“He pulls a record needle out from behind the counter, and he comes over and pokes my finger with it, sudden-like, while I’m still trying to figure how he got over to me that fast, and he holds my hand and lets blood drip on—get this—the record. It flows into the grooves.

“He says, ‘Now, you promise me your blues-playing soul is mine when you die.’

“I thought it was just talk, you know, so I told him he could have it. He says, ‘When you hear it, you’ll be able to play it. And when you play it, sometime when you’re real good on it, it’ll start to come, like a rat easing its nose into hot dead meat. It’ll start to come.’

“ ‘What will?’ I said. ‘What are you talking about?’

“He says, ‘You’ll know.’

“Next thing I know, he’s over by the door, got it open, and he’s smiling at me, and I swear, I thought for a moment I could see right through him. Could see his skull and bones. I’ve got the record in my hand, and I’m walking out, and as soon as I do, he shuts the door and I hear the lock turn.

“My first thought was, I got to get this blood out of the record grooves, cause that crazy bastard has just given me a lost Robert Johnson song for nothing. I took out a kerchief, pulled the record out of the sleeve, and went to wiping. The blood wouldn’t come out. It was in the notches, you know.

“I went back to my room here, and I tried a bit of warm water on the blood in the grooves, but it still wouldn’t come out. I was mad as hell, figured the record wouldn’t play, way that blood had hardened in the grooves. I put it on and thought maybe the needle would wear the stuff out, but as soon as it was on the player and the needle hit it, it started sounding just the way it had in the store. I sat on the bed and listened to it, three or four times, and then I got my guitar and tried to play what was being played, knowing I couldn’t do it, ’cause though I knew that sound wasn’t electrified, it sounded like it was. But here’s the thing. I could do it. I could play it. And I could see the notes in my head, and my head got filled up with them. I went out and bought those notebooks, and I wrote it all down just so my head wouldn’t explode, ’cause every time I heard that record, and tried to play it, them notes would cricket-hop in my skull.”

All the while we had been talking, I had been replaying the record.

“I forgot all about the gig that night,” Tootie said. “I sat here until morning playing. By noon the next day, I sounded just like that record. By late afternoon, I started to get kind of sick. I can’t explain it, but I was feeling that there was something trying to tear through somewhere, and it scared me and my insides knotted up.

“I don’t know any better way of saying it than that. It was such a strong feeling. Then, while I was playing, the wall there, it come apart the way you seen it, and I seen that thing. It was just a wink of a look. But there it was. In all its terrible glory.

“I quit playing, and the wall wobbled back in place and closed up. I thought, Damn, I need to eat or nap, or something. And I did. Then I was back on that guitar. I could play like crazy, and I started going off on that song, adding here and there. It wasn’t like it was coming from me, though. It was like I was getting help from somewhere.

“Finally, with my fingers bleeding and cramped and aching, and my voice gone raspy from singing, I quit. Still, I wanted to hear it, so I put on the record. And it wasn’t the same no more. It was Johnson, but the words was strange, not English. Sounded like some kind of chant, and I knew then that Johnson was in that record, as sure as I was in this room, and that that chanting and that playing was opening up a hole for that thing in the wall. It was the way that fella had said. It was like a rat working its nose through red-hot meat, and now it felt like I was the meat. Next time I played the record, the voice on it wasn’t Johnson’s. It was mine.

“I had had enough, so I got the record and took it back to that shop. The place was the same as before, and like before, I was the only one in there. He looked at me, and comes over, and says, ‘You already want to undo the deal. I can tell. They all do. But that ain’t gonna happen.’

“I gave him a look like I was gonna jump on him and beat his ass, but he gave me a look back, and I went weak as a kitten.

“He smiled at me, and pulls out another record from that same box, and he takes the one I gave him and puts it back, and says, ‘You done made a deal, but for a lick of your soul, I’ll let you have this. See, you done opened the path. Now that rat’s got to work on that meat. It don’t take no more record or you playing for that to happen. Rat’s gotta eat now, no matter what you do.’

“When he said that, he picks up my hand and looks at my cut-up fingers from playing, and he laughs so loud everything in the store shakes, and he squeezes my fingers until they start to bleed.

“ ‘A lick of my soul?’ I asked.

“And then he pushed the record in my hand, and if I’m lying, I’m dying, he sticks out his tongue, and it’s long as an old rat snake and black as a hole in the ground, and he licks me right around the neck. When he’s had a taste, he smiles and shivers, like he’s just had something cool to drink.”

Tootie paused to unfasten his shirt and peel it down a little. There was a spot halfway around his neck like someone had worked him over with sandpaper.

“ ‘A taste,’ he says, and then he shoves this record in my hand, which is bleeding from where he squeezed my fingers. Next thing I

know, I’m looking at the record, and it’s thick, and I touch it, and it’s two records, back to back. He says, ‘I give you that extra one cause you tasted mighty good, and maybe it’ll let you get a little more rest that way, if you got a turntable drop. Call me generous and kind in my old age.’

“Wasn’t nothing for it but to take the records and come back here. I didn’t have no intention of playing it. I almost threw it away. But by then, that thing in the wall, wherever it is, was starting to stick through. Each time the hole was bigger and I could see more of it, and that red shadow was falling out on the floor. I thought about running, but I didn’t want to just let it loose, and I knew, deep down, no matter where I went, it would come too.

“I started playing that record in self-defense. Pretty soon, I’m playing it on the guitar. When I got scared enough, got certain enough that thing was coming through, I played hard, and that hole would close, and that thing would go back where it come from. For a while.

“I figured, though, I ought to have some insurance. You see, I played both them records, and they was the same thing, and it was my voice, and I hadn’t never recorded or even heard them songs before. I knew then, what was on those notes I had written, what had come to me was the countersong to the one I had been playing first. I don’t know if that was just some kind of joke that record store fella had played on me, but I knew it was magic of a sort. He had give me a song to let it in and he had give me another song to hold it back. It was amusing to him, I’m sure.

“I thought I had the thing at bay, so I took that other copy, went to the post office, mailed it to Alma, case something happened to me. I guess I thought it was self-defense for her, but there was another part was proud of what I had done. What I was able to do. I could play anything now, and I didn’t even need to think about it. Regular blues, it was a snap. Anything on that guitar was easy, even things you ought not to be able to play on one. Now, I realize it ain’t me. It’s something else out there.

“But when I come back from mailing, I brought me some paint and brushes, thought I’d write the notes and such on the wall. I did that, and I was ready to pack and go roaming some more, showing off my new skills, and all of a sudden, the thing, it’s pushing through. It had gotten stronger’cause I hadn’t been playing the sounds, man. I put on the record, and I pretty much been at it ever since.

“It was all that record fella’s game, you see. I got to figuring he was the devil, or something like him. He had me playing a game to keep that thing out, and to keep my soul. But it was a three-minute game, six if I’d have kept that second record and put it on the drop. If I was playing on the guitar, I could just work from the end of that record back to the front of it, playing it over and over. But it wore me down. Finally, I started playing the record nonstop. And I have for days.

“The fat man downstairs, he’d come up for the rent, but as soon as he’d use his key and crack that door, hear that music, he’d get gone. So here I am, still playing, with nothing left but to keep on playing, or get my soul sucked up by that thing and delivered to the record store man.”

TOOTIE MINDED THE RECORD, AND I WENT OVER TO WHERE HE TOLD ME the record store was with the idea to put a boot up the guy’s ass, or a .45 slug in his noggin. I found South Street, but not Way South. The other street that should have been Way South was called Back Water. There wasn’t a store either, just an empty, unlocked building. I opened the door and went inside. There was dust everywhere, and I could see where some tables had been,’cause their leg marks was in the dust. But anyone or anything that had been there was long gone.

Tags: Carrie Vaughn Kitty Norville Fantasy
Source: readsnovelonline.net