The Testaments (The Handmaid's Tale 2) - Page 2

What could I say but yes and yes? Yes, I was happy. Yes, I was lucky. Anyway it was true.

3

How old was I at that time? Perhaps six or seven. It’s hard for me to know, as I have no clear memories before that time.

I loved Tabitha very much. She was beautiful although so thin, and she would spend hours playing with me. We had a dollhouse that was like our own house, with a living room and a dining room and a big kitchen for the Marthas, and a father’s study with a desk and bookshelves. All the little pretend books on the shelves were blank. I asked why there was nothing inside them—I had a dim feeling that there were supposed to be marks on those pages—and my mother said that books were decorations, like vases of flowers.

What a lot of lies she had to tell for my sake! To keep me safe! But she was up to it. She had a very inventive mind.

We had lovely big bedrooms on the second floor of the dollhouse, with curtains and wallpaper and pictures—nice pictures, fruit and flowers—and smaller bedrooms on the third floor, and five bathrooms in all, though one was a powder room—Why was it called that? What was “powder”?—and a cellar with supplies.

We had all the dolls for the dollhouse that you might need: a mother doll in the blue dress of the Commanders’ Wives, a little girl doll with three dresses—pink, white, and plum, just like mine—three Martha dolls in dull green with aprons, a Guardian of the Faith with a cap to drive the car and mow the lawn, two Angels to stand at the gate with their miniature plastic guns so nobody could get in and hurt us, and a father doll in his crisp Commander’s uniform. He never said much, but he paced around a lot and sat at the end of the dining table, and the Marthas brought him things on trays, and then he would go into his study and close the door.

In this, the Commander doll was like my own father, Commander Kyle, who would smile at me and ask if I had been good, and then vanish. The difference was that I could see what the Commander doll was doing inside his study, which was sitting at his desk with his Computalk and a stack of papers, but with my real-life father I couldn’t know that: going into my father’s study was forbidden.

What my father was doing in there was said to be very important—the important things that men did, too important for females to meddle with because they had smaller brains that were incapable of thinking large thoughts, according to Aunt Vidala, who taught us Religion. It would be like trying to teach a cat to crochet, said Aunt Estée, who taught us Crafts, and that would make us laugh, because how ridiculous! Cats didn’t even have fingers!

So men had something in their heads that was like fingers, only a sort of fingers girls did not have. And that explained everything, said Aunt Vidala, and we will have no more questions about it. Her mouth clicked shut, locking in the other words that might have been said. I knew there must be other words, for even then the notion about the cats did not seem right. Cats did not want to crochet. And we were not cats.

Forbidden things are open to the imagination. That was why Eve ate the Apple of Knowledge, said Aunt Vidala: too much imagination. So it was better not to know some things. Otherwise your petals would get scattered.

* * *


In the dollhouse boxed set, there was a Handmaid doll with a red dress and a bulgy tummy and a white hat that hid her face, though my mother said we didn’t need a Handmaid in our house because we already had me, and people shouldn’t be greedy and want more than one little girl. So we wrapped the Handmaid up in tissue paper, and Tabitha said that I could give her away later to some other little girl who didn’t have such a lovely dollhouse and could make good use of the Handmaid doll.

I was happy to put the Handmaid away in the box because the real Handmaids made me nervous. We would pass them on our school outings, when we’d walk in a long double line with an Aunt at each end of it. The outings were to churches, or else to parks where we might play circle games or look at ducks in a pond. Later we would be allowed to go to Salvagings and Prayvaganzas in our white dresses and veils to see people being hanged or married, but we weren’t mature enough for that yet, said Aunt Estée.

There were swings in one of the parks, but because of our skirts, which might be blown up by the wind and then looked into, we were not to think of taking such a liberty as a swing. Only boys could taste that freedom; only they could swoop and soar; only they could be airborne.

I have still never been on a swing. It remains one of my wishes.

* * *


As we marched along the street, the Handmaids would be walking two by two with their shopping baskets. They would not look at us, or not much, or not directly, and we were not supposed to look at them because it was rude to stare at them, said Aunt Estée, just as it was rude to stare at cripples or anyone else who was different. We were not allowed to ask questions about the Handmaids either.

“You’ll learn about all of that when you’re old enough,” Aunt Vidala would say. All of that: the Handmaids were part of all of that. Something bad, then; something damaging, or something damaged, which might be the same thing. Had the Handmaids once been like us, white and pink and plum? Had they been careless, had they allowed some alluring part of themselves to show?

You couldn’t see very much of them now. You couldn’t even see their faces because of those white hats they wore. They all looked the same.

In our dollhouse at home there was an Aunt doll, although she didn’t really belong in a house, she belonged in a school, or else at Ardua Hall, where the Aunts were said to live. When I was playing with the dollhouse by myself, I used to lock the Aunt doll in the cellar, which was not kind of me. She would pound and pound on the cellar door and scream, “Let me out,” but the little girl doll and the Martha doll who’d helped her would pay no attention, and sometimes they would laugh.

I don’t feel pleased with myself while recording this cruelty, even though it was only a cruelty to a doll. It’s a vengeful side of my nature that I am sorry to say I have failed to subdue entirely. But in an account such as this, it is better to be scrupulous about your faults, as about all your other actions. Otherwise no one will understand why you made the decisions that you made.

* * *


It was Tabitha who taught me to be honest with myself, which is somewhat ironic in view of the lies she told me. To be fair, she probably was honest when it came to herself. She tried—I believe—to be as good a person as was possible, under the circumstances.

Each night, after telling me a story, she would tuck me into bed with my favourite stuffed animal, which was a whale—be

cause God made whales to play in the sea, so it was all right for a whale to be something you could play with—and then we would pray.

The prayer was in the form of a song, which we would sing together:

Tags: Margaret Atwood The Handmaid's Tale Fiction
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