The jerking stiff-jointed puppets circled him, shuffling and bobbing along the floorboards. Fingers splayed, heads rocking from side to side, they jigged and twisted until all of them broke their rigid form as Nicki's melody melted into harrowing sadness, the dance becoming immediately liquid and heartbroken and slow.

It was as if one mind controlled them, as if they danced to Nicki's thoughts as well as his music, and he began to dance with them as he played, the beat coming faster, as he became the country fiddler at the Lenten bonfire, and they leapt in pairs like country lovers, the skirts of the women flaring, the men bowing their legs as they lifted the women, all creating postures of tenderest love.

Frozen, I stared at the image: the preternatural dancers, the monster violinist, limbs moving with inhuman slowness, tantalizing grace. The music was like a fire consuming us all.

Now it screamed of pain, of horror, of the pure rebellion of the soul against all things. And they again carried it into the visual, faces twisted in torment, like the mask of tragedy graven on the arch above them, and I knew that if I didn't turn my back on this I would cry.

I didn't want to hear any more or see any more. Nicki was swinging to and fro as if the violin were a beast he could no longer control. And he was stabbing at the strings with short rough strokes of the bow.

The dancers passed in front of him, in back of him, embraced him, and caught him suddenly as he threw up his hands, the violin held high over his head.

A loud piercing laughter erupted from him. His chest shivered with it, his arms and legs quaking with it. And then he lowered his head and he fixed his eyes on me. And at the top of his voice he screamed:

"I GIVE YOU THE THEATER OF THE VAMPIRES! THE THEATER OF THE VAMPIRES! THE GREATEST SPECTACLE OF THE BOULEVARD!"

Astonished, the others stared at him. But again, all of one mind, they "clapped" their hands and roared. They leapt into the air, giving out shrieks of joy. They threw their arms about his neck and kissed him. And dancing around him in a circle, they turned him with their arms. The laughter rose, bubbling out of all of them, as he brought them close in his arms and answered their kisses, and with their long pink tongues they licked the blood sweat off his face.

"The Theater of the Vampires!" They broke from him and bawled it to the nonexistent audience, to the world. They bowed to the footlights, and frolicking and screaming they leapt up to the rafters and then let themselves drop down with a stoma of reverberation of the boards.

The last shimmer of the music was gone, replaced by this cacophony of shrieking and stomping and laughter, like the clang of bells.

I do not remember turning my back on them. I don't remember walking up the steps to the stage and going past them. But I must have.

Because I was suddenly sitting on the low narrow table of my little dressing room, my back against the corner, my knee crooked, my head against the cold glass of the mirror, and Gabrielle was there.

I was breathing hoarsely and the sound of it bothered me. I saw things -- the wig I'd worn on the stage, the pasteboard shield -- and these evoked thundering emotions. But I was suffocating. I could not think.

Then Nicki appeared in the door, and he moved Gabrielle to the side with a strength that astonished her and astonished me, and he pointed his finger at me:

"Well, don't you like it, my lord patron?" he asked, advancing, his words flowing in an unbroken stream so that they sounded like one great word. "Don't you admire its splendor, its perfection? Won't you endow the Theater of the Vampires with the coin of the realm which you possess in such great abundance? -- How was it now, `the new evil, the canker in the heart of the rose, death in the very midst of things' . . . "

From a mute he had passed into mania, and even when he broke off talking, the low senseless frenzied sounds still issued from his lips like water from a spring. His face was drawn and hard and glistening with the blood droplets clinging to it, and staining the white linen at his neck.

And behind him there came an almost innocent laughter from the others, except for Eleni, who watched over his shoulder, trying very hard to comprehend what was really happening between us.

He drew closer, half laughing, grinning, stabbing at my chest with his finger:

"Well, speak. Don't you see the splendid mockery, the genius?" He struck his own chest with his fist. "They'll come to our performances, fill our coffers with gold, and never guess what they harbor, what flourishes right in the comer of the Parisian eye. In the back alleys we feed on them and they clap for us before the lighted stage. . . "

Laughter from the boy behind him. The tink of a tambourine, the thin sound of the other woman singing. A long streak of the man's laughter -- like a ribbon unfurling, charting his movement as he rushed around in a circle through the rattling scrims.

Nicki drew in so that the light behind him vanished. I couldn't see Eleni.

"Magnificent evil!" he said. He was full of menace and his white hands looked like the claws of a sea creature that could at any given moment move to tear me to bits. "To serve the god of the dark wood as he has not been served ever and here in the very center of civilization. And for this you saved the theater. Out off your gallant patronage

this sublime offering is born. "

"It is petty!" I said. "It is merely beautiful and clever and nothing more. "

My voice had not been very loud but it brought him to silence, and it brought the others to silence. And the shock in me melted slowly into another emotion, no less painful, merely easier to contain.

Nothing but the sounds again from the boulevard. A glowering anger flowed out of him, his pupils dancing as he looked at me.

"You're a liar, a contemptible liar," he said.

"There is no splendor in it," I answered. "There is nothing sublime. Fooling helpless mortals, mocking them, and then going out from here at night to take life in the same old petty manner, one death after another in all its inevitable cruelty and shabbiness so that we can live. And man can kill another man! Play your violin forever. Dance as you wish. Give them their money's worth if it keeps you busy and eats up eternity! It's simply clever and beautiful. A grove in the Savage Garden. Nothing more. "

"Vile liar!" he said between his teeth. "You are God's fool, that's what you are. You who possessed the dark secret that soared above everything, rendered everything meaningless, and what did you do with it, in those months when you ruled alone from Magnus's tower, but try to live like a good man! A good man!"

Tags: Anne Rice The Vampire Chronicles Vampires
Source: readsnovelonline.net