"I think you should bring him back," Marius said. "It's no good his being in that old flat in New Orleans. "
"I think you should get out and do something," Armand said. "You've been holed up here too long. "
"Ah, I can see what this coven is going to be like, advice from all sides, and everyone watching everyone else out of the corner of an eye. Why did you ever let Louis go off to New Orleans anyway? Couldn't you have stopped him?"
I landed in New Orleans at two o'clock. Left the limousine at Jackson Square.
Chapter 41
So clean it all was; with the new flagstones, and the chains on the gates, imagine, so the derelicts couldn't sleep on the grass in the square the way they'd done for two hundred years. And the tourists crowding the Cafe du Monde where the riverfront taverns had been; those lovely nasty places where the hunting was irresistible and the women were as tough as the men.
But I loved it now; always would love it. The colors were somehow the same. And even in this blasted cold of January, it had the old tropical feel to it; something to do with the flatness of the pavements; the low buildings; the sky that was always in motion; and the slanting roofs that were gleaming now with a bit of icy rain.
I walked slowly away from the river, letting the memories rise as if from the pavements; hearing the hard, brassy music of the Rue Bourbon, and then turning into the quiet wet darkness of the Rue Royale.
How many times had I taken this route in the old days, coming back from the riverfront or the opera house, or the theater, and stopping here on this very spot to put my key in the carriage gate?
Ah, the house in which I'd lived the span of a human lifetime, the house in which I'd almost died twice.
Someone up there in the old flat. Someone who walks softly yet makes the boards creak.
The little downstairs shop was neat and dark behind its barred windows; porcelain knickknacks, dolls, lace fans. I looked up at the balcony with its wrought-iron railings; I could picture Claudia there, on tiptoe, looking down at me, little fingers knotted on the rail. Golden hair spilling down over her shoulders, long streak of violet ribbon. My little immortal six-year-old beauty; Lestat, where have you been?
And that's what he was doing, wasn't he? Picturing things like that.
It was dead quiet; that is, if you didn't hear the televisions chattering behind the green shutters and the old vine-covered walls; and the raucous noise from Bourbon; a man and a woman fighting deep within a house on the other side of the street.
But no one about; only the shining pavements; and the shut-up shops; and the big clumsy cars parked over the curb, the rain falling soundlessly on their curved roofs.
No one to see me as I walked away and then turned and made the quick feline leap, in the old manner, to the balcony and came down silently on the boards. I peered through the dirty glass of the French doors.
Empty; scarred walls; the way Jesse had left them. A board nailed up here, as though someone had tried once to break in and had been found out; smell of burnt timbers in there after ail these years.
I pulled down the board silently; but now there was the lock on the other side. Could I use the new power? Could I make it open? Why did it hurt so much to do it-to think of her, to think that, in that last flickering moment, I could have helped her; I could have helped head and body to come together again; even though she had meant to destroy me; even though she had not called my name.
I looked at the little lock. Turn, open. And with tears rising, I heard the metal creak, and saw the latch move. Little spasm in the brain as I kept my eye on it; and then the old door popped from its warped frame, hinges groaning, as if a draft inside had pushed it out.
He was in the hallway, looking through Claudia's door.
The coat was perhaps a little shorter, a little less full than those old frock coats had been; but he looked so very nearly like himself in the old century that it made the ache in me deepen unbearably. For a moment I couldn't move. He might as well have been a ghost there: his black hair full and disheveled as it had always been in the old days, and his green eyes full of melancholy wonder, and his arms rather limp at his sides.
Surely he hadn't contrived to fit so perfectly into the old context. Yet he was a ghost in this Rat, where Jesse had been so frightened; where she'd caught in chilling glimpses the old atmosphere I'd never forget.
Sixty years here, the unholy family. Sixty years Louis, Claudia, Lestat.
Could I hear the harpsichord if I tried?-Claudia playing her Haydn; and the birds singing because the sound always excited them; and the collected music vibrating in the crystal baubles that hung from the painted glass shades of the oil lamps, and in the wind chimes even that hung in the rear doorway before the curving iron stairs.
Claudia. A face for a locket; or a small oval portrait done on porcelain and kept with a curl of her golden hair in a drawer. But how she would have hated such an image, such an unkind image.
Claudia who sank her knife into my heart and twisted it, and watched as the blood poured down my shirt. Die, Father. I'll put you in your coffin forever.
I will kill you first, my prince.
I saw the little mortal child, lying there in the soiled covers; smell of sickness. I saw the black-eyed Queen, motionless on her throne. And I had kissed them both, the Sleeping Beauties! Claudia, Claudia, come round now, Claudia . . . That's it, dear, you must drink it to get well.
Akasha!
Someone was shaking me. "Lestat," he said.