Bridge of Clay - Page 7


Which brings us once more to the Murderer, and how could he have possibly known?

He could have guessed that when he got here, none of us might be home. He could have known he’d have to decide between using his old key and waiting on the front porch—to ask his single question, to make his proposition.

It was human derision he expected, even invited, sure.

But nothing like this.

What a broadside:

The hurtful little house, the onslaught of silence.

And that burglar, that pickpocket, of a mule.

At somewhere near quarter past six, he went footstep for footstep with Archer Street, and the beast of burden blinked.

* * *


And so it was.

The first pair of eyes the Murderer met inside belonged to Achilles, and Achilles was not to be trifled with. Achilles was in the kitchen, a few steps from the back door, in front of the fridge, with his customary what-the-hell-you-lookin’-at look parked on his long, lopsided face. Flare-nostriled, he was even chewing a bit. Nonchalant. In control. If he was minding the beer he was doing a bloody good job.

Well?

At this point, Achilles seemed to be doing all the talking.

First the city, now the mule.

In theory, it made at least some semblance of sense. If something of the equine species might turn up anywhere in this city, it would be here; the stables, the practice track, the distant voice of race callers.

But a mule?

The shock was indescribable, and the surroundings certainly didn’t help. This kitchen was a geography and climate all of its own:

Overcast walls.

Parched floor.

A coastline of dirty dishes stretching toward the sink.

And then the heat, the heat.

Even the mule’s vigilant belligerence eased momentarily in consideration of this terrible, heavyweight heat. It was worse in here than outside, and that was an achievement not to be sniffed at.

Still, it didn’t take Achilles long to be back on task, or was the Murderer so dehydrated he was hallucinating? Of all the kitchens in all the world. He thought fleetingly of shoving his knuckles into his eyes, to wring the vision out, but it was futile.

This was real.

He was sure this animal—this grey, patchy, ginger, light brown, thatch-faced, wide-eyed, fat-nostriled, casual bastard of a mule—was standing steadfast, on the cracked flooring, victorious, making one thing known, and irrefutably clear:

A murderer should probably do many things, but he should never, under any circumstances, come home.

Across town, while the Murderer met the mule, there was Clay, and Clay was warming up. Truth be told, Clay was always warming up. At that moment he was in an old apartment block, with stairs at his feet, a boy on his back, and a storm cloud in his chest. His short dark hair was flat on his head, and there was fire in each eye.

Running next to him, on his right, was another boy—a blond one, a year older—struggling to keep up, but pushing him all the same. On his left was a sprinting border collie, which made it Henry and Clay, Tommy and Rosy, doing what they always did:

Tags: Markus Zusak
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