UnSouled (Unwind Dystology 3) - Page 109
“Let’s not get off on the wrong foot, now,” Prime Douche says. “We could be of service to you.”
“Yeah,” says Porterhouse. “If you’re of ‘service’ to us.”
Sleaze number three snickers at that and moves forward, joining the other two. So much for an escape route. Prime Douche takes a bold step toward her. “We’re the kind a’ friends a girl like you needs. To protect you and such.”
Risa locks eyes with him. “Touch any part of me, and I break a part of you.”
She knows that a guy like this, with more bravado than brain, will take that as a dare—which he does. He grabs her wrist—then braces himself for whatever she might try to do.
She smiles at him, lifts her foot, and jams her heel into Porterhouse’s knee instead. Porterhouse’s kneecap breaks with an audible crunch, and he goes down, screaming and writhing in pain. It’s enough to shock Prime Douche into loosening his grip. Risa twists free and elbows him in the nose. She’s not sure if she’s broken it, but it does start gushing blood.
“YOU THTINKING BITH!!” he yells. Porterhouse is in such agony, he can only wail wordlessly. Sleaze number three takes this as his cue to exit, running off down the alley, knowing he’ll be next if he doesn’t.
Then Prime Douche produces more bad news. He pulls out a knife and starts swinging at Risa, trying to cut any part of her he can. His sweeping slashes are wild, but deadly.
She uses her backpack to block, and he slices it open. He swings again, coming dangerously close to her face. Then suddenly she hears—
“In here! Hurry!”
There’s a woman poking her head out of the back door of a shop. Risa doesn’t hesitate. She lurches into the open door, and the woman tries to close it behind her. She almost gets it closed, but Prime Douche gets his hand in, stopping it—so the woman slams the door on his hand. He screams on the other side of the door. Risa throws her shoulder against the door, slamming it on his fingers again. He screams even louder. She releases the tension just enough for him to pull his swelling fingers back, then pushes the door fully closed while the woman locks it.
They endure the furious barrage of bile—a vitriolic burst of curses that sound increasingly impotent, until the douche and Porterhouse stumble off, vowing vengeance.
Only now does Risa look at the woman. Middle-aged, wrinkles she tries to hide with makeup. Big hair. Kind eyes.
“You all right, hon?”
“Fine. My backpack might not pull through though.”
The woman throws a quick glance at the backpack. “Pandas and hearts? Hon, that thing needed to be put out of its misery.”
Risa grins, and the woman holds her gaze just a moment too long. Risa can clock the exact moment of recognition. The woman knows who she is—although she doesn’t let on right away.
“You can stay here until we’re sure they’re gone for good.”
“Thanks.”
A pause, then the woman drops all pretenses. “I suppose I should ask you for your autograph.”
Risa sighs. “Please don’t.”
The woman gives her a sly grin. “Well, being that I’m not turning you in for the reward money, I figured I could sell the signature someday. It might be worth something.”
Risa returns the grin. “You mean after I’m dead.”
“Well, if it was good enough for van Gogh . . .”
Risa laughs, and her laughter begins to chase away the anxiety of just a few moments ago. She still feels adrenaline making her fingers tingle. It will take longer for her physiology to recognize safety.
“Are you sure all the doors are locked?”
“Hon, those boys are long gone, licking their wounds and icing their bruised egos. But yes. Even if they came back, they couldn’t get in.”
“It’s boys like that who give the rest of us teenagers a bad name.”
The woman waves her hand at the suggestion. “Bottom-feeders come in all ages,” she says. “I should know. I’ve dated my share of them. You can’t just unwind the young ones, ’cause once they’re gone, others’ll sink down to take their place.”
Risa carefully gauges the woman, but she’s not all that easy to read. “So you’re against unwinding?”
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