JP smirked, but didn't argue. And with a wave to Siobhan, he disappeared into the back hallway.
"So how can I help?" Siobhan asked once he was gone. "Should I arrange a round of auditions? After all, I know a lot of really hot women."
That was true enough. In fact, Siobhan's girlfriend, Cassidy, featured prominently in the show. And it had been through Cass that Wyatt had originally met Siobhan, who had both a background in art and a shiny new job as the assistant director of the Stark Center for the Visual Arts in downtown Los Angeles.
Originally, Wyatt had envisioned a significantly smaller show staged in his studio. The location was good, after all, and he anticipated a lot of foot traffic since folks could walk from the Third Street Promenade. He'd asked Cass to model about eight months ago, not only because she was stunning, but because he knew the flamboyant tattoo artist well enough to know that she wouldn't balk at any pose he came up with, no matter how provocative. Cass didn't have a shy bone in her body, and she was more than happy to shock--so long as the shock was delivered on her terms.
Siobhan had come with her, and before the shoot, Wyatt had shown both of them three of the pieces he'd already finished so that Cass would have a sense of his vision. It was the first time he'd laid it out in detail, and it had been cathartic talking to Siobhan, who spoke the language, and Cass, who was an artist herself, albeit one whose canvas was skin and whose tools were ink and needles.
He'd explained how he'd originally just wanted a break from the portraits and other commercial photography jobs that paid the bills. And, yes, he was beginning to make a name for himself artistically with his landscapes and city scenes. That success was gratifying, but ultimately unsatisfying because those subjects weren't his passion. There was beauty in nature, sure, but Wyatt wanted to capture physical, feminine eroticism on film.
More than that, he wanted to make a statement, to tell a story. Beauty. Innocence. Longing. Ecstasy. He wanted to look at the world through the eyes of these women, and the women through the eyes of the world.
Ultimately, he wanted to elevate erotic art. To use it to reveal more about the models than even they were aware. Strength and sensuality. Innocence and power. Passion and gentleness. He envisioned using a series of provocative, stunning images to manipulate the audience through the story of the show, sending them on a journey from innocence to debauchery and back again, and then leaving them breathless with desire and wonder.
That afternoon, Wyatt spoke with Cass and Siobhan for over an hour. Showing them examples. Describing the emotions he wanted to evoke. Listening to their suggestions, and taking satisfaction from the fact that they obviously loved the concept. They'd ended the conversation with Cass posing for another hour as he burned through three rolls of film, certain he was capturing some of his best work yet.
Then they'd walked to Q, a Santa Monica restaurant and bar known for its martini flights. They'd toasted his project, Cass's pictures, and Siobhan's career, and by the time they ended the evening, he was feeling pretty damn good about his little pet project.
The next morning, he'd felt even better. That's when Siobhan had come to him with a formal offer from the Stark Center. He'd said yes on the spot, never once thinking that by doing so he was tying another person to his success--or, more to the point, his potential failure.
"I'm serious," she pressed now, as his silence continued to linger. "Whatever you need."
"I'll find her," Wyatt said. "I have time."
"Not much," she countered. "I need the prints ahead of time for the catalog, not to mention installation. Keisha's already getting twitchy," she added, referring to her boss. "We don't usually cut it this close."
"I know. It's going to be--"
"Twenty-seven days to the show, Wyatt." He could hear the tension in her voice, and hated himself for being the cause of it. "But about half that before you need to deliver the prints. We're running out of time. If you can't find the girl, then you need to just find a girl. I'm sorry, but--"
"I said I'll find her. You have to trust me on this."
Right then, she didn't look like she'd trust him to take care of her goldfish, but to her credit, she nodded. "Fine. In that case, all I need today is to see the latest print so I can think about the promotional image. And you'll email me a file for the catalog?"
"Sure. This is it," he added, walking to a covered canvas centered on the nearest wall. He pulled down the white drape, revealing a life-size black and white photograph of a woman getting dressed. At first glance, it wasn't the most titillating of his images, but that was because it was such a tease. The woman stood in a dressing room, and hidden among the dresses and coats were at least a dozen men, peering out to watch her.
The woman, however, was oblivious. She was bending over, one foot on a stool, as she fastened a garter. The view was at an angle, so at first glance the audience saw only her skirt, a hint of garter, and the woman's silk-sheathed leg.
Then they noticed the mirror behind her. A mirror that revealed that she wasn't wearing panties under the garter belt. And even though absolutely nothing was left to the imagination, it still wasn't a particularly racy or erotic photograph. But then you noticed the reflection in the mirror of another mirror. And another. And another. Each with an image of that same woman, and each slightly more risque, until finally, as the mirror approached infinity, the woman was nude, her head thrown back, one hand between her legs, the other at her throat. And all those men from the closet were out in the open now, their hands stroking and teasing her.
Most important, the mirror was so deep in the image that you had to stand practically nose-to-print to see it.
Wyatt couldn't wait to see how many people did exactly that at the showing.
"This is fabulous," Siobhan said with genuine awe in her voice.
"It was a hell of a photograph to set up and then develop. Lots of work on the set and in the darkroom."
"You could have set it up digitally."
He scoffed. "No. Some of the images, sure. But not this one." He turned his head, regarding it critically. "This one had to be hands-on. It's as much about the process as the product."
"I get that." She met his eyes, and the respect in hers reminded him of why he didn't just take photos for himself. "I want to take it back with me right now and show Keisha," she added.
"Soon." Although Siobhan and Keisha had wanted him to deliver each print upon completion, Wyatt had balked, explaining that he needed the art surrounding him in order to ensure the continuity of story in the overall exhibit. And the size of the canvas and the particulars of the way he handled the image in the darkroom were such that duplicates weren't adequate.
That meant that when Siobhan