She reached out toward the top of the diamond, but Jake put his hand over hers. "No," he said. " 'This pump primes, backward.' Remember?"
She looked startled, then smiled. "That's right. Clever Blaine ... and clever Jake, too."
They watched in silence as she pushed each number in turn, starting with ninety-seven. There was a minute click as each pad locked down. There was no tension-filled pause after she touched the last button; the gate in the center of the barrier immediately began to slide up on its tracks, rattling harshly and showering down flakes of rust from somewhere high above as it went.
"NOT BAD AT ALL," Blaine said admiringly. "I'M LOOKING FORWARD TO THIS VERY MUCH. MAY I SUGGEST YOU CLIMB ON BOARD QUICKLY? IN FACT, YOU MAY WISH TO RUN. THERE ARE SEVERAL GAS OUTLETS IN THIS AREA."
4
THREE HUMAN BEINGS (one carrying a fourth on his hip) and one small, furry animal ran through the opening in the barrier and sprinted toward Blaine the Mono. It stood humming in its narrow loading bay, half above the platform and half below it, looking like a giant cartridge--one which had been painted an incongruous shade of pink--lying in the open breech of a high-powered rifle. In the vastness of the Cradle, Roland and the others looked like mere moving specks. Above them, flocks of pigeons--now with only forty seconds to live--swooped and swirled beneath the Cradle's ancient roof. As the travellers approached the mono, a curved section of its pink hull slid up, revealing a doorway. Beyond it was thick, pale blue carpeting.
"Welcome to Blaine," a soothing voice said as they pelted aboard. They all recognized that voice; it was a slightly louder, slightly more confident version of Little Blaine. "Praise the Imperium! Please make sure your transit-card is available for collection and remember that false boarding is a serious crime punishable by law. We hope you enjoy your trip. Welcome to Blaine. Praise the Imperium! Please make sure your transit-card--"
The voice suddenly sped up, first becoming the chatter of a human chipmunk and then a high-pitched, gabbly whine. There was a brief electronic curse--BOOP!--and then it cut out entirely.
"I THINK WE CAN DISPENSE WITH THAT BORING OLD SHIT, DON'T YOU?" Blaine asked.
From outside came a tremendous, thudding explosion. Eddie, who was now carrying Susannah, was thrown forward and would have fallen if Roland hadn't caught him by the arm. Until that moment, Eddie had held onto the desperate notion that Blaine's threat about the poison gas was no more than a sick joke. You should have known better, he thought. Anyone who thinks impressions of old movie actors is funny absolutely cannot be trusted. I think it's like a law of nature.
Behind them, the curved section of hull slid back into place with a soft thud. Air began to hiss gently from hidden vents, and Jake felt his ears pop gently. "I think he just pressurized the cabin."
Eddie nodded, looking around with wide eyes. "I felt it, too. Look at this place! Wow!"
He had once read of an aviation company--Regent Air, it might have been--that had catered to people who wanted to fly between New York and Los Angeles in a grander style than airlines such as Delta and United allowed for. They had operated a customized 727 complete with drawing room, bar, video lounge, and sleeper compartments. He imagined the interior of that plane must have looked a little like what he was seeing now.
They were standing in a long, tubular room furnished with plush-upholstered swivel chairs and modular sofas. At the far end of the compartment, which had to be at least eighty feet long, was an area that looked not like a bar but a cosy bistro. An instrument that could have been a harpsichord stood on a pedestal of polished wood, highlighted by a hidden baby spotlight. Eddie almost expected Hoagy Carmichael to appear and start tinkling out "Stardust."
Indirect lighting glowed from panels placed high along the walls, and dependent from the ceiling halfway down the compartment was a chandelier. To Jake it looked like a smaller replica of the one which had lain in ruins on the ballroom floor of The Mansion. Nor did this surprise him--he had begun to take such connections and doublings as a matter of course. The only thing about this splendid room which seemed wrong was its lack of even a single window.
The piece de resistance stood on a pedestal below the chandelier. It was an ice-sculpture of a gunslinger with a revolver in his left hand. The right hand was holding the bridle of the ice-horse that walked, head-down and tired, behind him. Eddie could see there were only three digits on this hand: the last two fingers and the thumb.
Jake, Eddie, and Susannah stared in fascination at the haggard face beneath the frozen hat as the floor began to thrum gently beneath their feet. The resemblance to Roland was remarkable.
"I HAD TO WORK RATHER FAST, I'M AFRAID," Blaine said modestly. "DOES IT DO ANYTHING FOR YOU?"
"It's absolutely amazing," Susannah said.
"THANK YOU, SUSANNAH OF NEW YORK."
Eddie was testing one of the sofas with his hand. It was incredibly soft; touching it made him want to sleep for at least sixteen hours. "The Great Old Ones really travelled in style, didn't they?"
Blaine laughed again, and the shrill, not-quite-sane undertone of that laugh made them look at each other uneasily. "DON'T GET THE WRONG IDEA," Blaine said. "THIS WAS THE BARONY CABIN--WHAT I BELIEVE YOU WOULD CALL FIRST CLASS."
"Where are the other cars?"
Blaine ignored the question. Beneath their feet, the throb of the engines continued to speed up. Susannah was reminded of how the pilots revved their engines before charging down the runway at LaGuardia or Idlewild. "PLEASE TAKE YOUR SEATS, MY INTERESTING NEW FRIENDS."
Jake dropped into one of the swivel chairs. Oy jumped promptly into his lap. Roland took the chair nearest him, sparing one glance at the ice-sculpture. The barrel of the revolver was beginning to drip slowly into the shallow china basin in which the sculpture stood.
Eddie sat down on one of the sofas with Susannah. It was every bit as comfortable as his hand had told him it would be. "Exactly where are we going, Blaine?"
Blaine replied in the patient voice of someone who realizes he is speaking to a mental inferior and must make allowances. "ALONG THE PATH OF THE BEAM. AT LEAST, AS FAR ALONG IT AS MY TRACK GOES."
"To the Dark Tower?" Roland asked. Susannah realized it was the first time the gunslinger had actually spoken to the loquacious ghost in the machine below Lud.
"Only as far as Topeka," Jake said in a low voice.
"YES," Blaine said. "TOPEKA IS THE NAME OF MY TERMINATING POINT, ALTHOUGH I AM SURPRISED YOU KNOW IT."
With all you know about our world, Jake thought, how come you don't know that some lady wrote a book about you, Blaine? Was it the name-change? Was something that simple enough to fool a complicated machine like you into overlooking your own biography? And what about Beryl Evans, the woman who supposedly wrote Charlie the Choo-Choo? Did you know her, Blaine? And where is she now?
Good questions . . . but Jake somehow didn't think this would be a good time to ask them.
The throb of the engines became steadily stronger. A faint thud--not nearly as strong as the explosion which had shaken the Cradle as they boarded--ran through the floor. An expression of alarm crossed Susannah's face. "Oh shit! Eddie! My wheelchair! It's back there!"
Eddie put an arm around her shoulders. "Too late now, babe," he said as Blaine the Mono began to move, sliding toward its slot in the Cradle for the first time in ten years . . . and for the last time in its long, long history.
5
"THE BARONY CABIN HAS A PARTICULARLY FINE VISUAL MODE," Blaine said. "WOULD YOU LIKE ME TO ACTIVATE IT?"
Jake glanced at Roland, who shrugged and nodded.
"Yes, please," Jake said.
What happened then was so spectacular that it stunned all of them to silence . . . although Roland, who knew little of technology but who had spent his entire life on comfortable terms with magic, was the least wonder-struck of the four. It was not a matter of windows appearing in the compartment's curved walls; the entire cabin--floor and ceiling as well as walls--grew milky, grew translucent, grew transpar
ent, and then disappeared completely. Within a space of five seconds, Blaine the Mono seemed to be gone and the pilgrims seemed to be zooming through the lanes of the city with no aid or support at all.
Susannah and Eddie clutched each other like small children in the path of a charging animal. Oy barked and tried to jump down the front of Jake's shirt. Jake barely noticed; he was clutching the sides of his seat and looking from side to side, his eyes wide with amazement. His initial alarm was being replaced by amazed delight.
The furniture groupings were still here, he saw; so was the bar, the piano-harpsichord, and the ice-sculpture Blaine had created as a party-favor, but now this living-room configuration appeared to be cruising seventy feet above Lud's rain-soaked central district. Five feet to Jake's left, Eddie and Susannah were floating along on one of the couches; three feet to his right, Roland was sitting in a powder-blue swivel chair, his dusty, battered boots resting on nothing, flying serenely over the rubble-strewn urban waste land below.
Jake could feel the carpet beneath his moccasins, but his eyes insisted that neither the carpet nor the floor beneath it was still there. He looked back over his shoulder and saw the dark slot in the stone flank of the Cradle slowly receding in the distance.
"Eddie! Susannah! Check it out!"
Jake got to his feet, holding Oy inside his shirt, and began to walk slowly through what looked like empty space. Taking the initial step required a great deal of willpower, because his eyes told him there was nothing at all between the floating islands of furniture, but once he began to move, the undeniable feel of the floor beneath him made it easier. To Eddie and Susannah, the boy appeared to be walking on thin air while the battered, dingy buildings of the city slid by on either side.
"Don't do that, kid," Eddie said feebly. "You're gonna make me sick up."
Jake lifted Oy carefully out of his shirt. "It's okay," he said, and set him down. "See?"
"Oy!" the bumbler agreed, but after one look between his paws at the city park currently unrolling beneath them, he attempted to crawl onto Jake's feet and sit on his moccasins.
Jake looked forward and saw the broad gray stroke of the monorail track ahead of them, rising slowly but steadily through the buildings and disappearing into the rain. He looked down again and saw nothing but the street and floating membranes of low cloud.
"How come I can't see the track underneath us, Blaine?"
"THE IMAGES YOU SEE ARE COMPUTER-GENERATED," Blaine replied. "THE COMPUTER ERASES THE TRACK FROM THE LOWER-QUADRANT IMAGE IN ORDER TO PRESENT A MORE PLEASING VIEW, AND ALSO TO REINFORCE THE ILLUSION THAT THE PASSENGERS ARE FLYING."
"It's incredible," Susannah murmured. Her initial fear had passed and she was looking around eagerly. "It's like being on a flying carpet. I keep expecting the wind to blow back my hair--"
"I CAN PROVIDE THAT SENSATION, IF YOU LIKE," Blaine said. "ALSO A LITTLE MOISTURE, WHICH WILL MATCH CURRENT OUTSIDE CONDITIONS. IT MIGHT NECESSITATE A CHANGE OF CLOTHES, HOWEVER."
"That's all right, Blaine. There's such a thing as taking an illusion too far."
The track slipped through a tall cluster of buildings which reminded Jake a little of the Wall Street area in New York. When they cleared these, the track dipped to pass under what looked like an elevated road. That was when they saw the purple, cloud, and the crowd of people fleeing before it.
6
"BLAINE, WHAT'S THAT?" JAKE asked, but he already knew.
Blaine laughed . . . but made no other reply.
The purple vapor drifted from gratings in the sidewalk and the smashed windows of deserted buildings, but most of it seemed to be coming from manholes like the one Gasher had used to get into the tunnels below the streets. Their iron covers had been blown clear by the explosion they had felt as they were boarding the mono. They watched in silent horror as the bruise-colored gas crept down the avenues and spread into the debris-littered side-streets. It drove those inhabitants of Lud still interested in survival before it like cattle. Most were Pubes, judging from their scarves, but Jake could see a few splashes of bright yellow, as well. Old animosities had been forgotten now that the end was finally upon them.
The purple cloud began to catch up with the stragglers--mostty old people who were unable to run. They fell down, clawing at their throats and screaming soundlessly, the instant the gas touched them. Jake saw an agonized face staring up at him in disbelief as they passed over, saw the eyesockets suddenly fill up with blood, and closed his eyes.
Ahead, the monorail track disappeared into the oncoming purple fog. Eddie winced and held his breath as they plunged in, but of course it parted around them, and no whiff of the death engulfing the city came to them. Looking into the streets below was like looking through a stained-glass window into hell.
Susannah put her face against his chest.
"Make the walls come back, Blaine," Eddie said. "We don't want to see that."
Blaine made no reply, and the transparency around and below them remained. The cloud was already disintegrating into ragged purple streamers. Beyond it, the buildings of the city grew smaller and closer together. The streets of this section were tangled alleyways, seemingly without order or coherence. In some places, whole blocks appeared to have burned flat . . . and a long time ago, for the plains were reclaiming these areas, burying the rubble in the grasses which would some day swallow all of Lud. The way the jungle swallowed the great civilizations of the Incas and Mayas, Eddie thought. The wheel of ka turns and the world moves on.
Beyond the slums--that, Eddie felt sure, was what they had been even before the evil days came--was a gleaming wall. Blaine was moving slowly in that direction. They could see a deep square notch cut in the white stone. The monorail track passed through it.
"LOOK TOWARD THE FRONT OF THE CABIN, PLEASE," Blaine invited.
They did, and the forward wall reappeared--a blue-upholstered circle that seemed to float in empty space. It was unmarked by a door; if there was a way to get into the operator's room from the Barony Cabin, Eddie couldn't see it. As they watched, a rectangular area of this front wall darkened, going from blue to violet to black. A moment later, a bright red line appeared on the rectangle, squiggling across its surface. Violet dots appeared at irregular intervals along the line, and even before names appeared beside the dots, Eddie realized he was looking at a route-map, one not much different from those which were mounted in New York subway stations and on the trains themselves. A flashing green dot appeared at Lud, which was Blaine's base of operations as well as his terminating point.
"YOU ARE LOOKING AT OUR ROUTE OF TRAVEL. ALTHOUGH THERE ARE SOME TWISTS AND TURNS ALONG THE BUNNY-TRAIL, YOU WILL NOTE THAT OUR COURSE KEEPS FIRMLY TO THE SOUTHWEST--ALONG THE PATH OF THE BEAM. THE TOTAL DISTANCE IS JUST OVER EIGHT THOUSAND WHEELS--OR SEVEN THOUSAND MILES, IF YOU PREFER THAT UNIT OF MEASURE. IT WAS ONCE MUCH LESS, BUT THAT WAS BEFORE ALL TEMPORAL SYNAPSES BEGAN TO MELT DOWN."
"What do you mean, temporal synapses?" Susannah asked.
Blaine laughed his nasty laugh . . . but did not answer her question.
"AT MY TOP SPEED, WE WILL REACH THE TERMINATING POINT OF MY RUN IN EIGHT HOURS AND FORTY-FIVE MINUTES."
"Eight hundred--plus miles an hour over the ground," Susannah said. Her voice was soft with awe. "Jesus-God."
"I AM, OF COURSE, MAKING THE ASSUMPTION THAT ALL TRACKAGE ALONG MY ROUTE REMAINS INTACT. IT HAS BEEN NINE YEARS AND FIVE MONTHS SINCE I'VE BOTHERED TO MAKE THE RUN, SO I CAN'T SAY FOR SURE."
Ahead, the wall at the southeastern edge of the city was drawing closer. It was high and thick and eroded to rubble at the top. It also appeared to be lined with skeletons--thousands upon thousands of dead Luddites. The notch toward which Blaine was slowly moving appeared to be at least two hundred feet deep, and here the trestle which bore the track was very dark, as if someone had tried to burn it or blow it up.
"What happens if we come to a place where the track is gone?" Eddie asked. He realized he kept raising his voice to talk to Blaine, as if he wer
e speaking to somebody on the telephone and had a bad connection.
"AT EIGHT HUNDRED MILES AN HOUR?" Blaine sounded amused. "SEE YOU LATER, ALLIGATOR, AFTER A WHILE, CROCODILE, DON'T FORGET TO WRITE."
"Come on!" Eddie said. "Don't tell me a machine as sophisticated as you can't monitor your own trackage for breaks."
"WELL, I COULD HAVE," Blaine agreed, "BUT--AW, SHUCKS!--I BLEW THOSE CIRCUITS OUT WHEN WE STARTED TO MOVE."
Eddie's face was a picture of astonishment. "Why?" "IT'S QUITE A BIT MORE EXCITING THIS WAY, DON'T YOU THINK?"
Eddie, Susannah, and Jake exchanged thunderstruck looks. Roland, apparently not surprised at all, sat placidly in his chair with his hands folded in his lap, looking down as they passed thirty feet above the wretched hovels and demolished buildings which infested this side of the city.
"LOOK CLOSELY AS WE LEAVE THE CITY, AND MARK WHAT YOU SEE," Blaine told them. "MARK IT VERY WELL."
The invisible Barony Coach bore them toward the notch in the wall. They passed through, and as they came out the other side, Eddie and Susannah screamed in unison. Jake took one look and clapped his hands over his eyes. Oy began to bark wildly.
Roland stared down, eyes wide, lips set in a bloodless line like a scar. Understanding filled him like bright white light.
Beyond the Great Wall of Lud, the real waste lands began.
7
THE MONO HAD BEEN descending as they approached the notch in the wall, putting them not more than thirty feet above the ground. That made the shock greater . . . for when they emerged on the other side, they were skimming along at a horrifying height--eight hundred feet, perhaps a thousand.
Roland looked back over his shoulder at the wall, which was now receding behind them. It had seemed very high as they approached it, but from this perspective it seemed puny indeed--a splintered fingernail of stone clinging to the edge of a vast, sterile headland. Granite cliffs, wet with rain, plunged into what seemed at first glance to be an endless abyss. Directly below the wall, the rock was lined with large circular holes like empty eyesockets. Black water and tendrils of purple mist emerged from these in brackish, sludgy streams and spread downward over the granite in stinking, overlapping fans that looked almost as old as the rock itself. That must be where all the city's waste-product goes, the gunslinger thought. Over the edge and into the pit.