Spit-coloured clouds moved over Tower Street, formerly the upper end of Scarletwell. The street had been renamed after the high-rise, Claremont Court, that blocked out half the western sky upon his right, one of two brick stakes hammered through the district’s undead heart. On recently refurbished crab-paste brickwork were the words or possibly the single word NEWLIFE, a sideways silver logo, more a label for a mobile phone or for an everlasting battery than for a tower block, he’d have thought. Benedict winced, attempting not to look
at it. For the most part, he found it comforting to still reside in the beloved neighbourhood, except for those occasions when you noticed that the loved one had been dead for thirty years and was now decomposing. Then you felt a bit like someone from an item out of Fortean Times, one of those lovelorn and demented widowers still plumping up the pillows for a bride who’s long since mummified. Newlife: urban regeneration that they’d had to literally spell out because of its conspicuous absence otherwise. As if just bolting up the mirror-finish letters made it so. What had been wrong with all the old life, anyway?
He checked to see the door had locked behind him, with his mam now being on her own in there, and as he did he saw the big fat druggy with the bald head, Kenny something, lumbering down Simons Walk that ran along the end of Tower Street, at the back of Claremont Court. He had grey slacks and a grey sports-top on, which from a distance looked all of a piece, like one big romper suit, as if the dealer were an outsized baby who’d exceeded the safe dose of Calpol. Benedict pretended he’d not seen him, turning left and walking briskly up towards the street’s far end, a confluence of sunken walkways tucked away behind the traffic vortex of the Mayorhold. How could anybody get that fat on drugs, unless they ate them in a fried bread sandwich? Ah ha ha ha.
Yellow leaves were plastered in a partial lino on the wet macadam at his feet as he passed the Salvation Army building, a prefabricated barracks that he didn’t think he’d ever been inside. He doubted they went in for tambourines these days, much less free cups of tea and buns. The twentieth century had been a better time to be a washout. Back then poverty had come with a brass band accompaniment and a cheek full of scone dissolving in hot Brooke Bond; kindly bosoms heaving under navy blue serge and big golden buttons. Now it came with flint-eyed teenage death-camp supervisors in the no-hiding-place glare of the Job Centre, and whatever soundtrack happened to be playing in the shopping precinct outside, usually “I’m Not In Love”. The short street ended as it met the footpath to the underpass, where a high wall reared up to bound the robot shark tank of the Mayorhold. Patterned with a bar-code stripe of ochre, tangerine and umber, it was probably intended to provide a Latin atmosphere, whereas instead it looked like an attack of vomiting restaged in Lego. Benedict stopped walking for a moment so that he could take it in, the ground where he was standing, with its full historical enormity.
For one thing, it was near here that one of his father’s favourite pubs had been, the Jolly Smokers, although this was by no means the full extent of the locale’s historic pedigree. This spot was where Northampton’s first ‘Gilhalda’ or Town Hall had stood back in the thirteenth and the fourteenth centuries, at least according to historian Henry Lee. Richard the Second had declared it in his charter as the place where all the bailiffs and the mayor were situated. Bailiffs were still seen down here from time to time, though mayors less often these days. Late on in the thirteen-hundreds all the wealth and power had shifted to the east side of the town, and a new Guildhall had been raised down at the foot of Abington Street, near where Caffè Nero stood today. That was the point from which you could most likely date the area’s decline: for more than seven hundred years the Boroughs had been going steadily downhill. It was a long hill, evidently, though as he stood there regarding the emetic tile-work Benedict believed the bottom was at last in sight.
Although the first Town Hall had been located here, that wasn’t why the former town square had been named the Mayorhold, or not as Ben understood things, anyway. His theory was that this had happened later, in the 1490s, at a time when Parliament had placed Northampton under the control of an all-powerful mayor and council made up of four dozen wealthy buggers, sorry matron, wealthy burghers that they called the Forty-Eight. Benedict thought that this was when the people of the Boroughs, like the folk of nearby Leicester, had begun their grand tradition of electing a joke mayor, to take the piss out of the processes of government from which they’d been excluded. They’d hold mock elections in the square here, hence the name, and would award a literal tin-pot chain of office made from a pot lid to whoever they’d randomly appointed, often somebody half cut, half sharp, half missing from a war wound, or, in extreme cases, all of the above. Benedict had a notion that his own paternal grandfather, Bill Perrit, had been one such appointee, but that was based on no more than the old man’s nickname, which had been “the Sheriff”, and the fact that he’d sit there all day blind drunk outside the Mayorhold Mission in an old wheelbarrow that he treated like a throne. Benedict wondered briefly if he could claim office based upon being descended from the Sheriff and on living where the first Town Hall had stood? He fancied himself as a Titchbourne Claimant, as a Great Pretender, one of those who’d put more forethought into getting crowns on heads than keeping heads on shoulders. Lambert Simnel, Perkin Warbeck and Benedict Perrit. Names to conjure with. Ah ha ha ha.
He turned along the sunken footpath, with ahead of him the steps that led up to the corner where the upper end of Bath Street met the top of Horsemarket. Even from this low vantage he could see the higher storeys of both tower-blocks, Claremont Court and Beaumont Court, where they poked up above the Spanish-omelette tiling of the dyke wall hulking on his right. The towers, for Benedict, had always marked the real end of the Boroughs, that rich, thousand-year-long saga that had been concluded with these overly-emphatic double exclamation marks. Newlife. It made you want to spew. Two or three years back there’d been calls to tear the barely-habitable monsters down, acknowledgements that they should never have been put up in the first place. Benedict had briefly thought he might outlive the bullying, oppressive oblongs, but then Bedford Housing had made some deal with the Council – still four dozen of the wealthy buggers, still the Forty-Eight after five centuries – and purchased both blocks for what was reputedly a penny each. The urine-scented ugly sisters had been tarted up and then turned out, supposedly, as fit accommodation for “Key Workers” that it seemed Northampton needed, mostly siren-jockeys: nurses, firemen, policemen and the like. Newlife. New life that had been parachuted in, in order to contain the previous inhabitants when they got sick or stabbed or set themselves on fire. As things worked out, though, what the tower blocks had been filled with was a stream of human leftovers … outpatients, crack-heads, refugees … not obviously different to the people who’d been living there before.
The leftie Roman Thompson from St. Andrew’s Street had once shown him a list of Bedford Housing’s board, which had included former Labour councillor James Cockie in the roster. This might possibly explain the penny price tags. Benedict turned left before he reached the steps to Bath Street corner, taking the pedestrian tunnel under Horsemarket that was sign-posted for town centre. Here the bilious orange-brown mosaic was all round him, rising to the arched roof of the tunnel where dim sodium lights at intervals emitted their unhelpful amber glow.
Ben’s gangling, insufficiently-lit shape sloped through the queasy catacomb that seemed to rustle with the ghosts of future murders. An abandoned shopping trolley rolled towards him menacingly for perhaps a foot, but then thought better of it, creaking to a sullen standstill. Only when he passed beneath a ceiling-lamp did his heroically-proportioned features or his tired, resigned smile flare into existence, like a head-and-shoulders sketch by Boz that somebody had put a match to. The unwelcome thought of Councillor Jim Cockie, possibly in combination with these subterranean surroundings, would appear to have unlocked a previously forgotten dream in which the councillor had featured, which Ben suddenly remembered from the night before, if only as a fuzzy string of cryptic fragments.
He’d been wandering through the generic terraces of elderly red brick and railway-arch-bound wastelands that appeared to be the default setting for his dreams. Somewhere within this eerie and familiar landscape there had been a house, a teetering old Boroughs house with stairs and passageways that never quite made sense. The streets were dark. It was the middle of the night. He’d known that family or friends were waiting for him in the building’s cellar, but he’d suffered all the usual dream-frustrations finding his way in, picking his way apologetically through other people’s flats and bathrooms, navigating laundry-chutes that were part-blocked by antique wooden desks he recognised from Spring Lane School. At last he’d reached a kind of boiler-room or basement that had blood and straw and sawdust on the floor, as if the space had been used as a slaughterhouse just recently. There was an atmosphere of squalid horror, yet this was somehow connected to his childhood and was almost comforting. He’d then become aware that Councillor Jim Cockie, someone that he barely knew, was standing in the gory cellar next to him, a corpulent, bespectacled and white-haired form dressed only in his underpants, his face a mask of dread. He’d said “This place is all I dream about. Do you know the way out?” Ben had felt disinclined to help the frightened man, one of that Forty-Eight who had historically destroyed the Boroughs, and had answered only “Ah ha ha. I’m trying to get further in.” At this point, Benedict had woken from what still seemed like somebody else’s nightmare. He emerged out of the tunnel, shaking off the bad dreams with the darkness of the underpass, and puffed up the steep gradient to Silver Street.
Across the other side of the dual carriageway that Silver Street now was, there rose the five-floor municipal car park, red and mustard yellow like spilled condiments. Somewhere beneath its stale Battenberg mass, Benedict knew, were all the shops and yards that had once backed onto the Mayorhold. There’d be Botterill’s the newsagent’s, the butcher’s, Phyllis Malin’s barbershop, the green and white façade of the Co-operative Society, Built 1919, Branch Number 11. There’d be the grim public toilets on the corner that his mam and dad had for some reason known as Georgie Bumble’s Office, and there’d be the fish and chip shop and Electric Light Working Men’s Club in Bearward Street and fifty other sites of interest ground to an undifferentiated dust beneath the weight of four-by-fours and Chavercrafts now piled above. The backside of the old Fish Market stood upon his right, itself erected on the synagogue attended by the silversmiths who’d lent the street its name. He added stars of David in a glittering filigree to the imaginary landfill languishing beneath the multi-storey motor show. Ford Transit Gloria Mundi. Ah ha ha ha.
Growing from the brick wall near the Chinese restaurant where Silver Street joined Sheep Street was a solitary wildflower, mauve and flimsy like a mallow though he didn
’t think it could be. From the pallid institution green of its limp stem stood gooseberry hairs, almost too fine to be distinguished by the adult eye. Whatever its variety, it was of humble, prehistoric stock, like Benedict himself. However delicate and dangling it seemed, it had pushed through the mortar of the modern world, asserted itself ineradicably in the face of a deflowered and drab MacCentury. He knew it wasn’t much of a poetic insight, not if you compared it to “The force that through the green fuse drives …”, but then these days he’d take his inspirations where he found them, like his wildflowers. Turning into Sheep Street he made for the Bear, where he intended to take up once more the burden of his daily challenge, which was trying to get hammered for a tenner.
Loud despite the relatively small number of customers that time of day, the Bear was simmering in sound from its own fruit machines: electric fairy-wand glissandos and the squelch of crazy frogs. Luminous tessellations rearranged themselves in the blurred corners of his vision, golds and reds and purples, an Arabian Nights palette. He remembered when a morning bar-room was a place of careful hush and milky light decanted through net curtains, not so much as a triumphal click out of the dominos.
The barman was a young chap half Ben’s age, a lad he vaguely recognised but whom he nonetheless addressed as “Ah ha ha. Hello, me old pal, me old beauty”, this delivered in a fair approximation of the voice associated once with now-forgotten Archers mainstay Walter Gabriel, neatly camouflaging, as he thought, the fact that he’d forgotten the bloke’s name.
“Hello there, Benedict. What can I get you?”
Ben looked round appraisingly at the establishment’s half-dozen other clients, motionless upon their stools like ugly novelty-set chessmen, sidelined and morose.
He cleared his throat theatrically before he spoke.
“Who’ll buy a pint of bitter for a published poet and a national treasure? Ah ha ha.”
Nobody looked up. One or two half-smiled but they were a distinct minority. Oh well. Sometimes it worked, if there was someone in who knew him, say Dave Turvey hunched up gentlemanly in one corner with his feathered hat on, looking like an autumn day in the bohemian quarter of Dodge City, somebody like that. On this particular Bad Friday morning, though, Dave’s usual seat was empty, and with great reluctance Ben dredged up the ten-pound note out of his pocket to deposit on the bar, as a down payment on the pint of John Smith’s that he one day hoped to call his own. Farewell, then, sepia Darwin. Farewell green and crimson 3D hummingbird transfixed by swirling patterns in the Hypnoscope. Farewell, my crumpled little friend of this half-hour now gone for good. I hardly knew ye. Ah ha ha.
Once served, he let himself be drawn into the plush curve of the side-seats, taking with him in one hand his filmy, frosted fistful, getting on eight quid in change balled in the other. Hello to slate-blue Elizth. Fry and what looked like a nineteenth-century battered woman’s refuge except for the disapproving spectre of John Lennon, sneering from the left of frame. This was quite possibly a fancy-dress campaigner representing Dads For Justice. With the fiver were two pound coins and some shrapnel. Grimacing, he shook his head. It wasn’t just that Benedict missed the old money, all the farthings, half-crowns, florins, tanners, though of course he did. But what he missed more, though, was being able to refer to pre-decimal coinage without sounding like an old dear who’d confused her bus pass with her kidney donor card. He was surprisingly self-conscious on the subject of self-parody.
He swigged the first half of his pint, plunging indulgently in the olfactory swim of memory and association, cheese and pickled onions, Park Drive packs of five pink in a green pub ashtray, standing next to his old man at the Black Lion’s diseased and possibly Precambrian urinal trough with a six-year-old’s sense of privilege. The rapidly successive mouthfuls were diluted gulps of vanished fields, the high-tech recreation of fondly imagined but extinct rusticity. He put down the half-empty glass, trying to kid himself that it was still half full, and wiped almost four decades of oral tradition from his smacking lips onto his pinstripe cuff.
He lifted up the canvas satchel’s flap, where it was set on the warm cushioning beside him, and pulled out A Northamptonshire Garland from within. Lacking Dave Turvey and a poetry discussion with the living, Benedict thought that he might as well strike up a conversation with the dead. The cheap and chunky hardback came out of the bag with its rear cover uppermost. In an ornate gold frame against a deep red background rubbed with cobblers’ wax was Thomas Grimshaw’s 1840s portrait of John Clare. The picture never looked quite right to Benedict, especially the outsized moonrise of the brow. If not for the brown topiary of hair and whisker fringing the great oval, it might be a man’s face painted on an Easter egg. A Humpty Dumpty with his mess of yolk and shell spread on the lawns of Andrew’s Hospital, and no one there to put him back together.
Clare stood posed uncomfortably before a non-specific rural blur, a leafy lane at Helpston, Glinton, anywhere, just after sunset or conceivably just prior to dawn, one thumb hooked statesmanlike upon his coat’s lapel. He looked off to the right, turning towards the shadows with a faintly worried smile, the corners of the mouth twitched up in an uncertain greeting, with the slightest wince of apprehension already apparent in those disappointed eyes. Was that, Benedict wondered, where he’d got it from, his own characteristically amused, forlorn expression? There were similarities, he fancied, between him and his enduring lifelong hero. John Clare had a fair old beak on him, not wholly different from Ben’s own, at least to judge from Grimshaw’s portrait. There were the sad eyes, the faltering smile, even the neckerchief. If someone were only to shave Ben’s head and feed him up a bit, he could be stepping out of the dry ice fumes on Stars In Their Eyes, one thumb snagged in his jacket, madhouse burrs caught in his sideburns. Tonight, Matthew, I will be the peasant poet. Ah ha ha.
Beneath the owlish likeness in the cover’s lower right was pasted a discoloured slug, fired from a price-gun fifteen years ago: VOLUME1 BOOKSHOPS, £6.00. To his consternation, for a moment Benedict could not even remember quite where VOLUME1 had been located. Had that been where Waterstone’s was now? There’d been that many bookshops in Northampton once, you’d be hard pressed to get around them all within a single day; mostly become estate agents and wine-bars. In Ben’s youth, even big stores like Adnitt’s had their book departments. There’d been trays of one-and-thrupenny paperbacks in both the upper and the lower branch of Woolworth’s, and there’d been a rash of second-hand dives shading into junkshops with invariably consumptive elderly proprietors, with yellow-covered 1960s pornographic classics glimpsed through dusty glass in unlit windows. Jaundiced Aubrey Beardsley nudes enrobed with Technicolor slapped Hank Janson sluts, a bit of sauce to liven up the casserole of Dennis Wheatley, Simenon and Alistair MacLean. Those grubby, spittle-lacquered archives, where had they all gone?
He raised his glass for a commemorative sip, a sip being approximately half a gill with eight sips to the pint. Taking the pack of Bensons and a street-bought three-for-a-quid lighter from his shoulder bag he gripped one of the cigarettes between eternally-wry lips, lighting it with the stick of liquid-centred amethyst. Ben squinted through the first blue puffs of smoke across the lounge bar. This had filled up, although not with anyone he recognised. Off somewhere to his left, a burbling audial cascade of virtual coins was punctuated with stabs from a science-fiction zither. Sighing non-specifically, he opened the anthology of local poets to its John Clare section, where he hoped that “Clock-a-Clay”, written from the perspective of a ladybird, might prove an antidote to the contemporary flash and jangle that he felt so alienated from. The miniaturist imagery was certainly transporting, though disastrously he couldn’t help but read on to the poem that was reproduced immediately after, which was Clare’s asylum-penned “I Am”.
Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life or joys,
But the vast shipwreck of my life’s