As if to answer the question, one of them shouted, “FBI. Drop your weapon! FBI!”
I didn’t buy it.
“Mob!” I said to Sampson.
“You sure?”
“Yeah.”
Then everybody started blasting at everybody else, as if we were in the streets of Baghdad rather than somewhere in rural Massachusetts.
Chapter 115
THE MOB HITTERS, if that’s who they were, fired on us too. Sampson and I shot back at them. And so did the Butcher.
I hit a guy in a leather trench coat—the one with the Uzi, my first target.
The gunman spun around and dropped to the dirt, but then he raised the Uzi to fire again. He got hit square in the chest with a round, and the force knocked him flat. I wasn’t the one who shot him though. Maybe Sampson?
Or was it Sullivan who’d shot him?
The darkness was a serious hazard to everybody. Bullets were flying everywhere, slugs of lead slamming into trees, ricocheting off rocks. It was total chaos and bedlam, hair-raising, death-defying madness being played out in the dark.
The Mafia thugs were fanning out, trying to create space between themselves, which would be even more trouble for us.
Sullivan had run to his left and was using the trees and shadows for some cover.
Sampson and I tried to hide ourselves as best we could behind skinny evergreens.
I was afraid we would die here; it felt like it could happen. Too many shots were being fired in too tight an area. This was a kill zone. It was like being heavily armed but up against a firing squad.
A Mafia hitter emptied his Bull Pup at the Butcher. I wasn’t sure, but I didn’t think he got his target.
He didn’t, because Sullivan popped right up and shot the mob guy as he scurried back toward the safety of the woods. The shooter let out a scream, and then he was quiet. I thought that three of the mob soldiers had been shot so far. Sampson and I weren’t hit, but we hadn’t been primary targets.
Now what? Who would make the next move? Sullivan? John or me?
Then something strange—I heard a boy’s voice. A tiny voice called out, “Dad! Dad! Where are you, Dad?”
Chapter 116
I SWIVELED MY NECK HARD AND PEERED in the direction of the house on the hill. I saw two of the Sullivan boys running down the front steps. They were dressed in their pajamas and had bare feet.
“Get back!” Sullivan screamed at them. “Get inside the house, you two! Get inside!”
Then Caitlin Sullivan rushed out of the house in a bathrobe, trying to hold back her youngest son, then picking him up in her arms. She was screaming bloody murder at the two other boys to come back inside.
Meanwhile, gunshots were happening everywhere, loud blasts that echoed in the night. Bursts of light illuminated trees, boulders, fallen bodies on the grass.
Sullivan kept yelling—“Get back in the house! Get back! Caitlin, get them inside!”
The boys didn’t listen; they just kept coming across the lawn toward their father.
One of the hit men turned his gun on the running figures, and I shot him in the side of the neck. He spun around, fell, and stayed down. I thought, I just saved the lives of Sullivan’s boys. What did it mean? That we were even for the time he came to my house and didn’t kill anybody? Was I supposed to shoot Caitlin Sullivan now as payback for Maria?
Nothing made much sense to me on this dark, bloodstained lawn.
Another hit man zigzagged in a fast retreat until he reached the woods. Then he dove headfirst into the brush. One final hit man stood out in the open. He and Sullivan faced off and fired on each other. The soldier spun and went down, blood rushing from a gaping wound in his face. Sullivan was left standing.