He laughed, gratified by her surprise. "Never seen one before?"
"Dunno as I have."
"Can now, then."
He flipped it across to her. She caught it and, turning it one way and the other, examined the stylized design of leopards and the obverse image of Frella-Tiltheh the Inscrutable, hand outstretched above the sprouting tamarrik seed. After a minute she made to give it back, but he shook his head.
"It's yours, goldfish."
"Oh, Tharrin, I can't take that! 'Sides, anyone I was to give it to'd reckon I must 'a pinched it--a girl like me."
He chuckled. "Or earned it, perhaps; such a pretty girl. And haven't you?"
She colored. "That's worse, anyone go thinkin' that. Oh, Tharrin, don't tease that way. I don't like it. I'd never, never do it for money!"
Seeing that she was on the verge of serious vexation, he hurriedly pulled the subject back on course.
"You can have five twenty-meld pieces if you'd rather. Here they are, look."
"Tharrin! However much you got, then?"
He jingled the coins, tossing them up and down before her eyes.
"That and more."
"But how?" Then, sharply, "You never stole it, did you? Oh, Tharrin--"
He laid a quick hand on her wrist. "No, fish, no; you can think better of me than that."
She, carefree and pretty as a butterfly in the sunshine, waited silently before at length asking, "Well?"
"I'm a patriot."
"What's that, then?"
"Well, you see, I'm the sort of man who's not afraid to take risks, so I'm rewarded accordingly. They don't take on just anyone to do the kind of work I do, I'll tell you."
She knew that he was serious, yet she felt no alarm on his account; her half-childish thoughts ran all on excitement, not on danger.
"Oh, Tharrin! Risks? Who for? Does mother know?"
"Ah! That'd be telling. No, 'course she doesn't: only you. And you just keep it quiet, too. I don't want to be sorry I told you."
" 'Course I will. But what's it all about, then?"
"And that'd be telling, too. But I'm a secret messenger; and I'm paid what I'm worth."
"But darling, surely you'll need the money for this trip, won't you?"
"What's a hundred meld to a man like me? Come on, you just put them away safe now, else they'll get scattered all over 'fore we're done."
Obediently Maia put them away before returning to more immediate things.
She left him in high spirits on the jetty at Meerzat, chatting with an acquaintance who was taking his boat out as soon as he had got the cargo aboard; and strolled home at her leisure, stopping more than once to pick flowers or chase butterflies; for it was Maia's way to pursue pleasure quite spontaneously in anything that might happen to take her fancy.
It was a little after noon when she came up the lane towards the cabin. The sanchel on the bank had almost finished flowering, its orange blossoms turned to soft, fluffy seeds like long sprays of thistledown, which the first winds of autumn would send floating across the waste. There were three blooms left at the end of a long, out-thrust branch. Maia climbed up the bank to reach them, clutching the branch and almost overbalancing as she leant outwards.
Suddenly she stopped trying to reach the blooms and released the bent branch, staring towards the cabin and the patch of rough grass where the chopping-block stood beside the hen-coops.
Under a clump of sycamores on the edge of the patch, a cart was standing in the shade. Two bullocks, side by side, were in the shafts, shaking and tossing their heads under a cloud of flies. It was not they, however, which arrested her attention, but the cart itself. She had never seen one like it. It was unusually solid, rectangular, narrow and entirely covered not by any sort of tilt or hood, but by a timber roof as stout as its sides. It was unpainted and bound about with four iron hoops bolted to the timber. Unless there was some window or opening at the front (which from where she was standing she could not see) it had none; but near the top of the one side half-facing her was a long, narrow slit. At the back was a door, closed and fitted with a hasp and staple, in which a heavy padlock was hanging open.
Maia was mystified and much intrigued. She could imagine neither the use of such a vehicle--for some special use it must obviously have--nor why it should be visiting their home. Who owned it? Why had he come?
Obviously, whoever he was, Morca must know, and presumably he was indoors with her now, unless they were out looking at cattle or something like that. To dwellers in remote places, any visitor or unexpected event brings welcome variety to the monotony of the day's routine. Maia felt excited.
Jumping down from the bank, she ran across the lane and in at the door.
The only person to be seen in the room, however, was Morca, sitting on a stool by the fire, plucking a fowl. Handfuls of feathers, brown and white, lay round her feet. Some had found their way into the fire, and Maia wrinkled her nose at the acrid smell.
Morca rose clumsily, smoothing her sacking apron over her belly, laid the fowl on one side and stood looking at her daughter with a smile.
"Well--you got back all right, then?" she asked. "You're not too tired? Did Tharrin catch the boat? On his way now, is he?"
Something in her manner puzzled Maia and made her hesitate before replying. Morca was no more--indeed, was even less--given than most peasant mothers to asking her daughters polite questions about their welfare, and Maia-- just as unused to receiving them--hardly knew how to answer.
"Tired? Oh, no, I'm fine, no danger," she said after a moment. "Mum, what's that cart--"
"And he got the boat all right, did he?" interrupted Morca. "He's gone off?"
"Well, 'course he did," answered Maia with a touch of impatience. "Why wouldn't he?" Then, impudently, "Hadn't, I shouldn't be here. The cart, mum, what's that queer-looking cart outside? Who's brought it?"
"Ah!" said Morca, still smiling. "Strikes me some people's left their eyes outside in the sun, or maybe they're just not very bright today. Haven't you seen--"
"What's up with that curtain, then?" asked Maia suddenly, looking across at the screened-off sleeping place on the other side of the room. "Hens got in behind it or something?"
"Oh, cat's been asleep in there all morning," answered Morca quickly. "But never you mind that now, Miss Maia; just look behind you at what's laying on the table. Walked right past it, didn't you?"
"On the table? Oh!" Maia, having turned about, stood staring, fingers on either side of her open mouth.
Lying across the table--otherwise bare and unusually clean--was a cream-colored dress made of some smooth, softly-shining material, its bodice embroidered with blue and green flowers. Displayed thus in the center of the squalid, smoky room it appeared marvelously beautiful and so inexplicably out of place as almost to seem unreal-- a vision or an illusion. Maia, gazing at it speechlessly, felt a kind of alarm. If something like this could materialize out of nowhere, then almost anything could happen. But what?
Walking over to the table, she looked at the dress more closely. Of course, she thought with some chagrin, she could hardly expect to be much of a judge of such things. The effect of its beauty was to subdue her, making her feel grubby and ignorant.
"D'you like it?" asked Morca from behind her.
"Like it?" echoed Maia abstractedly. The question seemed to have no meaning. It was rather as though her mother had asked her whether she liked the lake or the stars. Tentatively, she put out a hand towards the thick, creamy material of the skirt.
"Better not touch it just yet, Maia dear," said Morca. "Not until you've had a wash. There's some nice hot water ready for you on the fire, look."