UnSouled (Unwind Dystology 3)

“Unwind him? No. Nothing like that. From the moment he arrived on my doorstep, I loved him. I would never dream of unwinding him.”

“He was a stork?”

“Yep. Left at my door in the dead of winter. Premature, too. He was lucky to survive.” She pauses as she checks how the pigments are taking, then goes for a second layer of injections. “Then, when he was fourteen, he was diagnosed with cancer. Stomach cancer that had spread to his liver and pancreas.”

“I’m so sorry.”

Audrey leans back, looking Risa in the eyes, but not to gauge her own handiwork. “Honey, I’d never take an unwound part for myself. But when they told me the only way to save my boy’s life was to basically gut him and replace all his internal organs with someone else’s, I didn’t even hesitate. ‘Do it!’ I said. ‘Do it the second you can get him in that operating room.’â??”

Risa says nothing, realizing this woman needs to give her confession.

“You want to know the real reason unwinding keeps going strong, Miss Risa Ward? It isn’t because of the parts we want for ourselves—it’s because of the things we’re willing to do to save our children.” She thinks about that and laughs ruefully. “Imagine that. We’re willing to sacrifice the children we don’t love for the ones we do. And we call ourselves civilized!”

“It’s not your fault that unwinding exists,” Risa tells her.

“Isn’t it?”

“You had no other way to save your son. You had no choice.”

quo;s kids like these, thinks Risa, that made people think unwinding was a good idea.

The third kid lingers, saying nothing, looking a little bit worried. Risa marks him as her possible escape route. None of them have recognized her yet. If they do, their motives will instantly compound. Rather than trying to have their way with her, then leaving her there in the alley, they’ll have their way, then turn her in for the reward.

“Let’s not get off on the wrong foot, now,” Prime Douche says. “We could be of service to you.”

“Yeah,” says Porterhouse. “If you’re of ‘service’ to us.”

Sleaze number three snickers at that and moves forward, joining the other two. So much for an escape route. Prime Douche takes a bold step toward her. “We’re the kind a’ friends a girl like you needs. To protect you and such.”

Risa locks eyes with him. “Touch any part of me, and I break a part of you.”

She knows that a guy like this, with more bravado than brain, will take that as a dare—which he does. He grabs her wrist—then braces himself for whatever she might try to do.

She smiles at him, lifts her foot, and jams her heel into Porterhouse’s knee instead. Porterhouse’s kneecap breaks with an audible crunch, and he goes down, screaming and writhing in pain. It’s enough to shock Prime Douche into loosening his grip. Risa twists free and elbows him in the nose. She’s not sure if she’s broken it, but it does start gushing blood.

“YOU THTINKING BITH!!” he yells. Porterhouse is in such agony, he can only wail wordlessly. Sleaze number three takes this as his cue to exit, running off down the alley, knowing he’ll be next if he doesn’t.

Then Prime Douche produces more bad news. He pulls out a knife and starts swinging at Risa, trying to cut any part of her he can. His sweeping slashes are wild, but deadly.

She uses her backpack to block, and he slices it open. He swings again, coming dangerously close to her face. Then suddenly she hears—

“In here! Hurry!”

There’s a woman poking her head out of the back door of a shop. Risa doesn’t hesitate. She lurches into the open door, and the woman tries to close it behind her. She almost gets it closed, but Prime Douche gets his hand in, stopping it—so the woman slams the door on his hand. He screams on the other side of the door. Risa throws her shoulder against the door, slamming it on his fingers again. He screams even louder. She releases the tension just enough for him to pull his swelling fingers back, then pushes the door fully closed while the woman locks it.

They endure the furious barrage of bile—a vitriolic burst of curses that sound increasingly impotent, until the douche and Porterhouse stumble off, vowing vengeance.

Only now does Risa look at the woman. Middle-aged, wrinkles she tries to hide with makeup. Big hair. Kind eyes.

“You all right, hon?”

“Fine. My backpack might not pull through though.”

The woman throws a quick glance at the backpack. “Pandas and hearts? Hon, that thing needed to be put out of its misery.”

Risa grins, and the woman holds her gaze just a moment too long. Risa can clock the exact moment of recognition. The woman knows who she is—although she doesn’t let on right away.

“You can stay here until we’re sure they’re gone for good.”