Shanghai Girls (Shanghai Girls 1) - Page 4

At two in the morning, we burst back out onto the street. It’s July, hot and humid. Everyone’s still awake, even children, even the old. It’s time for a snack.

“Will you come with us?” I ask Betsy.

“I don’t know. Where are you going?”

We all look to Z.G. He names a café in the French Concession known as a hangout for intellectuals, artists, and Communists.

Betsy doesn’t hesitate. “Come on then. Let’s take my dad’s car.”

The Shanghai I love is a fluid place, where the most interesting people mingle. Some days Betsy takes me out for American coffee, toast, and butter; sometimes I take Betsy into alleys for hsiao ch’ih—little eats, dumplings of glutinous rice wrapped in reed leaves or cakes made from cassia petals and sugar. Betsy’s adventurous when she’s with me; once she accompanied me into the Old Chinese City to buy cheap holiday gifts. Sometimes I’m nervous about entering parks in the International Settlement, which until I turned ten were prohibited to Chinese other than amahs with foreign children or gardeners who tended the grounds. But I’m never scared or nervous when I’m with Betsy, who’s gone into those parks her whole life.

The café is smoky and dark, but we don’t feel out of place in our fancy clothes. We join a group of Z.G.’s friends. Tommy and May push their chairs away from the table so they can talk quietly together and avoid a heated argument about who “owns” our city—the British, Americans, French, or Japanese? We hugely outnumber foreigners, even in the International Settlement, yet we have no rights. May and I don’t worry about things like whether we can testify in court against a foreigner or if they’ll let us into one of their clubs, but Betsy comes from another world.

“By the end of the year,” she says, her eyes clear and impassioned, “over twenty thousand corpses will have been picked up from the International Settlement’s streets. We step over those bodies every day, but I don’t see any of you doing anything about it.”

Betsy believes in the need for change. The question, I suppose, is why does she tolerate May and me when we so deliberately ignore what happens around us?

“Are you asking if we love our country?” Z.G. asks. “There are two kinds of love, wouldn’t you say? Ai kuo is the love we feel for our country and our people. Ai jen is what I might feel for my lover. One is patriotic, the other romantic.” He glances at me, and I blush. “Can’t we have both?”

We leave the café at close to five in the morning. Betsy waves, gets in her father’s car, and is driven away. We say good night—or good morning—to Z.G. and Tommy, and hail a rickshaw. Once again, we change rickshaws at the border between the French Concession and the International Settlement, and then we clatter down the cobblestones the rest of the way home.

The city, like a great sea, has never gone to sleep. The night ebbs, and now the morning cycles and rhythms begin to flow. Nightsoil men push their carts down the alleyways, calling “Empty your nightstool! Here comes the nightsoil man! Empty your nightstool!” Shanghai may have been one of the first cities to have electricity, gas, telephones, and running water, but we lag behind in sewage removal. Nevertheless, farmers around the country pay premium prices for our nightsoil because it’s known to be rich from our diets. The nightsoil men will be followed by the morning food vendors with their porridges made from the seeds of Job’s tears, apricot kernels, and lotus seeds, their steamed rice cakes made with rugosa rose and white sugar, and their eggs stewed in tea leaves and five spice.

We reach home and pay the rickshaw boy. We lift the latch to the gate and make our way up the path to the front door. The lingering night dampness magnifies the scent of the flowers, shrubs, and trees, making us drunk on the jasmine, magnolia, and dwarf pines our gardener raises. We climb the stone steps and pass under a carved wooden screen that prevents evil spirits from entering the house—in deference to Mama’s superstitions. Our heels sound loud as they hit the parquet floor in the entry. A light is on in the salon to the left. Baba is awake and waiting for us.

“Sit down and don’t speak,” he says, motioning to the settee directly across from him.

I do as I’m told, then fold my hands in my lap and cross my ankles. If we’re in trouble, looking demure will help. The anxious look he’s been wearing these past few weeks has turned into something hard and immobile. The words he next speaks change my life forever.

“I’ve arranged marriages for the two of you,” he says. “The ceremony will take place the day after tomorrow.”

Gold Mountain Men

“THAT’S NOT FUNNY!” May laughs lightly.

“I’m not joking,” Baba says. “I’ve arranged marriages for you.”

I’m still having trouble absorbing what he said. “What’s wrong? Is Mama ill?”

“I already told you, Pearl. You need to listen and you’re going to do as I say. I’m the father and you’re my daughters. This is how things are.”

I wish I could convey how absurd he sounds.

“I won’t do it!” May cries indignantly.

I try reason. “Those feudal days are over. It’s not like when you and Mama married.”

“Your mother and I were married in the second year of the Republic,” he says huffily, but that’s hardly the point.

“Yours was an arranged marriage nevertheless,” I counter. “Have you been answering inquiries from a matchmaker about our knitting, sewing, or embroidery skills?” Ridicule creeps into my voice. “For my dowry, have you bought me a nightstool painted with dragon-and-phoenix motifs to symbolize my perfect union? Will you give May a nightstool filled with red eggs to send her in-laws the message that she will have many sons?”

“Say what you want.” Baba shrugs indifferently. “You’re getting married.”

“I won’t do it!” May repeats. She’s always been good with tears, and she lets them flow now. “You can’t make me.”

When Baba ignores her, I understand just how serious this is. He looks at me, and it’s as though he’s seeing me for the first time.

“Don’t tell me you thought you were going to marry for love.” His voice is oddly cruel and triumphant. “No one marries for love. I didn’t.”

Tags: Lisa See Shanghai Girls Historical
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