I push open the door on the other side of the clock and am stepping through when he says, “I think I liked you better when you just killed things.”
“So did I,” I say, and pull the door shut.
THIS IS SOMETHING I haven’t felt for a while. This is pain. Real pain. Fire ants gnawing their way out of the stitches over my bullet wounds. Some use their pincers, but the twitchy speed freaks are going at it with chain saws and jackhammers. I remember this feeling from my early human-punching-bag days Downtown and later ones in the arena. I don’t like remembering it and I sure as shit don’t like feeling it. This is how regular people feel, not me. I’m home and my body is developing a mind of its own. It thinks it gets a vote in how things work around here. It wants my scars to heal and it’s taking away my most basic weapon—my armor. My body is staging a revolution and it no longer recognizes me as its great and glorious dictator. Pain is how it’s burning me in effigy.
It’s not just the bullet wound, but also the road rash from bailing out of the limo. I didn’t even notice it last night when I was busy leaking all over the stolen Jeep and hotel. My pants are shredded and Lucifer’s shirt is stiff with dried blood. I may need to rethink my priorities. Maybe put off the not-killing-everyone thing while I work on shielding hexes. Getting hit without my armor just isn’t fun anymore.
As sweet as it feels, I can’t lie here forever curled up in a big ball of fuck-the-world.
If I was really smart, I’d go online, take an aptitude test, and change careers completely. Work around soft things and away from bullets. A marshmallow factory or a plush-toys sweatshop. Maybe dress like a clown and learn to make balloon animals for kids’ parties. I know some beasts the kiddies have never dreamed of.
“You’re awake,” says Kasabian.
“If you say so, Alfredo Garcia.”
“What happened to your pretty Sunday school clothes?”
“I jumped out of a car.”
“Of course you did.”
I get out of bed slowly, stagger into the bathroom to piss and brush my teeth. I wash my face in cold water, but it doesn’t help. I’m as zombied out as last night’s golems. I hope someone has the courtesy to burn my chewed-up headless corpse when I die. The thought of ending up a billionaire’s Muppet makes me want to shoot every Sub Rosa I can find, starting in East L.A., heading west, and not stopping until I hit the ocean. I’d need a pickup truck to carry that many bullets. I wonder if Kasabian can drive shift?
Still on autopilot, I flop back down on the bed. It hurts, but I don’t have to move again for a long time. Glad I told Lucifer I was taking the day off.
When I was a kid I plucked magic out of the air. Didn’t even think about it. It was just there, like breathing. I was naked last night without my gun. I can’t live without my weapons and I’ll never give them up, but I can’t rely on guns to get me out of every scrape. I need to make friends with my inner brat, get back to when magic was as easy as getting bit by the neighbor’s dog. Ever since I got back, I’ve been in arena mode. I picked up the habit of weapons there and I have to get out of it here.
Time for a drink. Something to loosen up and let little Stark out of the basement, where he’s been locked up playing five-card stud with Norman Bates’s mom. She cheats, of course. The dead think they can get away with anything because you’ll feel sorry for them. If you play cards with the dead, make sure you deal and don’t let them buy you drinks. They’ll slip you a formaldehyde roofie and pry the gold fillings out of your teeth.
I pour a tumbler of JD and take a long sip. Whiskey doesn’t mix well with toothpaste, but I already filled the glass, and once whiskey’s been let loose you have to deal with it, like love or a rabid dog.
There’s a crumpled bag from Donut Universe on the floor. I drink and Kasabian likes glazed chocolate with sprinkles. We’re the trailer trash that Dorothy never met in Oz.
I tear a square from the bag and fold it over and over again, trying to remember the pattern. When I’m done, I have a lopsided origami crane. I put it on the bedside table, tear another square, and start folding. It takes a couple tries, but I end up with a kind of thalidomide bunny. Now I’m on a roll and make a fish, a dog, and an elephant whose legs are too long. Like he escaped from a Dalí painting.
I set up my inbred critters around the whiskey tumbler like carousel animals and whisper a few words to them, not in Hellion, but in quiet English, like I’m trying to coax a cat out from under the bed.
My mother once told me a story she said got left out of the Bible. It’s when Jesus was a young boy. He snuck off from the fields where His family was working and Mary finds Him on a riverbank making birds out of mud. The little sculptures are lined up next to Him, drying in the sun. Mary yells at Him and tells Him to come back to work. Jesus gets up but before He goes He waves His hands over the mud birds and they come to life and fly away. A great way to let your folks know you’re not going into the family business.
The origami animals start to move. The elephant takes a step. The crane tries its wings. I lean in close and blow on them. That does it. They march and flutter around the glass like a special-ed Disney cartoon. I pick them up, set them on the floor, and point at Kasabian. They start the long Noah’s Ark march across the room.
I take another sip of my drink and see Lucifer’s stone on the table next to the money he gave me last night. Is it a seeing stone? Chewing gum? Am I supposed to start carrying around a slingshot because he knows I’m going to run into a giant who never went to Sunday school and doesn’t know how the story ends? I stare at it and the stone lifts from my hand and hovers about six inches over it. I tap it with a finger and start it spinning. Maybe Lucifer is supposed to take the stone back from me like David Carradine in Kung Fu. Or maybe he was fucking with me and it’s just a stupid rock.
“Shit. What is this?” asks Kasabian.
The animals have made it across the floor, up the table legs, and are clambering onto Kasabian’s skateboard.
“Get ’em off me!”
“Don’t move, man.”
I crook a finger and imagine a peashooter. When I flick the finger, the bunny flies off Kasabian’s deck like it stepped on an origami land mine. The fish and the dog get the same kill shots. When I try to sniper the elephant, it seems to see it coming and the shot knocks Kasabian’s beer over onto his keyboard. He kicks the bottle off the table as the elephant legs it for the window. The crane might be lumpy and not very aerodynamic, but it’s no dummy. It flutters out the window after the elephant.
“What’s wrong with you, goddamn it?” yells Kasabian.
Luckily, the beer bottle was mostly empty. I point to it.
“Come on, I’m open. Hit me!”