R is for Ricochet (Kinsey Millhone 18) - Page 13

He'd suggested that I wait in the parking lot, so I'd hoofed it back to my VW. So far, the community of Corona seemed a bit grim for my taste. A trail of yellow smog hung on the horizon like something a crop-dusting plane might have left in its wake. The mid-July heat was as thick as soured milk and smelled of feedlots. A buffeting wind was blowing and there were flies everywhere. My T-shirt was sticking to my back and I could feel a sheen of moisture on my face – the sort of clamminess that wakes you from a dead sleep when you've just come down with the flu.

The view through the ten-foot chain-link fences was an improvement. I could see green lawns, walkways, and hibiscus plants with showy red and yellow blossoms. Most of the buildings were dun-colored and built close to the ground. Female inmates strolled the yards in groups of two and three. I knew from reading I'd done that construction had just been completed on a 110-bed Special Housing Unit. Total staff was 500, give or take a few, while the prison population varied between 900 and 1,200. Whites were in the majority, with ages bunched in the thirty-to-forty range. The prison provided both academic and vocational programs, including computer programming. Prison industries, largely textiles, produced shirts, shorts, smocks, aprons, handkerchiefs, bandannas, and fire-fighting clothing. Frontera also served as a hub for the selection and training of firefighters, who would be assigned work in the forty-some conservation camps across the state.

For the umpteenth time, I looked at the snapshot of Reba Lafferty taken before her legal ills and her felony quarantine. If she'd abused alcohol and drugs, the excess didn't show. Restlessly, I returned the photo to my shoulder bag and fiddled with the tuner on the radio. The morning news was the usual disheartening mixture of murder, political shenanigans, and dire economic predictions. By the time the news anchor cut to the station break, I was ready to cut my own throat.

At 9:00 A.M. I glanced up and caught sight of activity near the vehicle sally port. The gates had been rolled back and an outbound sheriffs department van now idled while the driver presented his paperwork to the sally port officer. The two of them exchanged pleasantries. I got out of my car. The van pulled through the gate, made a wide right-hand turn, and then slowed to a stop. I could see a number of women onboard, parolees headed for the real world, their faces turned to the window like a row of plants seeking light. The doors to the van hissed open and closed, and then the vehicle moved off.

Reba Lafferty stood on the pavement in prison-issue tennis shoes, blue jeans, and a plain white T-shirt without benefit of a brassiere. All inmates are obliged to surrender their personal clothing on arrival at the prison, but I was surprised her father hadn't sent her something of her own to wear home. I knew she'd been compelled to purchase the outfit she wore since the articles were considered government property. She'd apparently declined the prison-issue bra, which was probably about as flattering as an orthopedic brace. Inmates are also | required to leave prison without anything in hand, except their two hundred bucks in cash. Startled, I saw that she looked exactly like the I' photo. Given Nord Lafferty's advanced age, I'd pictured Reba in her fifties. This girl was barely thirty.

Her hair was now cropped short and looked damp from a shower. During her incarceration, the blond had grown out and the natural dark strands were spikey, as though she'd stiffened them with mousse. I expected her to be heavy, but she was trim almost to the point of looking frail. I could see the bony hollows of her collarbones beneath the cheap fabric of her T-shirt. Her complexion was clear but faintly sallow, and her eyes were smudged with dark shadows. There was something sensual about her; a defiance in her posture, a touch of swagger in her walk.

I lifted my hand in greeting and she crossed the road, moving in my direction.

"You here for me?"

"That's right. I'm Kinsey Millhone," I said.

"Great. I'm Reba Lafferty. Let's hit the friggin' road," she said as we shook hands.

We walked to the car and for the next hour, that was the extent of our conversation.

I prefer silence to small talk so the lack of chitchat wasn't awkward.

I varied my route, catching Highway 5 south until it intersected the 101. A couple of times I thought of asking her a question, but I didn't think the ones that came to mind were any of my business. Why'd you steal the money and How'd you screw it up and get caught being foremost.

It was Reba who finally broke the silence. "Pop told you why I was in?"

"He said you took money, but that's all," I said. I noticed that I'd bypassed the word 'embezzlement,' as though it might be rude to name the crime that resulted in her prison term.

Tags: Sue Grafton Kinsey Millhone Thriller
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