O is for Outlaw (Kinsey Millhone 15) - Page 100

I found my car in the designated slot and took a moment to get my bearings. The parking lot was shiny with puddles from a recent shower. Given the low probability of rain any given day in California, I drank in the scent. Even the air felt different: balmy and humid with the late afternoon temperatures in the low 70s. Despite Santa Teresa's proximity to the Pacific Ocean, the climate is desert-like. Here, a moist spring breeze touched at newly unfurled leaves, and I could see pink and white azaleas bordering the grass. I shrugged out of Mickey's jacket and locked it in the trunk along with my duffel.

I decided to leave the issue of a motel until after I'd talked to Yount. It was close to the dinner hour, and chances were good that I'd find him at home. Following instructions, I took one of the downtown off-ramps, cutting over to Third, where I took a right and crossed Broadway. I drove slowly along Third, scanning house numbers. I finally spotted my destination and pulled in at a bare stretch of curb a few doors away. The tree-lined street, with its three-story houses of dark red brick, must have been lovely in the early days of the century. Now, some of the structures were run-down, and encroaching businesses had begun to mar the nature of the area. The general population was doubtless abandoning the once-stately downtown for the featureless suburbs.

Yount's residence was two and a half stories of red brick faced with pale fieldstone. A wide porch ran along the front of the building. Three wide bay windows were stacked one to a floor. An air conditioner extended from an attic window. The street was lined with similar houses, built close to one another, yards and alleyways behind. In front, between the sidewalk and the street, a border of grass was planted with maples and oaks that must have been there for eighty to a hundred years.

I climbed three steps, proceeded along a short cracked walkway, and climbed an additional six steps to the glass door with its tiny foyer visible within. Yount's residence had apparently once been a singlefamily dwelling, now broken into five units, judging from the names posted on the mailboxes. Each apartment had a bell, connected to the intercom located near the entrance. I rang Yount's apartment, waiting two minutes before I rang again. When it became clear he wasn't answering, I tried a neighbor's bell instead. After a moment, the intercom crackled to life and an old woman clicked in, saying, "Yes?"

I said, "I wonder if you can help me. I'm looking for Porter Yount."

"Speak up."

"Porter Yount in apartment three."

"What's the time?' I glanced at my watch. "Six-fifteen."

"He'll be down yonder on the corner. The Buttercup Tavern."

"Thanks."

I returned to the sidewalk, where I peered up and down the street. Though I didn't see a sign, I spotted what looked like a corner tavern half a block down. I left my car where it was and walked the short distance through the mild spring air.

The Buttercup was dark, cloudy with cigarette smoke, and smelling of bourbon. The local news was being broadcast at low volume on a color TV set mounted in one corner of the room. The dark was further punctuated by neon signs in a series of advertisements for Rolling Rock, Fehr's, and Stroh's Beer. The tavern was paneled in highly varnished wood with red leather stools along the length of the bar. Most of the occupants at that hour seemed to be isolated individuals, all men, all smoking, separated from each other by as many empty stools as space allowed. Without exception, each turned to stare at me as I came in.

I paused just inside the door and said, "I'm looking for Porter Yount."

A fellow at the far end of the bar raised his hand.

Judging from the swiveling heads, my arrival was the most interesting event since the Ohio River flooded in 1937. When I reached Yount, I held my hand out, saying, "I'm Kinsey Millhone."

"Nice meeting you," he said.

We shook hands and I perched on the stool next to his.

I said, "How are you?"

"Not bad. Thanks for asking." Porter Yount was heavyset, raspy-voiced, a man in his eighties. He was almost entirely bald, but his brows were still dark, an unruly tangle above eyes that were a startling green. At the moment, he was bleary-eyed with bourbon and hisbreath smelled like fruitcake. I could see the bartender drift in our direction. He paused in front of us.

Yount lit a fresh cigarette and glanced in my direction. He was having trouble with his focus. His mouth seemed to work, but his eyeballs were rolling like two green olives in an empty relish dish. "What'll you have?"

"How about a Fehr's?"

"You don't want Fehr's," he said. And to the bartender, "Lady wants a shot of Early Times with a water back."

Tags: Sue Grafton Kinsey Millhone Thriller
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