The 17th Suspect (Women's Murder Club 17) - Page 95
Our thanks to those who shared their time and expertise with us in the creation of this book: Judge Kevin Rathburn of Saumico, Wisconsin, Northeast Wisconsin Technical College; Attorney Steven Rabinowitz, Pryor Cashman, New York City, for his wise counsel: and Captain Richard Conklin, BCI commander, Stamford, Connecticut, Police Department. And gratitude to the home team, Mary Jordan, John A. Duffy, and our amazing researcher, Ingrid Taylar, West Coast, USA.
THE ONE WHO KNOWS THE SECRETS IS THE ONE WHO HOLDS THE POWER. CAN NYPD RED FIND THE TRUTH BEFORE A CITY EXPLODES?
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THERE WERE ONLY four words beneath the tattoo of the Grim Reaper on Aubrey Davenport’s inner left thigh. But they spoke volumes.
Death is my aphrodisiac
And nowhere in the entire city was her libido more on point than at the Renwick Smallpox Hospital, a crumbling three-story, U-shaped monster on the southern tip of Roosevelt Island.
Once a marvel of neo-Gothic architecture, Renwick was now a rotting stone carcass, the final way station for thirteen thousand men, women, and children who had died a painful death.
For the city fathers, Renwick was a historical landmark. For the urban explorers, it was New York’s most haunted house. But for Aubrey Davenport, it was a sexual Mecca, and on a warm evening in early May, she and a willing partner scaled the eight-foot fence, made their way into the bowels of the moldering labyrinth, and spread a thick quilted blanket on the rocky floor.
She kicked off her shoes, removed her shirt and bra, shucked her jeans, and stood there, naked except for a pair of aquamarine bikini panties.
Her nipples responded to the caress of a cool breeze that drifted over her breasts, and she inhaled the earthy scent of the decay around her, mixed with the dank overtones of river water.
She dropped to her knees on the blanket, closed her eyes, and waited for her partner.
She shuddered as he silently slipped the noose around her neck. His fingers were long and slender. Piano player fingers, her mother used to call them. Like your father has.
As a child, Aubrey wondered why a man blessed with the hands of a concert pianist never played an instrument, never even cared to. But somewhere along the way she came to understand that Cyril Davenport’s long, slender fingers made music of another kind: the crescendo of sound that came from her parents’ bedroom on a nightly basis.
Aubrey felt the rope pull tighter. Rope was a misnomer. It was a long strand of silk—the belt from a robe, perhaps—and it felt soft and smooth as he cinched it against her carotid arteries.
He took her shoulders and guided her body to the ground until her belly was flat against the cotton blanket below her.
“Comfy?” he asked.
She laughed. Comfy was such a dumb word.
“You’re laughing,” he said. “Life is good, yes?”
“Mmmmmm,” she responded.
“It’s about to get better,” he said, tugging at the waistband of her panties and sliding them down to her ankles. His fingers teased as they walked slowly up her leg and came to rest on the patch of ink etched into her thigh. His thumb stroked the shrouded figure and arced along the scythe that was clutched in its bony claw.
“Hello, death,” he said, removing his hand.
Crack! The cat-o’-nine-tails lashed across her bare bottom, burning, stinging, each individual knotted-leather strap leaving its mark. She bit down hard and buried a scream into the blanket.
Pain was the appetizer. Pleasure was the main course. Her body tensed as she waited for his next move.
In a single, practiced motion he bent her legs at the knees, tipped them back toward her head, grabbed the tether that was around her neck, and tied the other end to her ankles.
“Hand,” he ordered.
Aubrey, her right arm beneath her stomach, reached all the way down until her hand was between her legs.
“Life is good,” he repeated. “Make it better.”
Her fingers groped, parting the pleats, entering the canal, tantalizing the nerve endings. The effect was dizzying: the man with the whip, the foul-smelling ruins, and the inescapable presence of thirteen thousand dead souls.
He said something, but she couldn’t hear over the sound of her own labored breathing. And then—the point of no return. She felt the swell of gratification surging through her body, and with near surgical precision she gently lowered her feet toward the ground.
The silk rope around her neck tightened, compressing her carotid arteries. The sudden loss of oxygen along with the buildup of carbon dioxide made her light-headed, giddy, almost hallucinogenic. The orgasm came in waves. It left her gasping for air, but the euphoria was so powerful, so addictive, that she intensified the pressure around her neck, knowing she could go just a few more seconds.
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