Fifth Mountain
Page 26
But there Elijah stood, carrying out what had been demanded of him, bearing within him the weight of the war to come, the massacre of the prophets by Jezebel, the death by stoning of the Assyrian general, his fear of loving a woman of Akbar. The Lord had given him a gift, and he did not know what to do with it.
In the middle of the valley, a light appeared. It was not his guardian angel, the one he heard but seldom saw. It was an angel of the Lord, come to console him.
"I can do nothing further here," said Elijah. "When will I return to Israel?"
"When thou learnest to rebuild," answered the angel. "But remember that which God taught Moses before a battle. Make use of every moment so that later thou wilt not regret, nor lament having lost thy youth. To every age in the life of a man, the Lord bestoweth upon him its own misgivings."
THE LORD SPOKE UNTO MOSES:
"Say unto them, Hear, O Israel, ye approach this day unto battle against your enemies: let not your hearts faint, fear not, and do not tremble, neither be ye terrified because of them. And what man is he that hath planted a vineyard, and bath not yet eaten of it? Let him also go and return unto his house, lest he die in the battle, and another man eat of it. And what man is there that bath betrothed a wife, and hath not taken her? Let him go and return unto his house, lest he die in the battle, and another man take her."
ELIJAH CONTINUED WALKING FOR SOME TIME, SEEKING to understand what he had heard. As he was readying to return to Akbar, he saw the woman he loved sitting on a rock facing the Fifth Mountain, a few minutes' walk from where he stood.
"What is she doing here? Does she know about the judgment, the death sentence, and the risks we have come to face?"
He must alert her at once. He decided to approach her.
She noticed his presence and waved. Elijah appeared to have forgotten the angel's words, for the feeling of uncertainty came rushing back. He tried to feign that he was worried about the problems of the city, so that she might not perceive the confusion in his heart and his mind.
"What are you doing here?" he asked when he drew close.
"I came in search of a bit of inspiration. The writing that I'm learning made me think about the Designer of the valleys, of the mountains, of the city of Akbar. Some merchants gave me inks of every color, because they want me to write for them. I thought of using them to describe the world I live in, but I know how difficult that is: although I have the colors, only the Lord can mix them with such harmony."
She kept her gaze on the Fifth Mountain. She was a completely different person from the woman he had met some months before gathering wood at the city gate. Her solitary presence in the midst of the desert inspired confidence and respect in him.
"Why do all the mountains have names except the Fifth Mountain, which is known by a number?" asked Elijah.
"So as not to create conflict among the gods," she replied. "According to tradition, if men had given that mountain the name of a specific god, the others would have become furious and destroyed the earth. Therefore it's called the Fifth Mountain, because it's the fifth mountain we see beyond the walls. In this way, we offend no one, and the Universe continues in its place."
They said nothing for a time. The woman broke the silence.
"Besides reflecting on colors, I also think about the danger in the writing of Byblos. It might offend the gods of Phoenicia and the Lord our God."
"Only the Lord exists," interrupted Elijah. "And every civilized country has its writing."
"But it's different. When I was a child, I used to go to the square to watch the word painter who worked for the merchants. His drawings were based on Egyptian script and demanded skill and knowledge. Now, ancient and powerful Egypt is in decadence, without money to buy anything, and no one uses its language anymore; sailors from Sidon and Tyre are spreading the writing of Byblos to the entire world. The sacred words and ceremonies can be placed on clay tablets and transmitted from one people to another. What will become of the world if unscrupulous people begin using the rituals to interfere with the Universe?"
Elijah understood what the woman was saying. The writing of Byblos was based on a very simple system: the Egyptian drawings first had to be transformed into sounds, and then a letter was designated for each sound. By placing these letters in order, it was possible to create all possible sounds and to describe everything there was in the Universe.
Some of these sounds were very difficult to pronounce. That difficulty had been solved by the Greeks, who had added five more letters, called vowels, to the twenty-odd characters of Byblos. They baptized this innovation alphabet, a name now used to define the new form of writing.
This had greatly facilitated commercial contact among differing peoples. The Egyptian system had required much space and a great deal of ability to draw the ideas, as well as profound understanding to interpret them; it had been imposed on conquered nations but had not survived the decline of the empire. The system of Byblos, however, was spreading rapidly through the world, and it no longer depended on the economic might of Phoenicia for its adoption.
The method of Byblos, with the Greek adaptation, had pleased the traders of the various nations; as had been the case since ancient times, it was they who decided what should remain in history and what would disappear with the death of a given king or a given person. Everything indicated that the Phoenician invention was destined to become the common language of business, surviving its navigators, its kings, its seductive princesses, its wine makers, its master glassmakers.
"Will God disappear from words?" the woman asked.
"He will continue in them," Elijah replied. "But each person will be responsible before Him for whatever he writes."
She took from the sleeve of her garment a clay tablet with something written on it.
"What does that mean?" Elijah asked.
"It's the word love."
Elijah took the tablet in his hands, not daring to ask why she had given it to him. On that piece of clay, a few scratches summed up why the stars continued in the heavens and why men walked the earth.
He tried to return it to her, but she refused.