"Then it occurred to me that the waitress must have emerged from the kitchen. For a minute, I was sure that Helen was hiding there and I felt triumphant. Regardless of the fact that my actions might induce some of the staff to call hotel security, or the police, even, I marched firmly through a pair of swinging doors into the kitchen. There was the chef there, a couple of assistants, and another waitress. No Helen. There was one small further door which might have been a private lavatory for the kitchen staff, and I had gone too far to back down. I walked over and flung the door open. It was a lavatory, and it was empty. By then the chef and his assistants were shouting at me, and I said, 'Sorry,' and left quickly. I didn't see any closets there large enough to hold a human being.
"I stepped back into the restaurant. Everyone was still looking at me, and I could do nothing but return to the lobby. It was as though the instant Helen had passed through the doorway into the restaurant, she had vanished." Anderssen sat back, spread his hands in blank despair. "Just vanished."
Drake said, "What did you do?"
Anderssen said, "I went out and talked to the cashier. She had been away from her station for a few moments and she hadn't even seen me go in, let alone Helen. She told me about the rest-rooms and that there was no exit to the street.
"Then I went to talk to the room clerk, which demoralized me further. He was busy and I had to wait. I wanted to yell, 'This is a matter of life and death,' but I was beginning to think I would be carried off to an asylum if I didn't behave in a totally proper way. And when I spoke to him, the room clerk turned out to be a total zero, though what could I really have expected from him?"
"And then what did you do?" asked Drake.
"I waited in the lobby for about half an hour. I thought Helen might show up again; that she had been playing some practical joke and that she would return. Well, no Helen. I could only spend my time fantasizing, as I waited, of calling the police, of hiring a private detective, of personally scouring the city, but you know—What do I tell the police? That my wife has been missing for an hour? That my wife vanished under my eyes? And I don't know any private detectives. For that matter, I don't know how to scour a city. So, after the most miserable half hour of my whole life, I did the only thing there was to do. I hailed a taxi and went home."
Avalon said, solemnly, "I trust, Mr. Anderssen, that you are not going to tell us your wife has been missing ever since."
Gonzalo said, "She can't be, Jeff. I saw her two days ago."
Anderssen said, "She was waiting for me when I got home. For a minute, a wave of intense thankfulness swept over me. It had been a terrible taxi ride. All I could think of was that she would have to be missing twenty-four hours before I could call the police and how would I live through the twenty-four hours? And what would the police be able to do?
"So I just grabbed her and held on to her. I was on the point of weeping, I was so glad to see her. And then, of course, I pushed her away and said, 'Where the hell have you been?'
"She said, coolly, 'I told you I was going home.'
"I said, 'But you ran into the restaurant.'
"She said, 'And then I went home. You don't suppose I needed a broomstick, do you? That's quite old-fashioned. I just—pjft— and I was home.' She made a sweeping motion of her right hand.
"I was furious. I had gotten completely over my relief. I said, 'Do you know what you've put me through? Can you imagine how I felt? I rushed in like a damn fool and tried to find you and then I just stood around.—I almost went to the police.'
"She grew calmer and icier and said, 'Well, it serves you right for what you did. Besides, I told you I was going home. There was no need for you to do anything at all but go home, too. Here I am. Just because you refuse to believe I have the power is no reason for you to begin scolding me, when I did exactly what I told you I would do.'
"I said, 'Come on, now. You didn't pjft here. Where were you in the restaurant? How did you get here?'
"I could get no answer from her on that. Nor have I been able to since. It's ruining my life. I resent her having put me through an hour of hell. I resent her making a fool of me."
Avalon said, "Is the marriage breaking up as a result? Surely, you need not allow one incident—"
"No, it's not breaking up. In fact, she's been sweet as apple pie ever since that evening. She hasn't pulled a single witch trick, but it bothers the dickens out of me. I brood about it. I dream about it. It's given her a kind of—superiority—"
Rubin said, "She's got the upper hand now, you mean."
"Yes," said Anderssen, violently. "She's made a fool of me and gotten away with it. I know she's not a witch. I know there are no such things as witches. But I don't know how she did it, and I've got this sneaking suspicion she's liable to do it again, and it keeps me—it keeps me—under" Anderssen then shook his head and said, in a more composed way, "It's such a silly thing, but it's poisoning my life."
Again there was silence about the table, and then Avalon said, "Mr. Anderssen, we of the Black Widowers are firm disbelievers in the supernatural. Are you telling us the truth about the incident?"
Anderssen said, fiercely, "I assure you I have told you the truth. If you have a Bible here, I'll swear on it. Or, which is better as far as I am concerned, I'll give you my word as an honest man that everything I've told you is as completely true as my memory and my human fallibility will allow."
Avalon nodded. "I accept your word without reservation."
Gonzalo said, in an aggrieved way, "You might have told me, John. As I said, I saw Helen two days ago, and nothing seemed wrong to me. I had no idea—Maybe it's not too late for us to help."
"How?" said Anderssen. "How could you help?"
Gonzalo said, "We might discuss the matter. Some of us may have some ideas."
Rubin said, "I have one, and, I think, a very logical one. I begin by agreeing with Anderssen and everyone else here that there is no witchcraft and that, therefore, Mrs. Anderssen is no witch. I think she went into the restaurant and somehow managed to evade her husband's eyes. Then when he was busy in the kitchen or at the registration desk, she left the restaurant and the hotel quickly, took a taxi, went home, and then waited for him. Now she won't admit what it is she has done in order to stay one-up in this needless marriage combat. My own feeling is that a marriage is useless if—"
"Never mind the homilies," said Anderssen, the shortness of his temper fuse showing. "Of course that's what happened. I don't need you to explain it to me. But you skip over the hard part. You say she went into the restaurant and 'somehow managed to evade her husband's eyes.' Would you please tell me just how she managed that trick?" "Very well," said Rubin. "I will. You came in, looked right and left, and were at once certain she wasn't there. Why? Because you were looking for an unmistakable redhead.—Have you ever heard of a wig; Mr. Anderssen?"
"A wig? You mean she put on a wig?"
"Why not? If she appeared to have brown hair, your eyes would pass right over her. In fact, I suspect that her red hair is so much the most important thing you see in her that if she were wearing a brown wig and had taken a seat at one of the tables, you could have been staring right at her face without recognizing it."
Anderssen said, "I insist I would have recognized her even so, but that point is of no importance. The important thing is that Helen has never owned a wig. For her to use one is unthinkable. She is as aware of her red hair as everyone else is, and she is vain about it, and wouldn't dream of hiding it. Such vanity is natural. I'm sure everyone here is vain about his intelligence."
Rubin said, "I grant you. Intelligence is something to be vain about. Yet, if it served some purpose that seemed important to me, I would pretend to be an idiot for a few minutes, or even considerably longer. I think your wife would have been willing to slip on a brown wig just long enough to escape your eye. Vanity is never an absolute in anyone who isn't an outright fool."
Anderssen said, "I know her better than you do, and I say she wouldn't wear
a wig. Besides, I told you this was a month ago. It was the height of summer and it was a hot evening. All Helen was wearing was a summer dress with only summer underwear beneath, and she had a light shawl to put on against the air conditioning. She was holding a small pocketbook, just large enough to contain some money and her makeup. There was nowhere she could have hidden a wig. She had no wig with her. Why should she have brought one with her, anyway? I can't and won't believe that she was deliberately planning to have a fight, and to trick me in this way in order to achieve a long-term upper hand. She's a creature of impulse, I tell you, and is incapable of making plans of that kind. I know her." Trumbull said, "Conceding her vanity and impulsiveness, what about her dignity? Would she have been willing to duck under one of the tables and let the tablecloth hide her?"
"The tablecloths did not come down to the ground. I would have seen her.—I tell you I've gone back to the restaurant and studied it in cold blood. There is nowhere she could have hidden. I was even desperate enough to wonder if she could have worked her way up the chimney, but the fireplace isn't real and isn't attached to one."
Drake said, "Anyone have any other ideas? I don't."
There was silence.
Drake turned half about in his chair. "Do you have anything to volunteer, Henry?"
Henry said, with a small smile, "Well, Dr. Drake, I have a certain reluctance to spoil Mrs. Anderssen's fun."
"Spoil her fun?" said Anderssen in astonishment. "Are you telling me, waiter, that you know what happened?"
Henry said, "I know what might easily have happened, sir, that would account for the disappearance without the need for any sort of witchcraft and I assume, therefore, that that was, indeed, what happened."
"What was it, then?"
"Let me be certain I understand one point. When you asked the people in the restaurant if they had seen a redheaded woman enter, the man on the couch turned around and shook his head in the negative. Is that right?"
"Yes, he did. I remember it well. He was the only one who really responded."
"But you said the fireplace was at the wall opposite the door into the restaurant and that the couch faced it, so that the man had his back to you. He had to turn around to look at you. That means his back was also to the door, and he was reading a magazine. Of all the people there, he was least likely to see someone enter the door, yet he was the one person to take the trouble to indicate he had seen no one. Why should he have?"
"What has all that got to do with it, waiter?" said Anderssen.
"Call him Henry," muttered Gonzalo.
Henry said, "I would suggest that Mrs. Anderssen hurried in and took her seat on the couch, an ordinary and perfectly natural action that would have attracted no attention from a group of people engaged in dining and in conversation, even despite her red hair."
"But I would have seen her as soon as I came in," said Anderssen. "The back of the couch only reaches a person's shoulders and Helen is a tall woman. Her hair would have blazed out at me."
"On a chair," said Henry, "it is difficult to do anything but sit. On a couch, however, one can lie down."
Anderssen said, "There was a man already sitting on the couch."
"Even so," said Henry. "Your wife, acting on impulse, as you say she is apt to do, reclined. Suppose you were on a couch, and an attractive redhead, with a fine figure, dressed in a skimpy summer costume, suddenly stretched out and placed her head in your lap; and that, as she did so, she raised her finger imploringly to her mouth, pleading for silence. It seems to me there would be very few men who wouldn't oblige a lady under those circumstances."
Anderssen s lips tightened. "Well—"
"You said the man was holding his magazine high, as though he were nearsighted, but might that not be because he was holding it high enough to avoid the woman's head in his lap? And then, in his eagerness to oblige a lady, would he not turn his head and unnecessarily emphasize that he hadn't seen her?"
Anderssen rose. "Right! I'll go home right now and have it out with her."
"If I may suggest, sir," said Henry. "I would not do that."
"I sure will. Why not?"
"In the interest of family harmony, it might be well if you would let her have her victory. I imagine she rather regrets it and is not likely to repeat it. You said she has been very well behaved this last month. Isn't it enough that you know in your heart how it was done so that you needn't feel defeated yourself? It would be her victory without your defeat and you would have the best of both worlds."
Slowly, Anderssen sat down and, amid a light patter of applause from the Black Widowers, said, "You may be right, Henry."
"I think I am," said Henry.
Return to Table of Contents
THE WRONG HOUSE
T
he guest at the monthly banquet of the Black Widowers frowned at the routine question asked him by that best of all waiters, Henry.
"No," he said, vehemently. "Nothing! Nothing!—No, not even ginger ale. I'll just have a glass of water, if you don't mind."
He turned away, disturbed. He had been introduced as Christopher Levan. He was a bit below average height, slim, and well-dressed. His skull was mostly bald but was so well-shaped that the condition seemed attractive rather than otherwise.
He was talking to Mario Gonzalo and returned to the thread of his conversation with an apparent effort, saying, "The art of cartooning seems simple. I have seen books that show you how to draw familiar shapes and forms, starting with an oval, let us say, then modifying it in successive stages till it becomes Popeye or Snoopy or Dick Tracy. And yet how does one decide what oval to make and what modifications to add in the first place? Besides, it is not easy to copy. No matter how simple the steps seem to be, when I try to follow them, the end result is distorted and amateurish."
Gonzalo looked, with a certain complacency, at the cartoon he had just drawn of the guest, and said, "You have to allow for a kind of inborn talent and for years of experience, Mr. Levan."
"I suppose so, and yet you didn't draw any oval with modifications. You simply drew that head freehand as quickly as you could and without any effort as far as I could tell.—Except that somehow my head looks shiny. Is it?"
"Not particularly. That's just cartoonist's license."
"Except that," said Emmanuel Rubin, drawing near with a
145 drink in his hand, "if licenses were required for cartooning, Mario would never qualify. Some may have talent, but Mario gets by with effrontery."
Gonzalo grinned. "He means chutzpah. Manny knows about that. He writes stories which he actually submits to editors."
"And sells," said Rubin.
"An indication of occasional editorial desperation."
Levan smiled. "When I hear two people spar like that, I am certain that there is actually a profound affection between them."
"Oh, God," said Rubin, visibly revolted. His sparse beard bristled and his eyes, magnified through the thick lenses of his glasses, glared.
"You've hit it, Mr. Levan," said Gonzalo. "Manny would give me the shirt off his back if no one were looking. The only thing he wouldn't give me is a kind word."
Geoffrey Avalon, the host of this banquet, called out, "Are you getting tangled up in some nonsense between Manny and Mario, Chris?"
"Voluntarily, Jeff," said Levan. "I like these bouts with pillows and padded bats."
"It gets wearisome," said Avalon, staring down from his seventy-four-inch height, "past the fifty-seven thousandth time.—But come and sit down, Chris. We are having nothing less good than lobster tonight."
It is not to be denied that an elaborate lobster dinner tends to inhibit conversation a bit. The cracking of shells takes considerable concentration and the dipping into drawn butter is not a matter to be carried through casually. The period between the Portuguese fish chowder and the coupe aux matrons was largely silent, therefore, as far as the human voice was concerned, though the nut cracking play kept the table at a low growl.
"I
despise lobster salad," said Roger Halsted over the coffee. "It's like eating seedless watermelon cut into cubes. The worth of the prize is directly proportional to the pains taken to win it."
Levan said, "I suppose, then, you would be very much against interest-free loans," and he chuckled with a sated air.
"Well," said James Drake, in his hoarsely muted voice, "I imagine even Roger would consider that as carrying a principle too far."
Thomas Trumbull fixed Levan with a glowering eye. "That's a banker's joke. Are you a banker?"
"One moment, Tom," said Avalon. "You're beginning to grill and the grilling session has not yet been opened."
"Well, then, open it, Jeff. We're on our coffee, and Henry is going to come around with the brandy in a millisecond."Trumbull looked at his watch. "And the lobster has delayed us, so let's go."
"I was about to begin," said Avalon, with dignity. He tapped his glass three or four times. "Tom, since you are so anxious, won't you begin the grilling."
"Certainly," said Trumbull. "Mr. Levan, are you a banker?"
"That is not the traditional opener," said Gonzalo.
Trumbull said, "Who asked you? What you're thinking of is traditional; it's not mandatory.— Mr. Levan, are you a banker?"
"Yes, I am. At least, I'm the vice president of a bank."
"Hah," said Trumbull. "Now I'll ask you the traditional opener. Mr. Levan, how do you justify your existence?"
Levan s smile became a beam. "Easiest thing in the world. The human body is completely dependent on blood circulation, which is driven by the heart. The world economy is completely dependent on money circulation, which is driven by the banks. I do my bit."
"Are the banks motivated in this by a desire for the good of the world or for the profits of their owners?"
Levan said, "Socialist claptrap, if you don't mind my saying so. You imply that the two motives are mutually exclusive, and that is not so. The heart drives the blood into the aorta and the first arteries to branch off are the coronaries, which feed what? The heart! In short, the heart's first care is for the heart, and that is as it should be, for without the heart all else fails. Let the coronaries get choked up and you'll find yourself agreeing with the heart, and wishing it were anything else that was on short rations."