The Golden Compass (His Dark Materials 1) - Page 51

Children were lining up to get hot drinks, some of them still in their coal-silk anoraks. Their talk was all of the zep-pelin and its passenger.

“It was her—with the monkey daemon—”

“Did she get you, too?”

“She said she'd write to my mum and dad and I bet she never….”

“She never told us about kids getting killed. She never said nothing about that.”

“That monkey, he's the worst—he caught my Karossa and nearly killed her—I could feel all weak….”

They were as frightened as Lyra was. She found Annie and the others, and sat down.

“Listen,” she said, “can you keep a secret?”

“Yeah!”

The three faces turned to her, vivid with expectation.

“There's a plan to escape,” Lyra said quietly. “There's some people coming to take us away, right, and they'll be here in about a day. Maybe sooner. What we all got to do is be ready as soon as the signal goes and get our cold-weather clothes at once and run out. No waiting about. You just got to run. Only if you don't get your anoraks and boots and stuff, you'll die of cold.”

“What signal?” Annie demanded.

“The fire bell, like this afternoon. It's all organized. All the kids're going to know and none of the grownups. Especially not her.”

Their eyes were gleaming with hope and excitement. And all through the canteen the message was being passed around. Lyra could tell that the atmosphere had changed. Outside, the children had been energetic and eager for play; then when they had seen Mrs. Coulter they were bubbling with a suppressed hysterical fear; but now there was a control and purpose to their talkativeness. Lyra marveled at the effect hope could have.

She watched through the open doorway, but carefully, ready to duck her head, because there were adult voices coming, and then Mrs. Coulter herself was briefly visible, looking in and smiling at the happy children, with their hot drinks and their cake, so warm and well fed. A little shiver ran almost instantaneously through the whole canteen, and every child was still and silent, staring at her.

Mrs. Coulter smiled and passed on without a word. Little by little the talk started again.

Lyra said, “Where do they go to talk?”

“Probably the conference room,” said Annie. “They took us there once,” she added, meaning her and her dasmon. “There was about twenty grownups there and one of 'em was giving a lecture and I had to stand there and do what he told me, like seeing how far my Kyrillion could go away from me, and then he hypnotized me and did some other things….It's a big room with a lot of chairs and tables and a little platform. It's behind the front office. Hey, I bet they're going to pretend the fire drill went off all right. I bet they're scared of her, same as we are….”

For the rest of the day, Lyra stayed close to the other girls, watching, saying little, remaining inconspicuous. There was exercise, there was sewing, there was supper, there was playtime in the lounge: a big shabby room with board games and a few tattered books and a table-tennis table. At some point Lyra and the others became aware that there was some kind of subdued emergency going on, because the adults were hurrying to and fro or standing in anxious groups talking urgently. Lyra guessed they'd discovered the daemons' escape, and were wondering how it had happened.

But she didn't see Mrs. Coulter, which was a relief. When it was time for bed, she knew she had to let the other girls into her confidence.

“Listen,” she said, “do they ever come round and see if we're asleep?”

“They just look in once,” said Bella. “They just flash a lantern round, they don't really look.”

“Good. 'Cause I'm going to go and look round. There's a way through the ceiling that this boy showed me….”

She explained, and before she'd even finished, Annie said, “I'll come with you!”

“No, you better not, 'cause it'll be easier if there's just one person missing. You can all say you fell asleep and you don't know where I've gone.”

“But if I came with you—”

“More likely to get caught,” said Lyra.

Their two daemons were staring at each other, Pantalaimon as a wildcat, Annie's Kyrillion as a fox. They were quivering. Pantalaimon uttered the lowest, softest hiss and bared his teeth, and Kyrillion turned aside and began to groom himself unconcernedly.

“All right then,” said Annie, resigned.

It was quite common for struggles between children to be settled by their daemons in this way, with one accepting the dominance of the other. Their humans accepted the outcome without resentment, on the whole, so Lyra knew that Annie would do as she asked.

They all contributed items of clothing to bulk out Lyra's bed and make it look as if she was still there, and swore to say they knew nothing about it. Then Lyra listened at the door to make sure no one was coming, jumped up on the locker, pushed up the panel, and hauled herself through.

“Just don't say anything,” she whispered down to the three faces watching.

Then she dropped the panel gently back into place and looked around.

She was crouching in a narrow metal channel supported in a framework of girders and struts. The panels of the ceilings were slightly translucent, so some light came up from below, and in the faint gleam Lyra could see this narrow space (only two feet or so in height) extending in all directions around her. It was crowded with metal ducts and pipes, and it would be easy to get lost in, but provided she kept to the metal and avoided putting any weight on the panels, and as long as she made no noise, she should be able to go from one end of the station to the other.

“It's just like back in Jordan, Pan,” she whispered, “looking in the Retiring Room.”

“If you hadn't done that, none of this would have happened,” he whispered back.

“Then it's up to me to undo it, isn't it?”

She got her bearings, working out approximately which direction the conference room was in, and then set off. It was a far from easy journey. She had to move on hands and knees, because the space was too low to crouch in, and every so often she had to squeeze under a big square duct or lift herself over some heating pipes. The metal channels she crawled in followed the tops of internal walls, as far as she could tell, and as long as she stayed in them she felt a comforting solidity below her; but they were very narrow, and had sharp edges, so sharp that she cut her knuckles and her knees on them, and before long she was sore all over, and cramped, and dusty.

But she knew roughly where she was, and she could see the dark bulk of her furs crammed in above the dormitory to guide her back. She could tell where a room was empty because the panels were dark, and from time to time she heard voices from below, and stopped to listen, but it was only the cooks in the kitchen, or the nurses in what Lyra, in her Jordan way, thought of as their common room. They were saying nothing interesting, so she moved on.

At last she came to the area where the conference room should be, according to her calculations; and sure enough, there was an area free of any pipework, where air conditioning and heating ducts led down at one end, and where all the panels in a wide rectangular space were lit evenly. She placed her ear to the panel, and heard a murmur of male adult voices, so she knew she had found the right place.

She listened carefully, and then inched her way along till she was as close as she could get to the speakers. Then she lay full length in the metal channel and leaned her head sideways to hear as well as she could.

There was the occasional clink of cutlery, or the sound of glass on glass as drink was poured, so they were having dinner as they talked. There were four voices, she thought, including Mrs. Coulter's. The other three were men. They seemed to be discussing the escaped dasmons.

“But who is in charge of supervising that section?” said Mrs. Coulter's gentle musical voice.

“A research student called McKay,” said one of the men. “But there are automatic mechanisms to prevent this sort of thing happening—”

“They didn't work,” she said.

“With respect, they did, Mrs. Coulter. McKay assures us that he locked all the cages when he left the building at eleven hundred hours today. The outer door of course would not have been open in any case, because he entered and left by the inner door, as he normally did. There's a code that has to be entered in the ordinator controlling the locks, and there's a record in its memory of his doing so. Unless that's done, an alarm goes off.”

Tags: Philip Pullman His Dark Materials Science Fiction
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