UnSouled (Unwind Dystology 3)

“I’m against solutions that are worse than the problem. Like old women who want their hair dyed the color of shoe polish to hide the gray.”

Risa finally takes a moment to look around and quickly understands why the woman made the comparison she did. They’re in the back room of a salon—a retro kind of place with big hair dryers and notched black sinks. The woman introduces herself as Audrey, the proprietor of Locks and Beagles—an establishment specializing in salon services for people who absolutely, positively must bring their dog with them everywhere.

“You’d be surprised how much some of these ladies will pay for a shampoo and cut if their Chihuahua can sit in their lap.”

Audrey looks Risa over, like a prospective client. “Of course, we’re closed now, but I wouldn’t be disagreeable to an after-hours makeover.”

“Thank you, but I’m good,” Risa says.

Audrey frowns. “Come now. I thought you’d have better survival instincts than that!”

Risa bristles. “Excuse me?”

“What, do you think hiding under a hood is doing you any good?”

“I’ve done fine until now, thank you very much.”

“Don’t get me wrong,” Audrey says. “Smarts and instinct go a long way—but when you get too proud of how very clever you are at outwitting the powers that be, bad things are bound to happen.”

Risa begins to subconsciously rub her wrist. She had thought she was too good to fall for a trap—which is why she ended up getting caught. Changing her look would play to her advantage, so why is she so resistant?

Because you want to look the same for Connor.

She almost gasps at the realization. He’s been on her mind more and more, clouding her judgment in ways she never even considered. She can’t let her feelings for him get in the way of self-preservation.

“What kind of makeover?” Risa asks.

Audrey smiles. “Trust me, hon. When I’m done, it’ll be a whole new you!”

• • •

The makeover takes about two hours. Risa thinks Audrey must be bleaching her hair blond, but instead she gives Risa just a lighter shade of brown with highlights and a light perm.

“Most people think it’s hair color that changes a person’s looks—but it’s not. It’s all about texture,” Audrey tells Risa. “And hair’s not even the most important thing. The eyes are. Most people don’t realize how much of recognition is in the eyes.”

Which is why she suggests a pigment injection.

“Don’t worry. I’m a licensed ocular pigmentologist. I do it every day and never had complaints, except from the people who’d complain no matter what I did.”

Audrey goes on to talk about all her high-society patrons and their bizarre requests, from phosphorescent eye colors that match their nails, to midnight-black pigment injections that make it look like the pupil has swallowed the iris altogether. Her voice is soothing and as anesthetic as the drops she puts into Risa’s eyes. Risa lets her guard down and doesn’t notice until it is too late that Audrey has clamped her arms against the arms of the chair and has secured her head in place against the headrest. Risa begins to panic. “What are you doing? Let me go.”

Audrey just smiles. “I’m afraid I can’t do that, hon.” And she turns to reach for something Risa can’t see.

Now Risa realizes that Audrey’s agenda has nothing to do with helping her. She wants the reward after all! A single call and the police will be here. How stupid Risa was to trust her! How could she have been so blind!

Audrey comes back with a nasty-looking device in her hand. A syringe with a dozen tiny needles at the tip, forming a small circle.

“If you’re not immobilized, you might move during the process—even grab the device reflexively, and that could damage your cornea. Locking you down is for your own protection.”

Risa releases a shuddering breath of relief. Audrey takes it as anxiety from the sight of the injection needles. “Don’t you worry, hon. Those eye drops I gave you are like magic. I promise you won’t feel a thing.”

And Risa finds her eyes welling with tears. This woman truly does mean to help her. Risa feels guilty for her burst of paranoia, even though Audrey never knew. “Why are you doing this for me?”

Audrey doesn’t answer at first. She focuses on the task at hand, injecting Risa’s irises with a surprise shade that Audrey promised Risa would like. Risa believed her because the woman was so overwhelmingly confident about it. For a moment Risa feels as if she’s being unwound, but wills the feeling away. There is compassion here, not professional detachment.

“I’m helping you because I can,” Audrey says, as she works on her other eye. “And because of my son.”

“Your son . . .” Risa thinks she gets it. “Did you—”