Dandelion Wine (Green Town 1) - Page 70

"No'm."

"Well, consider then, boy. Any man saves fingernail clippings is a fool. You ever see a snake bother to keep his peeled skin? That's about all you got here today in this bed is fingernails and snake skin. One good breath would send me up in flakes. Important thing is not the me that's lying here, but the me that's sitting on the edge of the bed looking back at me, and the me that's downstairs cooking supper, or out in the garage under the car, or in the library reading. All the new parts, they count. I'm not really dying today. No person ever died that had a family. I'll be around a long time. A thousand years from now a whole township of my offspring will be biting sour apples in the gumwood shade. That's my answer to anyone asks big questions! Quick now, send in the rest!"

At last the entire family stood, like people seeing someone off at the rail station, waiting in the room.

"Well," said Great-grandma, "there I am. I'm not humble, so it's nice seeing you standing around my bed. Now next week there's late gardening and closet-cleaning and clothes-buying for the children to do. And since that part of me which is called, for convenience, Great-grandma, won't be here to step it along, those other parts of me called Uncle Bert and Leo and Tom and Douglas, and all the other names, will have to take over, each to his own."

"Yes, Grandma."

"I don't want any Halloween parties here tomorrow. Don't want anyone saying anything sweet about me; I said it all in my time and my pride. I've tasted every victual and danced every dance; now there's one last tart I haven't bit on, one tune I haven't whistled. But I'm not afraid. I'm truly curious. Death won't get a crumb by my mouth I won't keep and savor. So don't you worry over me. Now, all of you go, and let me find my sleep...."

Somewhere a door closed quietly.

"That's better." Alone she snuggled luxuriously down through the warm snowbank of linen and wool, sheet and cover, and the colors of the patchwork quilt were bright as the circus banners of old time. Lying there, she felt as small and secret as on those mornings eighty-some-odd years ago when, wakening, she comforted her tender bones in bed.

A long time back, she thought, I dreamed a dream, and was enjoying it so much when someone wakened me, and that was the day when I was born. And now? Now, let me see ... She cast her mind back. Where was I? she thought. Ninety years ... how to take up the thread and the pattern of that lost dream again? She put out a small hand. There ... Yes, that was it. She smiled. Deeper in the warm snow hill she turned her head upon her pillow. That was better. Now, yes, now she saw it shaping in her mind quietly, and with a serenity like a sea moving along an endless and self-refreshing shore. Now she let the old dream touch and lift her from the snow and drift her above the scarce-remembered bed.

Downstairs, she thought, they are polishing the silver, and rummaging the cellar, and dusting in the halls. She could hear them living all through the house.

"It's all right," whispered Great-grandma, as the dream floated her. "Like everything else in this life, it's fitting."

And the sea moved her back down the shore.

"A ghost!" cried Tom.

"No," said a voice. "Just me."

The ghastly light flowed into the dark apple-scented bedroom. A quart-size Mason jar, seemingly suspended upon space, flickered many twilight-colored flakes of light on and off. In this pallid illumination Douglas's eyes shone pale and solemn. He was so tan his face and hands were dissolved in darkness and his nightgown seemed a disembodied spirit.

"My gosh!" hissed Tom. "Two dozen, three dozen fireflies!"

"Shh, for cry-yi!"

"What you got 'em for?"

"We got caught reading nights with flashlights under our sheets, right? So, nobody'll suspect an old jar of fireflies; folks'll think it's just a night museum."

"Doug, you're a genius!"

But Doug did not answer. Very gravely he placed the intermittently signaling light source upon the night table and picked up his pencil and began to write large and long on his tablet. With the fireflies burning, dying, burning, dying, and his eyes glinting with three dozen fugitive bits of pale green color, he block printed for ten and then twenty minutes, aligning and realigning, writing and rewriting the facts that he had gathered all too swiftly during the season. Tom watched, hypnotized by the small bonfire of insects leaping and furling within the jar, until he froze, sleeping, raised on elbow, while Douglas wrote on. He summed it all up on a final page:

YOU CAN'T DEPEND ON THINGS BECAUSE ...

... like machines, for instance, they fall apart or rust or rot, or maybe never get finished at all ... or wind up in garages ...

... like tennis shoes, you can only run so far, so fast, and then the earth's got you again ...

... like trolleys. Trolleys, big as they are, always come to the end of the line ...

YOU CAN'T DEPEND ON PEOPLE BECAUSE ...

... they go away.

... strangers die.

... people you know fairly well die.

... friends die.

Tags: Ray Bradbury Green Town Fiction
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