Drowned Marjorie said “Are we?” in a startled tone which Phyllis just ignored.
“Now, what we’ve got to find ayt first wiz who you are. Not what yer name wiz, yer’ve already told us that, but who yer people are, and where yer come from. And I’m not just talking about coming from St. Andrew’s Road, but where the stuff what made yer come from before that. Everything in the world what happens, everybody who wiz ever born, it’s all part of a pattern, and the pattern stretches back a long way before we wiz ’ere, and it guz on a long way after we’re all gone. If you want to find out what life’s abayt you have to see the pattern clearly, and that means yer’ve got to look at all the twists and turns back in the past that made yer pattern what it wiz. Yer’ve got to follow all the lines back, do yer see? Years back, or centuries in some cases. We might have to goo quite a long way before we find out what yer about.”
The little boy already looked disheartened.
“Have we got to walk all back along that big arcade for years? It’s lots of miles for even just a day.”
Drowned Marjorie, who sat the other side of Michael Warren on the packed dirt shelf, turned round to reassure him with the leaping candlelight smeared over each lens of the girl’s unflattering National Health spectacles. Her boggling, earnest eyes were lost in puddles of reflected flame.
“That wouldn’t be no good. Up in the Second Borough here, it’s not like how it wiz back down below. It’s just a sort of dream of how things used to be, so we could walk back down the Attics for as far as they went on and never find out anything worth knowing. It would all be thoughts and fancies, without much to do with anyone’s real life.”
You could almost hear the clockwork turning in the infant’s head as he considered this.
“But couldn’t we look down through all them big square holes and see all what wiz really going on below?”
Here Handsome John leaned forward, thrusting his heroic face into the halo of the candle as he butted in.
“All that we’d see is jewellery, the solid shapes what people leave behind them when they move through time. I’ll grant you, if you study them a long while you can more or less make out what’s happening, but it takes ages and you’re often none the wiser at the end of it.”
The little boy was clearly thinking so hard now that Phyllis feared his blonde head might inflate and blow to bits.
“But what if we went down the attic-holes like I did with that devil? We could see things normal then.”
Phyllis, at this point, snorted with derision.
“Oh, and seeing people with their guts and bones on the aytside wiz normal, wiz it? Anyway, it’s not just anybody who can take you for a ride above the daynstairs world like that. There’s magic powers what only fiends and builders ’ave. No, if we want to find ayt all the clues and bits of evidence that are to do with yer, there’s only one thing for it. We shall ’ave to use one of ayr special secret passages, that runs between Mansoul and what’s below. You do the ’onours, Reggie.”
Climbing to his feet in a half-crouch but with his bowler scraping on the hideout’s corrugated tin roof anyway, the gangly Victorian urchin cut a weird, fantastic figure in the candlelight with his Salvation Army overcoat swi
nging about his white and bony knees. He squatted on his haunches in a posture very like that of a jumping spider and began to roll the mouldering patch of carpet up from one end. It had had a pattern once, something with diamonds in two shades of brown, but through the gloom and rot only the barest rumour of design was visible as Reggie Bowler rolled it back. While he was thus engaged, Phyllis became aware that Michael Warren and the other members of her gang were edging gradually away from her along the hard black ledge where they were seated. Realising after a few moments that it was the odour of her rabbit pelts in this confined space that was driving them away she tossed her head dismissively and threw one end of the fur necklace back across her shoulder like an actress with a stole. Let them put up with it a minute or two longer. Soon enough they’d all be in a place where no one could smell anything.
The carpet remnant was now rolled into a damp cigar at one end of the rounded pit, exposing the distressed mahogany of an old wardrobe door apparently pressed down into the dirt beneath and which had been previously hidden by the mildewed rug.
“Give us a hand, John.” This was Reggie speaking as he worked his filthy fingernails down into the loose soil up at one end of the embedded door, fumbling for purchase. Handsome John stood up as best he could with the low ceiling and then got down on one knee at the far end of the scuffed wooden rectangle, pushing his fingers down into the crack between the door and its surrounding dirt like Reggie had. Upon the count of three and with a mutual grunt of effort, John and Reggie Bowler lifted the door clear and to one side.
It was as if someone had switched a television on in a dark room. A flood of nacreous grey light burst in to fill the cramped den, shining in a fanning hard-edged ray up through the ragged hole that had been underneath the wardrobe door, which had itself been hidden by the sodden carpet. Michael Warren gasped, beginner that he was. All the dead children’s faces were now under-lit as if by buried starlight and the candle was no longer necessary. Phyllis pinched it out, so’s not to waste it, and received a second skin of hot wax on her thumb and index finger for her pains. The Dead Dead Gang and their pyjama-sporting honorary member climbed down from their packed dirt perches, kneeling in a ring around the pearl blaze of the aperture as they stared mutely down.
The void, about three feet across, was like a peephole that spied down upon a luminescent fairy kingdom underneath the ground, a detailed landscape kept safe in a magic music box on which the lid had just been lifted. Nothing was in colour. Everything was black or white or one of several dozen finely-graded neutrals.
They were looking at a silvery patch of waste ground from above, with gouged clay soil from which grew buttercups and rosebay willowherb in vibrant monochrome. Tin grass shoved up its spears between a fallen sprawl of wet grey bricks, and the rainwater gathered in an upturned hubcap was reflecting only bands of quivering smoky shadow and the leaden clouds above. It was exactly as if somebody unpracticed with a camera had accidentally clicked the shutter while the box was pointed at the ground beneath their feet, had taken a fortuitously-lit and detailed photograph of nothing much at all. The snapshot world that they could see, though three-dimensional, had even got white creases running back and forth across it like a wedding picture left forgotten in a cluttered sideboard drawer, although on close inspection Phyllis knew that these would prove to be trajectories left in the wake of ghostly insects, which would fade from sight in moments.
Michael Warren glanced up from the landscape of burned platinum, its photo-album glow lighting his upturned chin from underneath as he gazed questioningly at Phyllis. He looked from her to the silent film view through the blot-shaped hole, and back again.
“What wiz it?”
Phyllis Painter hung her bloody bandolier of rabbit hides more comfortably around her skinny shoulders and was unable to keep from grinning smugly as she answered. Was there any other bunch of cheeky monkeys in the whole of Heaven had a bolt hole half as good as the Dead Dead Gang?
“It’s the ghost-seam.”
There below the grey breeze blew a sheet of blank, grease-spotted chip-wrap into view across one corner of the scene. Overexposed at its far edge the grainy and nostalgic image bled out to a flaring white, and one after another all the boys and girls went down into the zebra-and-Dalmatian dapple of the ghost-seam, down into the bleached Daguerreotype of a remembered world that was death’s mezzanine.
THE SCARLET WELL
Straight down the rabbit hole, and through the wardrobe door: it seemed to Michael as if this was a completely proper and time-honoured way to get into another world, although he couldn’t for the death of him have told you why it felt like that. Perhaps he just remembered something similar from an old story that he’d once had read to him, or else he was becoming more accustomed to the way things happened in this curious new place that he was lost in.
After all the fuss and fireworks of his kidnap by the horrifying Sam O’Day and then his rescue by the eerie ragamuffins of the Dead Dead Gang, he had decided that the best thing he could do would be to treat the whole thing like a dream. Admittedly, it was a dream that seemed to carry on for an uncomfortable length of time, a bit like going into your back yard and finding half a dozen soap bubbles you’d blown three days before still rolling round there in the drain-trap, and in Michael’s heart of hearts he knew that this was not a dream at all. Still, with its colours and its strangeness, it was easy to pretend that he was dreaming, which was better than reminding himself every moment of his actual situation, of the fact that he was dead and in a shabby-but-familiar afterlife with devils and ghost-children everywhere, or anyway, that’s where he was for the time being. Treating it all like a nightmare or a fairy story was a lot less bother.
Mind you, that was not the same as saying it was effortless. He found that he was having to work quite hard to ignore all of the things that told him this was more than just a dream that had outstayed its welcome, such as how real all the people seemed to be. Dream-people, he had found, were nowhere near as complicated as real people were, nor half as unpredictable, in that they generally did what you expected them to do. There never seemed to be much to them, not in Michael’s estimation. All the people he had met in Mansoul, on the other hand, seemed just as messy and as genuine as his own family or neighbours were. The lady who had saved him from the demon, Mrs. Gibbs, who’d called herself a deathmonger, she’d been as real to him as his nan May. In fact, when Michael thought about it, out of the two women, Mrs. Gibbs was probably the most believable. As for the Dead Dead Gang they were every bit as real as a grazed knee, along with all their special signals and their shortcuts and their secret den, all of the funny bits and bobs that made them what they were. Even if all of this did somehow still turn out to be a dream he thought that he’d be best off sticking with the dead kids, who at least appeared to know what they were doing and who clearly knew their way around.