Steelheart (The Reckoners 1) - Page 3

I hid in the vault.

I wish I could claim that I was smart for making that choice, but I’d simply gotten turned around. I vaguely remember crawling into a dark corner and curling up into a ball, crying as the rest of the building fell apart. Since most of the main room had been turned to metal by Steelheart’s rage, and the vault was steel in the first place, those areas didn’t crumble as the rest of the building did.

Hours later, I was pulled out of the wreckage by a rescue worker. I was dazed, barely conscious, and the light blinded me as I was dug free. The room I had been in had sunk partially, lurched on its side, but it was still strangely intact, the walls and most of the ceiling now made of steel. The rest of the large building was rubble.

The rescue worker whispered something in my ear. “Pretend to be dead.” Then she carried me to a line of corpses and put a blanket over me. She’d guessed what Steelheart might do to survivors.

Once she went back to look for other survivors, I panicked and crawled from beneath the blanket. It was dark outside, though it should have only been late afternoon. Nightwielder was upon us; Steelheart’s reign had begun.

I stumbled away and limped into an alley. That saved my life a second time. Moments after I escaped, Steelheart returned, floating down past the rescue lights to land beside the wreckage. He carried someone with him, a thin woman with her hair in a bun. I would later learn she was an Epic named Faultline, who had the power to move earth. Though she would one day challenge Steelheart, at that point she served him.

She waved her hand and the ground began to shake.

I fled, confused, frightened, pained. Behind me, the ground opened up, swallowing the remnants of the bank—along with the corpses of the fallen, the survivors who were receiving medical attention, and the rescue workers themselves. Steelheart wanted to leave no evidence. He had Faultline bury all of them under hundreds of feet of earth, killing anyone who could possibly speak of what had happened in that bank.

Except me.

Later that night, he performed the Great Transfersion, an awesome display of power by which he transformed most of Chicago—buildings, vehicles, streets—into steel. That included a large portion of Lake Michigan, which became a glassy expanse of black metal. It was there that he built his palace.

I know, better than anyone else, that there are no heroes coming to save us. There are no good Epics. None of them protect us. Power corrupts, and absolute power corrupts absolutely.

We live with them. We try to exist despite them. Once the Capitulation Act was passed, most people stopped fighting. In some areas of what we now call the Fractured States, the old government is still marginally in control. They let the Epics do as they please, and try to continue as a broken society. Most places are chaos, though, with no law at all.

In a few places, like Newcago, a single godlike Epic rules as a tyrant. Steelheart has no rivals here. Everyone knows he’s invulnerable. Nothing harms him: not bullets, not explosions, not electricity. In the early years, other Epics tried to take him down and claim his throne, as Faultline attempted.

They’re all dead. Now it’s very rare that any of them tries.

However, if there’s one fact we can hold on to, it’s this: every Epic has a weakness. Something that invalidates their powers, something that turns them back into an ordinary person, if only for a moment. Steelheart is no exception; the events on that day in the bank prove it.

My mind holds a clue to how Steelheart might be killed. Something about the bank, the situation, the gun, or my father himself was able to counteract Steelheart’s invulnerability. Many of you probably know about that scar on Steelheart’s cheek. Well, as far as I can determine, I’m the only living person who knows how he got it.

I’ve seen Steelheart bleed.

And I will see him bleed again.

PART ONE

1

I skidded down a stairwell and crunched against steel gravel at the bottom. Sucking in air, I dashed through one of the dark understreets of Newcago. Ten years had passed since my father’s death. That fateful day had become known by most people as the Annexation.

I wore a loose leather jacket and jeans, and had my rifle slung over my shoulder. The street was dark, even though it was one of the shallow understreets with grates and holes looking up into the sky.

It’s always dark in Newcago. Nightwielder was one of the first Epics to swear allegiance to Steelheart, and is a member of his inner circle. Because of Nightwielder there are no sunrises, and no moon to speak of, just pure darkness in the sky. All the time, every day. The only thing you can see up there is Calamity, which looks kind of like a bright red star or comet. Calamity began to shine one year before men started turning into Epics. Nobody knows why or how it still shines through the darkness. Of course, nobody knows why the Epics started appearing, or what their connection is to Calamity either.

I kept running, cursing myself for not leaving earlier. The lights along the ceiling of the understreet flickered, their coverings tinted blue. The understreet was littered with its typical losers: addicts at corners, dealers—or worse—in alleyways. There were some furtive groups of workers going to or from their jobs, thick coats and collars flipped up to hide their faces. They walked hunched over, eyes on the ground.

I’d spent most of the last decade among people like them, working at a place we simply called the Factory. Part orphanage, part school, it was mostly a way to exploit children for free labor. At least the Factory had given me a room and food for the better part of ten years. That had been way better than living on the street, and I hadn’t minded for one moment working for my food. Child labor laws were relics of a time when people could care about such things.

I pushed my way past a pack of workers. One cursed at me in a language that sounded vaguely Spanish. I looked up to see where I was. Most intersections were marked by spray-painted street names on the gleaming metallic walls.

When the Great Transfersion caused the better part of the Old City to be turned into solid steel, that included the soil and rock, dozens—maybe hundreds—of feet down into the ground. During the early years of his reign, Steelheart pretended to be a benevolent—if ruthless—dictator. His Diggers had cut out several levels of understreets, complete with buildings, and people had flowed to Newcago for work.

Life had been difficult here, but it had been chaos everywhere else—Epics warring with one another over territory, various para-governmental or state military groups trying to claim land. Newcago was different. Here you could be casually murdered by an Epic who didn’t like the way you looked at him, but at least there was electricity, water, and food. People adapt. That’s what we do.

Except for the ones who refuse to.

Come on, I thought, checking the time on my mobile, which I wore in the forearm mount of my coat. Blasted rail line outage. I took another shortcut, barreling through an alleyway. It was dim, but after ten years of living in perpetual gloom, you got used to it.

I passed huddled forms of sleeping beggars, then leaped over one sprawled in the street at the end of the alleyway and burst out onto Siegel Street, a wider thoroughfare that was better lit than most. Here, one level underground, the Diggers had hollowed out rooms that people used as shops. They were closed up for the moment, though more than a few had someone watching out front with a shotgun. Steelheart’s police theoretically patrolled the understreets, but they rarely came to help except in the worst cases.

Originally, Steelheart had spoken of a grand underground city that would stretch down dozens of levels. That was before the Diggers had gone mad, before Steelheart had given up the pretense of

caring about the people in the understreets. Still, these upper levels weren’t terrible. At least there was a sense of organization, and plenty of burrowed-out holes to use as homes.

The lights in the ceiling here were faintly green and yellow, alternating. If you knew the color patterns of the various streets, you could navigate pretty well through the understreets. The top levels, at least. Even veterans of the city tended to avoid the lower levels, called the steel catacombs, where it was too easy to get lost.

Two blocks to Schuster Street, I thought, glancing through a gap in the ceiling toward the better-lit, gleaming skyscrapers above. I jogged the two blocks, then swerved into a stairwell going up, feet falling on steel steps that reflected the dim, half-functional lights.

I scrambled out onto a metal street, then immediately ducked into an alleyway. A lot of people said that the overstreets weren’t nearly as dangerous as the understreets, but I never felt comfortable on them. I never felt safe anywhere, to be honest, not even at the Factory with the other kids. But up here … up here there were Epics.

Carrying a rifle around the understreets was common practice, but up here it could draw attention from Steelheart’s soldiers or a passing Epic. It was best to remain hidden. I crouched beside some boxes in the alleyway, catching my breath. I glanced at my mobile, tapping over to a basic map of the area, then looked up.

Directly across from me was a building with red neon lettering. The Reeve Playhouse. As I watched, people began pouring out the front, and I breathed a sigh of relief. I’d made it just as the play ended.

The people were all overstreeters, in dark suits and colorful dresses. Some would be Epics, but most would not. Instead they were those who had somehow gotten ahead in life. Perhaps Steelheart favored them for tasks they performed, or perhaps they had simply been born to rich parents. Steelheart could take anything he wanted, but to have an empire he needed people to help rule. Bureaucrats, officers in his army, accountants, trading gurus, diplomats. Like the upper crust of an old-school dictatorship, these people lived off the crumbs that Steelheart left behind.

Tags: Brandon Sanderson The Reckoners Fantasy
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