Sociable, a little formal, a knowing catalyst, Rex introduced me to friends he had known at UT, including the talented fine artists Peggy Zorin, Jilly Cornish and her husband, Jimmy, as well as others who were yet to leave Texas en route for Mysterious and London. At last we had a full set of talented contributors who could give us a substantial inventory, interacting with increased gravity, attracting other writers who added superb stories to our contents list, the best anyone had read in ages, combining a sophistication and vitality taken for granted today but representing a quantum jump at the time and making us the most celebrated fiction magazine of our day. The debate was suddenly over. We could demonstrate everything we’d discussed. That was what Rex Fisch did for Mysterious and the rough-and-ready movement we’d always denied was a movement. We entered a golden age. Almost every story we published was anthologized. A good many won prizes.
I knew of course that our little revolution would collapse rapidly once we achieved what we hoped for and our individual careers were made. Real life grew darker after those good years. The first tragedy was Jane Allard’s death on a trip back to the family home near Nantes. Billy moved to Streatham to bring up his kids. We drove over with our own to visit from time to time. Next, Rex took part in a poetry tour with several well-known poets, including the notoriously omnisexual Spike Allison. He came back g*y (no surprise to his friends) and monstrously troubled about it after Spike dumped him on their return to London. Our relationships were only just surviving the divorces, rearrangements and general infighting. People join revolutions until they get what they want as individuals, then start quarrelling over the spoils, however imaginary. I was surprised by how many of our friendships remained intact. Writing mostly nonfiction, Jake settled down with a local girl, Daisy Angelino, in Portobello Road, near our offices. Rex met Chick Archer, who was from Maine, at an S & M bar in Paris. They fell in love, travelled for a few years, then bought their lovely freezing old house in the English Lakes. The place couldn’t be more Wordsworthy with its hard, driving cloud banks bringing relentless rain, rewarding you with bursts of sunshine, the whole fell moving like a living body in its contours and shadows, over which Rex presided with a rather proprietorial air at his huge sitting-room windows. Sometimes the wind bawled against the long scar of Wattendale Edge, creating waves across the black tarn. You can see those landscapes, beautifully drawn by Chick in their Mary Stone comic. They’re still syndicated. Almost nobody knew Rex wrote that great, gritty newspaper strip which made them more money than anything else and which explained why their home smelled so strongly of well-loved wealth.
Rex and I still made each other laugh uncontrollably, much to Chick’s silent disgust. This of course drove the sadistic Rex to increase Chick’s discomfort. I suspect that’s why we didn’t get invited up so often. Harry went to live in Ireland with his Dublin-born wife, to look after her mother who lived on a miserable council estate just outside Cork. Stuck there, Harry grew increasingly depressed and began a long book on Nietschze. I saw him occasionally when he came to do research at the British Library. Jimmy and Jill Cornish settled near the old mill in Tufnell Hill. He wrote reviews, criticism for the LRB and nonfiction guides. She produced commercial posters to supplement her gallery shows. Others continued to get novels published and exhibitions arranged with increased success. Pete Bates disappeared on a cycling holiday in France. His bike was found at the bottom of a sea cliff in Brittany. Other good writers and artists came and went. Charlie Ratz joined us as our designer. I performed and made records with the Deep Fix.
I thought we were extending the ’60s golden age but really it was the end. I continued to publish Mysterious but now it was edited by others as affairs and relationships collapsed dramatically across four continents. Gender roles rolled in every possible direction. Stable quartets became full orchestras; ramshackle duets became rock-solid trios. If you visited friends in San Francisco, you needed a complicated chart to know who was with whom, why, when and where. As he and Rex settled in to do the old Alan Bennetts, Chick now wore the slightly self-conscious air of a resting chorus boy down from London for the weekend. Rex had exchanged his Texan brogue for a rather attractive Cowardian drawl which disappeared on the few occasions he phoned home. Chick’s tones grew increasingly clipped. They were models of moral righteousness, so thoroughly faithful that when AIDS came it gave them no hint of anxiety. They adopted a very superior attitude to everyone else, of course. And particularly, it turned out, to me. With three much-loved offspring to care for, I weakly divorced Helena, married again and moved across the street with my child bride, Jenny.
Though I had suffered with Rex through his sexual transition and every minor treachery practiced on and by him, he chose to see my breakup with Helena as perhaps the most infamous deed since Eddie’s in Death of the Heart. My separation from Helena was reasonably amicable, I thought. I was still supporting everyone. I’d done it pretty straightforwardly. But the first time I took Jenny up to Wattendale to see them and a group of friends they’d invited, I thought the murmured commentary from Rex would never end. If Kim and Di Stanley hadn’t as usual conned me into giving them a lift up from Bury I would have gone back on the Saturday morning. I was furious and very close to ending our friendship on the spot.
Jenny talked me out of it. “I love hearing you and Rex tell your stories.” She grinned. “You’re such great liars.”
I hardly saw Rex or Chick for the next three years. Chick sent a card at Christmas with just his signature on it. Jenny sent one from us. But I’d had enough. Rex wasn’t the only moody bastard writing for Mysterious and I just didn’t have the energy to work at anything more. At least he was still sending his stuff in, via Charlie Ratz, the new editor. Charlie still saw him regularly. His parents had retired to a massive house outside Keswick, only a couple of miles from Rex and Chick. Whenever Charlie returned to London, he had a new story or two with him. Or Jake Slade would go up and bring something back.
Rex knew the prestige of publishing in the mag. The public saw no ruptures. We were getting more praise than was probably healthy. In fact, a critic brought about our reconciliation. Julie Mistral, the NYT reviewer who had been our early champion, now lived about half the year in England. She threw one of her so-called A-list parties and we were all invited. The party was held in the huge rundown hotel restaurant she rented.