Lunar Park - Page 52

And then: an adrenaline rush interrupted by a question from Sarah.

“Daddy?” she asked.

“Yes?”

“Do you help people?”

But I wasn’t answering her anymore because I realized who was in the passenger seat of Aimee Light’s BMW.

It was the boy who had come to my office wanting me to sign a book.

It was the boy who came to a Halloween party dressed as Patrick Bateman.

The same boy that Aimee Light claimed she had never seen before.

It was Clayton.

“Daddy . . . do you help people?” Sarah asked again.

11. detective

Everything was suddenly a mirage. I drove Robby and Sarah home while replaying the first time I met Aimee Light: a girl staring at me blankly from across a campus party, the cocaine I’d snorted in the dingy bathroom giving me a burly, reckless confidence, the ensuing conversation about her thesis during which I realized I could probably control her even though she was throwing off the opposite vibe—I located it in the yawn after she told me its title (“Destination Nowhere”), and it was in the studied indifference, the (ho-hum) calculated laughter, her “boredom”: all just defense mechanisms—but I was patient, and was so adept at pretending to be interested in women I simply wanted to sleep with that I had perfected my own performance: the devil grin, the deep and persuasive nodding, the off-the-cuff comments about other girlfriends and my famous wife. Ultimately, everything was an act. We were on a stage. The cup of beer she sipped from was a prop, and the subsequent foam cresting her upper lip caused my eyes, as if rehearsed, to hone in on her mouth, and when she realized I was gazing at her she swayed toward—and complimented—a sculpture made of wire hanging in a corner of Booth House. Male undergrads were slithering around her, merely outlines in the darkness, and her face was streaked orange by the glow of a lava lamp, and an hour later I had followed her around the entire room without realizing it and she was now smiling the whole time, even when I walked away since it was late and I was a family man who had to get home and it was wrenching and I had already lost my faith. But I regained it when I looked back and saw that her face was creased with a frown. Had she known Clayton then? Had Clayton stopped by my office knowing she’d be there? Had—

“Daddy, the light’s green again,” I heard Sarah whimper, and I shot forward.

As if guided by radar I drove to Ira’s Spirits and parked in front. I told Robby to watch his sister but he had his Discman on, tuning out the world, his future flattened by my presence, and I mumbled something to Sarah and closed the door before she could say anything and rushed into the liquor store and purchased a bottle of Ketel One. Barely a minute passed before I was back in the Range Rover—the transaction occurred with that much urgency.

At Elsinore: Jayne wouldn’t be home for an hour, Marta was conferring with Rosa about dinner, Robby ambled upstairs ostensibly to study for a test, Sarah went to the media room to play Pinobee, a video game about a flight-challenged and oddly charmless bumblebee whose expression of disgust always managed to fill me with alarm. I went to my office and locked the door, and filled a large coffee mug with vodka (I didn’t need a mixer anymore, I didn’t even need ice) and drank half of it before trying Aimee Light again on her cell. Waiting for an answer I sat at the desk and went over e-mails left unchecked from yesterday. One from Jay, one from Binky informing me that Harrison Ford’s people were delighted by my interest and had inquired when I could get out to L.A., and there was an odd one from Gary Fisketjon, my editor at Knopf, who wrote that a detective saying he was from the Midland County Sheriff’s Department had called his office asking how they could get in touch with me, and Gary hoped it was all right if he gave them my number. Before the fear began creeping in again I found another e-mail that arrived last night from the Bank of America in Sherman Oaks. Its arrival time: 2:40 a.m.

I scrolled down the blank page until Aimee’s phone stopped ringing and her message played out. I clicked off the cell after the beep when I noticed that the light on my answering machine was blinking. I reached over and pressed Play.

“Mr. Ellis, this is Detective Donald Kimball. I’m with the Midland County Sheriff’s Department and I’d like to talk to you about something that’s, well, rather urgent . . . and so we should probably talk as soon as you can.” Pause, static. “If you want we can meet here, in Midland, though considering what I want to talk to you about I think it might be best if I dropped by your place.” He left a cell phone number. “Again, please call me as soon as you can.”

Tags: Bret Easton Ellis Horror
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