PART ONE .
Shall the clay say to him that fashioneth it, What makest thou?
Isaiah 45:9
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Prologue .
It is so appropriate to color hope yellow, like that sun we seldom saw. And as I begin to copy from the old memorandum journals that I kept for so long, a title comes as if inspired. Open the Window and Stand in the Sunshine. Yet, I hesitate to name our story that. For I think of us more as flowers in the attic. Paper flowers. Born so brightly colored, and fading duller through all those long, grim, dreary, nightmarish days when we were held prisoners of hope, and kept captives by greed. But, we were never to color even one of our paper blossoms yellow.
Charles Dickens would often start his novels with the birth of the protagonist and, being a favorite author of both mine and Chris's, I would duplicate his style--if I could. But he was a genius born to write without difficulty while I find every word I put down, I put down with tears, with bitter blood, with sour gall, well mixed and blended with shame and guilt. I thought I would never feel ashamed or guilty, that these were burdens for others to bear. Years have passed and I am older and wiser now, accepting, too. The tempest of rage that once stormed within me has simmered down so I can write, I hope, with truth and with less hatred and prejudice than would have been the case a few years ago.
So, like Charles Dickens, in this work of "fiction" I will hide myself away behind a false name, and live in fake places, and I will pray to God that those who should will hurt when they read what I have to say. Certainly God in his infinite mercy will see that some understanding publisher will put my words in a book, and help grind the knife that I hope to wield.
Good-bye, Daddy
. Truly, when I was very young, way back in the Fifties, I believed all of life would be like one long and perfect summer day. After all, it did start out that way. There's not much I can say about our earliest childhood except that it was very good, and for that, I should be everlastingly grateful. We weren't rich, we weren't poor. If we lacked some necessity, I couldn't name it; if we had luxuries, I couldn't name those, either, without comparing what we had to what others had, and nobody had more or less in our middleclass neighborhood. In other words, short and simple, we were just ordinary, run-of-the-mill children.
Our daddy was a P.R. man for a large computer manufacturing firm located in Gladstone,
Pennsylvania: population, 12,602. He was a huge success, our father, for often his boss dined with us, and bragged about the job Daddy seemed to perform so well. "It's that all-American, wholesome, devastatingly good-looking face and charming manner that does them in. Great God in heaven, Chris, what sensible person could resist a fella like you?"
Heartily, I agreed with that. Our father was perfect. He stood six feet two, weighed 180 pounds, and his hair was thick and flaxen blond, and waved just enough to be perfect; his eyes were cerulean blue and they sparkled with laughter, with his great zest for living and having fun. His nose was straight and neither too long nor too narrow, nor too thick. He played tennis and golf like a pro and swam so much he kept a suntan all through the year. He was always dashing off on airplanes to California, to Florida, to Arizona, or to Hawaii, or even abroad on business, while we were left at home in the care of our mother.
When he came through the front door late on Friday afternoons--every Friday afternoon (he said he couldn't bear to be separated from us for longer than five days)--even if it were raining or snowing, the sun shone when he beamed his broad, happy smile on us.
His booming greeting rang out as soon as he put down his suitcase and briefcase: "Come greet me with kisses if you love me!"
Somewhere near the front door, my brother and I would be hiding, and after he'd called out his greeting, we'd dash out from behind a chair or the sofa to crash into his wide open arms, which seized us up at once and held us close, and he warmed our lips with his kisses. Fridays--they were the best days of all, for they brought Daddy home to us again. In his suit pockets he carried small gifts for us; in his suitcases he stored the larger ones to dole out after he greeted our mother, who would hang back and wait patiently until he had done with us.
And after we had our little gifts from his pockets, Christopher and I would back off to watch Momma drift slowly forward, her lips curved in a welcoming smile that lit up our father's eyes, and he'd take her in his arms, and stare down into her face as if he hadn't seen her for at least a year.
On Fridays, Momma spent half the day in the beauty parlor having her hair shampooed and set and her fingernails polished, and then she'd come home to take a long bath in perfumed-oiled water. I'd perch in her dressing room, and wait to watch her emerge in a filmy negligee. She'd sit at her dressing table to meticulously apply makeup. And I, so eager to learn, drank in everything she did to turn herself from just a pretty woman into a creature so ravishingly beautiful she didn't look real. The most amazing part of this was our father thought she didn't wear makeup! He believed she was naturally a striking beauty.
Love was a word lavished about in our home. "Do you love me?--For I most certainly love you; did you miss me?--Are you glad I'm home?--Did you think about me when I was gone? Every night? Did you toss and turn and wish I were beside you, holding you close? For if you didn't, Corrine, I might want to die."
Momma knew exactly how to answer questions like these-- with her eyes, with soft whispers and with kisses.
One day Christopher and I came speeding home from school with the wintery wind blowing us through the front door. "Take off your boots in the foyer," Momma called out from the living room, where I could see her sitting before the fireplace knitting a little white sweater fit for a doll to wear. I thought it was a Christmas gift for me, for one of my dolls.
"And kick off your shoes before you come in here," she added.
We shed our boots and heavy coats and hoods in the foyer, then raced in stockinged feet into the living room, with its plush white carpet. That pastel room, decorated to flatter our mother's fair beauty, was off limits for us most of the time. This was our company room, our mother's room, and never could we feel really comfortable on the apricot brocade sofa or the cut-velvet chairs. We preferred Daddy's room, with its dark paneled walls and tough plaid sofa, where we could wallow and fight and never fear we were damaging anything.