountains perhaps, and as the cab descended, a howling as if she were in a giant chimney. She wanted to crumple and fall on the floor, to go limp without will or purpose or fight anymore, just to sink into the darkness.

No more words to say, no more thoughts. No more to know or to learn. I should have taken her hand, I should have held her. So easy it would have been to keep her, tender, against my breasts, my darling, my Emaleth.

And all those dreams that sent you out the door with him--of cells within cells the like of which no human had ever seen, of secrets gleaned from every layer and fiber gently plied from willing hands, willing arms, willing lips pressed to sterile glass, and droplets of blood given with the smallest frown, of fluids and maps and schemes and X rays made without a pinch of hurt, all to tell a new tale, a new miracle, a new beginning--all that, with her, would have been possible! A drowsy feminine thing that would not have hurt any mortal being, so easy to control, so easy to care for.

The doors opened. The dolls have been waiting. The gold light of the city comes through a hundred high windows, caught and suspended in squares and rectangles of gleaming glass, and the dolls, the dolls wait and watch with hands uplifted. Tiny mouths ever on the verge of greeting. Little fingers hovering in the stillness.

Silently she walked through the dolls, corridor after corridor of dolls, eyes like pitch-black holes in space, or gleaming buttons in a glint of light. Dolls are quiet; dolls are patient; dolls are attentive.

We've come back to the Bru, the queen of the dolls, the big cold bisque princess with her almond eyes and her cheeks so rosy and round, her eyebrows caught forever in that quizzical look, trying vainly to understand what? The endless parade of all these moving beings who look at her?

Come to life. Just for a moment come to life. Be mine. Be warm. Be alive.

Out from under the tree in the dark, walk again as if death were a part of the tale you could have erased, as if those fatal moments could be omitted forever. No stumbling in this wilderness. No false steps.

Hold you in my arms.

Her hands were splayed out on the cold glass of the case. Her forehead pressed against it. The light made two crescent moons in her eyes. The long mohair tresses lay flat and heavy against the silk of her dress, as if they were moist with the dampness of the earth, the dampness of the grave perhaps.

Where was the key? Had he worn it on a chain around his neck? She couldn't remember. She longed to open the door, to take the doll in her arms. To hold it tight for one moment against her breast.

What happens when grief is this mad, when grief has blotted out all other thoughts, feelings, hopes, dreams, wonder?

Finally exhaustion comes. The body says return to sleep, lie down now to rest, not torment. Nothing's changed. The dolls stare as the dolls will always stare. And the earth eats at what is buried inside of it as it always has. But a kind weariness overtakes the soul, and it seems possible, just possible, to wait to weep, to wait to suffer, to wait to die and lie down with them, to have it finished, because only then is all guilt gone, washed away, when you are as dead as they are.

He was there. He was standing before the glass. You couldn't mistake him for anyone else. There is no one else that tall, and even if it weren't for that, she knew his face too well now, the line of his profile.

He'd heard her in the dark, walking back down the corridor. But he didn't move. He was just leaning there against the window frame and watching the light gather outside, watching the blackness fade and turn to milk and the stars dissolve as though melted in it.

What did he think? That she'd come to seek him out?

She felt shattered inside, weak. Unable to reason what to do, needing perhaps to walk across the floor, to stand beside him and look down on the smoky gloom of early roofs and towers, on lights twinkling along hazy streets, and smoke rising and curling from a hundred stacks and chimneys.

She did this. She stood beside him. "We love each other now," he said. "Don't we?" His face was so sad. It hurt her. It was a fresh hurt, touching her right in the midst of the old pain, something immediate that could bring the tears where before there had only been something as black and empty as horror.

"Yes, we do, we love each other," she said. "With our whole hearts."

"And we will have that," he said. "Won't we?"

"Yes, always. For as long as we live. We are friends and we will always be, and nothing, nothing will ever break the promises between us."

"And I'll know you're there, it's as simple as that."

"And when you don't want to be alone anymore, come. Come and be with us."

He turned for the first time, as if he had not really wanted to look at her. The sky was paling so fast, the room just filling up and opening wide, and his face was weary and only slightly less than perfect.

One kiss, one chaste and silent kiss, and no more, just a tight clasp of fingers.

And then she was gone, drowsy, aching, glad of the day spilling down over the soft bed. Now I can sleep, daylight at last, now I can sleep, tumbling under the soft covers, next to Michael again.

Thirty-two

IT WAS TOO cold to be out, but winter would not let go its hold upon New York. And if the little man wanted to meet at the Trattoria, so be it.

Ash didn't mind the walk. He did not want to be alone in his lonely tower rooms, and he was fairly certain that Samuel was on his way, and could not be persuaded to return.

He enjoyed the crowds on Seventh Avenue rushing in the early dusk, bright shop windows full of lavishly colored Oriental porcelains, ornate clocks, bronze statues, and rugs of wool and silk--all the gift merchandise sold in this part of midtown. Couples were hurrying to dinner so that they might make the curtain at Carnegie Hall for a young violinist who was causing a worldwide sensation. Lines at the ticket office were long. The fancy boutiques had not yet closed; and though the snow fell in tiny little flakes, it could not possibly cover either asphalt or sidewalks due to the continuous thunder of human feet.

No, this is not a bad time to be walking. This is a bad time for trying to forget that you have just embraced your friends, Michael and Rowan, for the last ti

me until you hear from them.

Of course they don't know that that is the rule of the game, the gesture his heart and his pride would require, but more than likely, they would not have been surprised. They had spent four days, all told, with him. And he was as unsure of their love now as he had been the very first moment in London when he had laid eyes on them.

No, he did not want to be alone. Only problem was, he should have dressed for anonymity and the freezing wind, but he had dressed for neither. People stared at a seven-foot-tall man with dark wavy hair who wore a violet silk blazer in such weather. And the scarf was yellow. How mad of him to have thrown on these decidedly private-realm clothes and then rushed out into the street wearing them.

But he had changed before Remmick gave him the news: Samuel had packed and gone; Samuel would meet him at the Trattoria. Samuel had left behind the bulldog, that it might be his New York dog, if Ash didn't mind. (Why would Ash mind a dog that both drooled and snored, but then Remmick and the young Leslie undoubtedly would be the ones to endure the brunt of this. The young Leslie was now a permanent fixture in the tower offices and rooms, much to her glee.) Samuel would get another dog in and for England.

The Trattoria was already packed, he could see this through the glass, patrons shoulder to shoulder along its winding bar and at its innumerable little tables.

But there was Samuel, as promised, puffing on a small damp cigarette (he murdered them the way Michael did), and drinking whiskey from a heavy little glass, and watching for him.

Ash tapped on the window.

The little man took him in, head to toe, and shook his head. The little man himself was spruce in his new style, tweed with waistcoat, brand-new shirt, shoes shined like mirrors. There was even a pair of brown leather gloves lying like two ghost hands, all collapsed and mashed, on the table.

It was impossible to know what feelings were concealed behind the folds and wrinkles of Samuel's flesh, but the neatness and style of the overall figure argued for something other than the bleary, drunken, grumbling melodrama of the last forty-eight hours.

That Michael had found Samuel so amusing was a blessing. Indeed, one night they had drunk each other under the table, telling jokes, while Rowan and Ash had only smiled indulgently, to be left at last with the awful tension of knowing that if they went to bed more would be lost than gained--unless Ash thought of himself, and only himself entirely.