C is for Corpse (Kinsey Millhone 3) - Page 79

As I rounded some shrubs, I spotted him sitting on his front step, smoking a joint. He wore jeans and a leather vest over a plaid shirt, feet bare. His hair was pulled back in the same neat braid, beard and mustache looking grayer somehow than I remembered. He seemed very mellow, except for his eyes, which were aquamarine and impossible to read. He held the joint out to me, but I declined with a shake of my head.

"Didn't I see you at Bobby's funeral?" I asked.

"Might have. I saw you." His eyes settled on me with a disconcerting gaze. Where had I seen that color before? In a swimming pool where a dead man was floating like a lily pad. That had been four years ago, one of the first investigations I ever did.

"Chair over there if you have time to sit." He managed to get this sentence out while holding his breath, dope smoke locked in his lungs.

I glanced around and spotted an old wooden lawn chair, which I dragged over to the step. Then I took the address book out of my handbag and passed it to him, open to the back cover. "Any idea who this is? It's not a local number."

He glanced at the penciled entry and then gave me a quick look. "You tried calling?"

"Sure. I also tried the only Blackman listed in the book. Its a disconnect. Why? Do you know who it is?"

"I know the number, but it's not a telephone listing. Bobby moved the hyphen over."

"What's it for? I don't understand."

"These first two digits indicate Santa Teresa County. Last five are the morgue code. This is the I.D. number on a body we got in storage. I told you we had two that had been out there for years. This is Franklin."

"But why list it under Blackman?"

Kelly smiled at me, taking a long pull off his joint before he spoke. "Franklin's black. He's a black man. Maybe it was Bobby's joke."

"Are you sure?"

"Reasonably sure. You can check it yourself if you don't believe me."

"I think he was searching for a handgun out there. Would you have any idea where he might have started?"

"Nope. Place is big. They must have eighty, ninety rooms out there that haven't been used in years. Could be anywhere. Bobby would have worked his shift by himself. He had the run of the building as long as no one found out he was away from his work."

"Well. I guess I'll just have to wing it. I appreciate your help."

"No problem."

I went back to my office. Kelly Borden had told me that a kid named Alfie Leadbetter would be working the three-to-eleven shift at the morgue. The guy was a friend of his and he said he d call ahead and let him know I was coming out.

I hauled out my typewriter again and made some notes. What was this? What did the corpse of a black man have to do with the murder of Dwight Costigan and the blackmailing of his former wife?

The phone rang and I picked it up like an automaton, my mind on the problem at hand. "Yes?"

"Kinsey?"

"Speaking."

"I wasn't sure that was you. This is Jonah. You always answer that way?"

I focused. "God, sorry. What can I do for you?"

"I heard about something I thought might interest you. You know that Callahan accident?"

"Sure. What about it?"

"I just ran into the guy who works Traffic and he says the lab boys went over the car this afternoon. The brake lines were cut just as clean as you please. They transferred the whole case to Homicide."

I could feel myself doing the same kind of mental double take I'd done just minutes before when I finally heard what the name Blackman meant. "What?"

"Your friend Bobby Callahan was murdered," Jonah said patiently. "The brake lines on his car had been cut, which means all the brake fluid ran out, which means he crashed into that tree because he rounded the curve with no way to slow down."

"I thought the autopsy showed he had a stroke."

"Maybe he did when he realized what was happening. That's not inconsistent as far as I can tell."

"Oh, you're right." For a moment I just breathed in Jonah's ear. "How long would that take?"

"What, cutting the brake lines or the fluid running out?"

"Both, now that you mention it."

"Oh, probably five minutes to cut the lines. That's no big deal if you know where to look. The other depends. He probably could have driven the car for a little while, pumped the brakes once or twice. Next thing he knew, he'd have tried 'em and boom, gone."

"So it happened that night? Whoever cut the lines?"

Tags: Sue Grafton Kinsey Millhone Thriller
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