The other four GHOST cops had stopped showing up for shifts. Some radio reports had NYPD officers deserting the city like the New Orleans cops after Hurricane Katrina, but Jackson couldn’t believe that. Something else was happening—something beyond this sickness spreading throughout the boroughs. You’re sick, you bang in. You get your shift covered so you don’t leave a brother to pick up your slack. These claims of abandonment and cowardice offended him like some incompetent tagger’s clumsy-ass signature over a freshly painted wall. Jackson would believe this crazy vampire shit people were talking before he’d accept that his guys had turned tail and skedaddled to Jersey.
He got inside his unmarked car and drove down the quiet street to Coney Island. He did this three days a week, at least. It was his favorite spot growing up, but his parents didn’t take him there nearly as much as he’d have liked. While he’d abandoned his pledge to go every day when he was a grown-up, he went often enough for lunch to make it okay.
The boardwalk was empty, as he had expected. The autumn day was certainly warm enough, but with the mad flu, amusement was the last thing on people’s minds. He hit Nathan’s Famous and found the place deserted but not locked up. Abandoned. He had worked at this very hot-dog stand after high school, so he went back behind the counter and into the kitchen. He shooed away two rats, then wiped down the cooking surface. The fridge was still cold inside, so he pulled out two beef dogs. He found the buns and a cellophane-covered tin of red onions. He liked onions, especially the way the vandals winced when he got up in their face after lunch.
The dogs cooked fast, and he stepped outside to eat. The Cyclone and the Wonder Wheel were still and quiet, seagulls perched on the uppermost railings. Another seagull flew close, then darted away from the top of the wheel at the last moment. Jackson looked closer and realized that the critters sitting atop the structure weren’t birds at all.
They were rats. Lots of rats, dotting the top edges of the structure. Trying to grab birds. What in the hell?
He continued down the boardwalk, passing Shoot the Freak, one of Coney Island’s landmark attractions. From a railed promontory, he looked down into the alley-like shooting gallery cluttered with fencing, spattered barrels, and assorted mannequin heads and bowling pins set upon rusted racks for target practice. Along the railing were six paintball guns chained to a table. The sign listed the prices, promising a LIVE HUMAN TARGET.
The brick side walls were decorated with graffiti, creating more character. But among the fake white Krylon tags and weak bubble throw-ups, Jackson noticed another of Phade’s designs. Another six-limbed figure, this one in black and orange. And, near it, in the same colors, a design of lines and dots similar to the code he had been seeing all over town.
Then he saw the freak. The freak was dressed in heavy black armor, like riot gear, covering his entire body. A helmet and mask with protective goggles hid his face. The orange-painted shield he normally carried in order to deflect paintball projectiles stood against a low section of chain-link fence.
The freak stood at the far corner of the shooting alley, a can of spray paint in its gloved hand, marking up the wall.
“Hey!” Jackson called down to him.
The freak didn’t acknowledge him. It kept right on tagging.
“Hey!” called Jackson, louder now. “NYPD! I wanna talk to you!”
Still no response or reaction.
Jackson picked up each of the carbine-like paintball guns, hoping for a free shot. He found one with a handful of orange balls still inside its opaque plastic feeder. He shouldered the weapon and fired low, the carbine kicking and the paintball exploding in the dirt at the freak’s boot.
The freak didn’t flinch. It finished its tag and then dropped the empty can and started toward the underside of the railing where Jackson stood.
“Hey, asshole, I said I wanna talk to you.”
The freak did not stop. Jackson unloaded three blasts at its chest, exploding red. Then the freak passed below Jackson’s angle of fire, heading underneath him.
Jackson went to the railing, lifting himself over it and dangling a moment before dropping down. From there, he had a better view of the freak’s handiwork.
It was Phade. No doubt in Jackson’s mind. His pulse quickened and he started for the only door.
Inside was a tiny changing room, the floor spattered with paint. Beyond was a narrow hallway, and along it he saw, discarded, the freak’s helmet, gloves, goggles, body armor overalls, and other gear.m Jackson realized then what he had only previously begun to understand: Phade wasn’t just an opportunist using the riots as cover to blanket the city with his tags. No—Phade was linked to the unrest somehow. His markings, his throw-ups: he was part of this.
At the end, he turned into a small office with a counter and a phone, stacks of paintball loads in egg cartons, and broken carbines.
On the swivel chair was an open backpack stuffed with Krylon cans and loose markers. Phade’s gear.
Then a noise behind him and he whipped around. There was the tagger, shorter than Jackson had imagined, wearing a paint-stained hoodie, a silver-on-black Yankees cap, and an aerosol mask.
“Hey,” said Jackson, all he could think to say at first. It had been such a long hunt, he never expected to find his man so abruptly. “I wanna talk to you.”
Phade said nothing, staring, his eyes dark and low beneath the brim of his ball cap. Jackson moved to the side in case Phade was thinking of ditching his backpack and trying to make a run for it.
“You’re a pretty slippery character,” Jackson said. Jackson had his camera in his jacket pocket, ready as ever. “First of all, take off the face mask and hat. I want you to smile for the birdie.”
Phade moved slowly—not at all, at first, but then its paint-spattered hands came up, pulling back its hood, removing its cap, and pulling down its aerosol mask.
The camera remained at Jackson’s eye, but he never pushed the button. What he saw through the lens surprised him at first—then transfixed him.
This wasn’t Phade at all. Couldn’t be. This was a Puerto Rican girl.
She had red paint around her mouth, as though she had been huffing it, getting high. But no: huffed paint leaves an even, thin coat around the mouth. These were thick drops of red, some of it dried below her chin. Her chin dropped then, and the stinger lashed out, the vampire artist leaping onto Jackson’s chest and shoulders and driving him back against the counter, drinking him dry.