"I lay back on a couch, and she had her arms behind my back, and her mouth was open against my skin, and then I felt two sharp pinpricks on the side of my throat, and the world and all my pain went dim. I heard her heart beat.
"Teach me, she said. I will not have my kiss be quiet.
"That she was sucking my blood from me I knew, and that I was getting weaker and weaker I knew as well. And it did seem that all my life fled from me, that image after image of childhood, young manhood and the last few years of love and ecstasy and wonder fled from me with my blood -- uncontrollably, unstinting and pure. What this intimacy meant in the greater scheme of things I was helpless to understand, and then she drew back and I went limp in her arms. I sank down, free, onto the floor.
"Petronia had hold of my arm. She was dragging me again. I felt the sharp kick of her foot in my ribs. I could no longer see. I could hear the Old Man cry out. I knew it was for me that he cried. But she merely cursed under her breath. The marble felt cold beneath me. I lay sprawled against it.
"Suddenly the scene changed. I was no longer in my body but looking down on it, and down on all the occupants of the room. I was at the entrance to a long dark tunnel, and a roaring wind surrounded me, a frightening wind, and at the end of the tunnel there appeared a wondrous light, a light truly beyond description, and in that light, huge gold-and-white light, I could see the figures of Pops and Sweetheart gazing at me. Lynelle was also with them. I wanted desperately to join them, but I couldn't move. Some hideous fascination with Petronia and Manfred and Arion prevented me from moving. Some putrid ambition kept me from turning and reaching out for those I so loved. There was no clarity in me. There was only turbulence. Then, as suddenly as this vision had come, it was gone. I had made no decision.
"I was back in my aching and bruised body. I was on the marble floor again.
" 'You're dying,' Petronia said. 'But I know you now, I know you from the Blood, and I won't let it happen, Tarquin Blackwood. I claim you as my own. ' Again, her arms lifted me.
" 'Ask him what he wills,' said the black one named Arion.
" 'What do you will?' she demanded. She held me up on my knees in front of her. I could feel her velvet pants against me. 'Speak to me,' she said. 'What do you will?¡¯
"Helpless and clumsy I fell against her crotch, grabbing for her leg and then recoiling, and near collapsing, as she jerked my shoulder and held me on my knees.
" 'What do you want!' she demanded again. What was I to say? To die? In this place, around the world from Aunt Queen, from Mona, from all I loved, to die without a trace?
"I raised my fist, trying to hurt her. I hit her but my fist had nothing behind it. I clawed at her velvet clothes. I tried to hit her again. I struck at her private parts.
" 'Oh, you want to see it, do you? You want to see what they all laughed at!' she said. 'Come now, pay me homage,' she said. I heard the snap opening, and then my hand was placed upon the short, very thick stub of her erect cock, then down lower, between two pendulous labia, the shallow crevice that was her vagina, then back again to her cock. 'Take it in your mouth,' she said to me angrily. I felt the pressure against my lips. 'Take it!' she demanded.
"I did the only thing I could do. I opened my mouth, and when she shoved her cock into it I bit down with all my might and main. I heard her howl but I hung on. And there came into my mouth a copious flow of electrifying blood such as I never expected -- and madly I hung on.
"I bore down with my teeth and the blood, this liquid fire, streamed into me. It poured down my throat. I swallowed without meaning to swallow. It was as if my body, once drained by her, could not resist it, and suddenly I realized that her hands were cradling my head and her howling was laughter and that the blood was not blood as I knew it but a great rush of stimulating fluid that seemed to come from her heart and her brain.
"Know me. Know who I am! This she said to me, and there came a rush of knowledge into me which I couldn't deny. I would have turned away from it if I could. I hated her that much. But I couldn't turn away, and now I couldn't let go.
"Long, long centuries ago she had been born to an actress mother and a gladiator father in the Rome of Caesar, a freakish child, half male, half female, a thing to be destroyed by ordinary parents but kept by hers for the theater, in which she grew to be a gladiator of great strength by the age of fourteen.
"Before that point, a thousand times she'd been shown privately to those who could pay for it, for those who wanted to touch her and have her touch them. Never had she known love for her own sake, or privacy, or a moment of delicacy, or a scrap of clothing that wasn't for show.
"In the arena she was fierce and murderous. I saw the spectacle -- the huge crowds roaring for her. I saw the sand red with the blood she shed. She won every match, no matter how heavy or great her opponent. I saw her in her shining armor, her sword at her side, her hair tied back, her eyes on Caesar as she made her regal bow!
"Years passed during which she fought, her parents commanding ever higher and higher fees. At last, when she was still a girl, she was sold to a merciless master for a fortune, and he sent her into the ring against the fiercest of wild beasts. Even these could not defeat her. Nimble and fearless she danced against lions and tigers, thrusting her spear deep and true to the mark.
"But she grew tired in her heart, tired of combat, tired of lovelessness, tired of misery. The crowd was her lover, but the crowd was nowhere in the dark of night when she slept chained to her bed.
"Then Arion had come, Arion had paid to see her as had so many. Arion had paid to touch her, as had so many. Arion had bought dresses to pose her. Arion had embraced her. Arion had liked to comb her long black hair. Then Arion had bought her and set her free. Arion had given her a heavy purse and said, 'Go where you please. ' But where could she go? What could she do? She couldn't bear the sounds of the circus during the games. She couldn't bear the thought of the gladiatorial schools. What was there for her? Was she to be pimp and whore at the same time? She had tagged after Arion, loving him.
" 'You are my life now,' she had told him. 'Don't turn your back on me. ' 'But I gave you the world,' he had answered her. Unable to bear her tears, he had given her more money, a house in which to live. But still she came to him weeping.
"And finally he took her under his wing. He brought her to his city. He brought her to beautiful Pompeii. His was the cameo trade, he told her. He had three shops of cameo makers, the finest in all of the empire. 'Can you learn this art for me?' he asked her. 'Yes,' she said. 'For you I would learn anything. Anything at all. ' She set to work with a passion she'd never known. She wasn't fighting for multitudes, she wasn't fighting for her own worthless life. She was fighting to please Arion, a fragile and total thing. Her enemies were clumsiness, impatience, anger. She studied with all the masters in his shops. She watched. She imitated. She worked in shell, in stone, in precious jewels. She mastered the chisel, the small drill. She learned all that she could.
"Finally, at the end of two years, she had her specimens to show Arion, fine and perfect things. She had done gatherings of gods and goddesses like unto the friezes on the temples. She had done portraits like unto the finest in the Forum. She had made art out of a craft. Never had he seen such work, he told her. He loved her. And such happiness she'd never known.
"Then came the terrible days of Vesuvius, the eruption of the mountain and the death of the idyllic little city where they had all known such happiness. Arion had fled the night before to the far side of the Bay of Naples. He'd sensed early on the evening before the eruption what was to
happen. It had been her duty to see that the slaves of the shops escaped. But only a few would listen to her.
"And when it was all over and the air was full of ash and poison and the sea was full of bodies, when nothing remained where Pompeii had once stood, she had come to Arion's villa -- the very place where we were now -- weeping and with only a handful of followers, to tell him that she had failed.
" 'No, my beloved,' he said. 'You have saved my finest prize, you have saved your own life when I thought that all was lost. What can I give you for this, my sweet Petronia?' And in time he had given her the Blood that she was giving me. In time he had made her immortal as she was making me.
"She let me go. My lips stroked her cock as I withdrew.