"Paris," he said, nodding quietly.
"Well," she began, "it's the year 1885 and we're boarding the ship in New York harbor. There's our luggage, here are our tickets, there goes the sky line. Now we're at sea. Now we're coming into Marseilles...."
Here she was on a bridge looking into the clear waters of the Seine, and here he was, suddenly, a moment later, beside her, looking down at the tides of summer flowing past. Here she was with an aperitif in her talcum-white fingers, and here he was, with amazing quickness, bending to
ward her to tap her wineglass with his. His face appeared in mirrored halls at Versailles, over steaming smorgasbords in Stockholm, and they counted the barber poles in the Venice canals. The things she had done alone, they were now doing together.
In the middle of August they sat staring at one another one late afternoon.
"Do you realize," he said, "I've seen you nearly every day for two and a half weeks?"
"Impossible!"
"I've enjoyed it immensely."
"Yes, but there are so many young girls ..."
"You're everything they are not--kind, intelligent, witty."
"Nonsense. Kindness and intelligence are the preoccupations of age. Being cruel and thoughtless is far more fascinating when you're twenty." She paused and drew a breath. "Now, I'm going to embarrass you. Do you recall that first afternoon we met in the soda fountain, you said that you had had some degree of--shall we say affection for me at one time? You've purposely put me off on this by never mentioning it again. Now I'm forced to ask you to explain the whole uncomfortable thing."
He didn't seem to know what to say. "That's embarrassing," he protested.
"Spit it out!"
"I saw your picture once, years ago."
"I never let my picture be taken."
"This was an old one, taken when you were twenty."
"Oh, that. It's quite a joke. Each time I give to a charity or attend a ball they dust that picture off and print it. Everyone in town laughs; even I."
"It's cruel of the paper."
"No. I told them, If you want a picture of me, use the one taken back in 1853. Let them remember me that way. Keep the lid down, in the name of the good Lord, during the service."
"I'll tell you all about it." He folded his hands and looked at them and paused a moment. He was remembering the picture now and it was very clear in his mind. There was time, here in the garden to think of every aspect of the photograph and of Helen Loomis, very young, posing for her picture the first time, alone and beautiful. He thought of her quiet, shyly smiling face.
It was the face of spring, it was the face of summer, it was the warmness of clover breath. Pomegranate glowed in her lips, and the noon sky in her eyes. To touch her face was that always new experience of opening your window one December morning, early, and putting out your hand to the first white cool powdering of snow that had come, silently, with no announcement, in the night. And all of this, this breath-warmness and plum-tenderness was held forever in one miracle of photographic chemistry which no clock winds could blow upon to change one hour or one second; this fine first cool white snow would never melt, but live a thousand summers.
That was the photograph; that was the way he knew her. Now he was talking again, after the remembering and the thinking over and the holding of the picture in his mind. "When I first saw that picture--it was a simple, straightforward picture with a simple hairdo--I didn't know it had been taken that long ago. The item in the paper said something about Helen Loomis marshaling the Town Ball that night. I tore the picture from the paper. I carried it with me all that day. I intended going to the ball. Then, late in the afternoon, someone saw me looking at the picture, and told me about it. How the picture of the beautiful girl had been taken so long ago and used every year since by the paper. And they said I shouldn't go to the Town Ball that night, carrying that picture and looking for you."
They sat in the garden for a long minute. He glanced over at her face. She was looking at the farthest garden wall and the pink roses climbing there. There was no way to tell what she was thinking. Her face showed nothing. She rocked for a little while in her chair and then said softly, "Shall we have some more tea? There you are."
They sat sipping the tea. Then she reached over and patted his arm. "Thank you."
"For what?"
"For wanting to come to find me at the dance, for clipping out my picture, for everything. Thank you so very much."
They walked about the garden on the paths.
"And now," she said, "it's my turn. Do you remember, I mentioned a certain young man who once attended me, seventy years ago? Oh, he's been dead fifty years now, at least, but when he was very young and very handsome he rode a fast horse off for days, or on summer nights over the meadows around town. He had a healthy, wild face, always sunburned, his hands were always cut and he fumed like a stovepipe and walked as if he were going to fly apart; wouldn't keep a job, quit those he had when he felt like it, and one day he sort of rode off away from me because I was even wilder than he and wouldn't settle down, and that was that. I never thought the day would come when I would see him alive again. But you're pretty much alive, you spill ashes around like he did, you're clumsy and graceful combined, I know everything you're going to do before you do it, but after you've done it I'm always surprised. Reincarnation's a lot of milk-mush to me, but the other day I felt, What if I called Robert, Robert, to you on the street, would William Forrester turn around?"
"I don't know," he said.
"Neither do I. That's what makes life interesting."