Much Ado About Murder (Shakespeare & Smythe 3)

Shakespeare’s eyes narrowed into slits. “Nobody comes third,” he said, softly.

“And so nobody is fourth, then?”

“Right. You have it, Pope. Nobody is fourth.”

“So then when do they choose the weapons?”

“Whenever they bloody well want to.”

“Are you quite finished?” Smythe asked.

Shakespeare turned and pointed a finger at him. “Don’t you start with me.”

“Wouldn’t dream of it,” said Smythe. “But if you write your plays the way you tell your stories, then ‘tis no wonder you never get any of them finished.”

“Zounds! Where is my sword?” said Shakespeare, looking around. “I am going to kill him.”

“You do not have a sword,” said Smythe.

“A sword!” cried Shakespeare, leaping to his feet and stabbing his forefinger into the air. “A sword! My kingdom for a sword!”

“Oh, here we go…” sighed Smythe, rolling his eyes.

“Friends! Colleagues! Countrymen! Who shall lend me a weapon with which to run this rascal through?”

“Sit down, you silly goose,” said Smythe, reaching out and taking hold of him by the hips, then yanking him abruptly back down to the bench. Shakespeare sat down so hard his teeth clicked together.

“Sweet merciful God!” he said. “You’ve broken my arse!”

“I shall break a good deal more than that if you do not cease this skylarking at once and get back to the point,” said Smythe, impatiently. “What happened next? What did Ben do after the rehearsal?”

“Why, he went home, I should imagine,” Shakespeare replied.

“What do you mean, he went home?”

“I mean… he went home,” Shakespeare repeated, with a shrug. “What other meaning can there be to that?”

“His closest friend went to confront his intended’s father so that he could break off his engagement and so doubtless be challenged to a duel, and Ben stayed at the Theatre to rehearse and then went home?” Smythe asked, frowning.

“Aye,” said Shakespeare. “He had decided ‘twould be best to let Corwin sleep off his distemper, then go and see him in the morning and find out what had transpired. We had agreed to go together, although, as Ben had told me, if Master Leonardo had already challenged Corwin, then ‘twas doubtful that there was aught that he could do to stop it.”

“Well, ‘tis possible that a challenge could be withdrawn, is it not?” asked Smythe.

“I suppose so,” Shakespeare replied. “But then Ben told me that once Master Leonardo had made up his mind, heaven and earth could not dissuade him. In any event, the point is certainly now moot. Master Leonardo has been killed, and Corwin has been arrested for the murder.”

“Aye, I can well see how it must have gone,” said Kemp. “Corwin went to see the Genoan and doubtless in his anger at having been deceived, he said things to him that could not be borne by any gentleman, whether English or foreign. And so the Genoan then and there flung down his gage and, in a fury, Corwin slayed him, right there in his own home.”

“Do you suppose that was how it happened?” George Bryan asked of no one in particular.

“It could well be,” said Gus Phillips. “Do you recall how Corwin acted on the day that we first met him, right here in this very tavern, when he came in company with Ben? All he could seem to think of was that Italian girl, the merchant’s daughter, Hera. He seemed obsessed with her.”

“I can see how any man would be,” Bryan replied.

“Aye, but to the point of wanting to take her to wife? After seeing her only once?” countered Phillips. “That bespeaks a certain hotness of the blood, do you not think?”

“A man so quick to love would likely be as quick to kill, is that your meaning then?” Smythe asked, raising an eyebrow.

“Does it not follow that hot blood would beget hot blood?” asked Phillips.