"Where would you like to go first? I can take you there, you know. I can weave a spell. Just name it. London? Cairo? Cairo makes your face turn on like a light. So let's go to Cairo. Just relax now. Put some of that nice tobacco in that pipe of yours and sit back."
He sat back, lit his pipe, half smiling, relaxing, and listened, and she began to talk. "Cairo ..." she said.
The hour passed in jewels and alleys and winds from the Egyptian desert. The sun was golden and the Nile was muddy where it lapped down to the deltas, and there was someone very young and very quick at the top of the pyramid, laughing, calling to him to come on up the shadowy side into the sun, and he was climbing, she putting her hand down to help him up the last step, and then they were laughing on camel back, loping toward the great stretched bulk of the Sphinx, and late at night, in the native quarter, there was the tinkle of small hammers on bronze and silver, and music from some stringed instruments fading away and away and away....
William Forrester opened his eyes. Miss Helen Loomis had finished the adventure and they were home again, very familiar to each other, on the best of terms, in the garden, the tea cold in the silver pourer, the biscuits dried in the latened sun. He sighed and stretched and sighed again.
"I've never been so comfortable in my life."
"Nor I."
"I've kept you late. I should have gone an hour ago."
"You know I love every minute of it. But what you should see in an old silly woman ..."
He lay back in his chair and half closed his eyes and looked at her. He squinted his eyes so the merest filament of light came through. He tilted his head ever so little this way, then that.
"What are you doing?" she asked uncomfortably.
He said nothing, but continued looking.
"If you do this just right," he murmured, "you can adjust, make allowances...." To himself he was thinking, You can erase lines, adjust the time factor, turn back the years.
Suddenly he started.
"What's wrong?" she asked.
But then it was gone. He opened his eyes to catch it. That was a mistake. He should have stayed back, idling, erasing, his eyes gently half closed.
"For just a moment," he said, "I saw it."
"Saw what?"
"The swan, of course," he thought. His mouth must have pantomimed the words.
The next instant she was sitting very straight in her chair. Her hands were in her lap, rigid. Her eyes were fixed upon him and as he watched, feeling helpless, each of her eyes cupped and brimmed itself full.
"I'm sorry," he said, "terribly sorry."
"No, don't be." She held herself rigid and did not touch her face or her eyes; her hands remained, one atop the other, holding on. "You'd better go now. Yes, you may come tomorrow, but go now, please, and don't say any more."
He walked off through the garden, leaving her by her table in the shade. He could not bring himself to look back.
Four days, eight days, twelve days passed, and he was invited to teas, to suppers, to lunches. They sat talking through the long green afternoons--they talked of art, of literature, of life, of society and politics. They ate ice creams and squabs and drank good wines.
"I don't care what anyone says," she said. "And people are saying things, aren't they?"
He shifted uneasily.
"I knew it. A woman's never safe, even when ninety-five, from gossip."
"I could stop visiting."
"Oh, no," she cried, and recovered. In a quieter voice she said, "You know you can't do that. You know you don't care what they think, do you? So long as we know it's all right?"
"I don't care," he said.
"Now"--she settled back--"let's play our game. Where shall it be this time? Paris? I think Paris."